楚門的世界影評英文
年前奧姆尼康電視製作曲公司收養了一名嬰兒,他們刻意培養他使其成為全球最受歡迎的紀實性肥皂劇『楚門的世界』中的主人公,公司為此取得了巨大的成功。然而這一切卻只有一人全然不知,他就是該劇的唯一主角——楚門。
楚門從小到大一直生活在一座叫海景的小城(實際上是一座巨大的攝影棚),他是這座小城裡的一家保險公司的經紀人,楚門看上去似乎過著與常人完全相同的生活,但他卻不知道生活中的每一秒鍾都有上千部攝像機在對著他,每時每刻全世界都在注視著他,更不知道身邊包括妻子和朋友在內的所有人都是『楚門的世界』的演員。
雖然感覺到每個人似乎都很注意他,而且從小到大所做的每一件事卻都有著一些意想不到的戲劇性的效果,但這些都沒有使這位天性淳樸的小夥子太過於在意。可節目的製作組為了尋求更特別的效果,竟讓在楚門小時候因他而「死」的「父親」再次露面,但並不讓他們會面,直到楚門悲痛萬分後才讓他們「父子」相認,從而達到他們所要的效果。
然而這一切卻使一位既是『楚門的世界』的忠實觀眾又是該節目群眾演員的年輕姑娘瑪麗十分同情楚門,她給了楚門一些善意的暗示,使他不得不開始重新認識自己的生活。漸漸地楚門發現他工作的公司每一個人都在他出現後才開始真正的工作,他家附近的路上每天都有相同的人和車在反復來往,更讓他不敢相信的是,自稱是醫生並每天都去醫院工作的妻子竟不是醫生。楚門開始懷疑他所生活的這個世界,包括他妻子、朋友、父親等所有的人都在騙他,一種發自內心的恐懼油然而生。
痛定思痛,他決定不惜一切代價逃出海景這個令他噤若寒蟬的小城,去尋找屬於自己真正的生活和真正愛他的人。然而,楚門卻低估了集這個肥皂劇的製作人、導演和監制大權於一身的克里斯托弗的力量。克里斯托弗將一切都設計得近乎完美,近30年裡牢牢地把楚門控制在海景的超現實世界之中。
經過幾次逃脫的努力失敗後,楚門決定從海上離開這座小城,然而他卻絕望地發現他面前的大海和天空竟然也是這個巨大攝影棚的一部分,這時克里斯托弗走了出來,他向楚門講述了事情的來龍去脈,並告訴楚門他如今已經是世界上最受歡迎的明星,他今天所取得的一切是常人無法想像的,如果他願留在海景就可繼續明星生活,楚門不為所動,毅然走向遠方的自由之路……
2. 求楚門的世界英文影評,三百多詞就可以了。50奉上,在線等
A prototypical adolescent at the beginning of the movie, Trumen feels trapped into a familial and social world to which he tries to conform while being unable to entirely identify with it, believing that he has no other choice (other than through the fantasy of fleeing to a far-way island). Eventually, Truman gains sufficient awareness of his condition to "leave home" — developing a more mature and authentic identity as a man, leaving his child-self behind and becoming a True-man.
In 2008, The Truman Show was named as one of the 10 most prophetic science fiction films. The story reflects the falseness of reality television. Truman simply lives, and the show's popularity is its straightforward voyeurism. And, like Big Brother, Survivor, and every other reality show on the air, none of his environment is actually real. Ronald Bishop's paper in the Journal of Communication Enquiry suggests The Truman Show showcased the power of the media. Truman's life inspires audiences around the world, meaning their lives are controlled by his.
Finally, the film was a financial and critical success, and earned numerous nominations at the 71st Academy Awards, 56th Golden Globe Awards, 52nd British Academy Film Awards and The Saturn Awards. The Truman Show has been analyzed as a thesis on Christianity, metaphilosophy, simulated reality, existentialism, and the rise of reality television.
3. 《楚門的世界》英文影評 簡單一點的,高中生詞彙就行了
What will you do if you suddenly find out that the life you are leading is actually a planned life, and it's not planned by God or someone, it's planned by a TV-show creator. Also, the entire world have watched you since your birth. Your life is just another TV-show.
That is the situation which Truman Burbank finds himself in, and tries to discover the world. Even the boat he uses to sail over the sea is metaphor, "Santa Maria" was the name of the ship in which Columbus discovers the world.
Jim Carrey, the funnyman, is equally superb in both comedy and drama scenes. Here you see both of those 2 sides. Laura Linney and Noah Emmerich are also good. Ed Harris, he has a knack of pulling some of the very best supporting performance.
Truman Show is a show that should not be missed.
4. 電影《楚門的世界》經典英文台詞
我來告訴你一個不是台詞,但對於《楚門的世界》來說是經典的哲理...
「有時候世界雖然是假的,但並不缺少真心對待我們的人」
5. 楚門的世界 英語觀後感
(這是影評啊,但我相信會有你要的東西)Unusually intelligent Jim Carrey movie - a provocative and prescient media satire. Puts Big Brother and the current spate of docu-soaps firmly into perspective Truman Burbank (Carrey) is a happily married insurance salesman living a normal life in a small American town so perfect that he has never felt the need or desire to leave it. He has a loving wife (Linney), and a loyal best buddy (Emmerich). Life is good until one morning a stage light drops from the skies and shatters on the ground perilously close to him. It is the trigger that sets him questioning everything around him. What is behind the facades of the buildings he has never entered? Why do people seem to be travelling around him in a perfectly synchronized loop? What is going on outside his home-town? Truman is, it turns out, the unwitting star of a top-rated 24-hour-a-day TV docu-soap. Under the careful critical scrutiny to which it has been subjected, the plot turns out not to be watertight. This is to miss the point of what is a hilarious and breathtakingly conceived satire which also allows Carrey to edge away from broad comedy. The Truman Show is also oddly moving and has, as you would expect from a Weir film, a pronounced metaphysical slant with Ed Harris playing the show's archly named procer/creator Christof. Verdict One of the cinematic highlights of the 1990s, The Truman Show is up there with Weir's very best work.
6. 求 楚門的世界 英文觀後感以及影評 英文的。。角度是從中西方文化差異。不要從網上摘抄的
Truman was a man, ordinary, like the life around us. He has many desires, and very easy to meet. Therefore, he sometimes ecstatic, sometimes Rusangkaobi, most of the time the loss depressed, overwhelmed. At this time, there has been a director of genius useless, and he constantly create new stimuli, so that he becomes ups and downs in the long drama, appetizing. Truman happy he would give him time to create some trouble, when in its depressed, then seize the opportunity to open it alive. He made such romantic novels as blonde suddenly appeared in the sight of Truman, his erotic valve open, letting her sudden departure, so the mind fall into a bottomless abyss; he had never met before to Truman "late father" suddenly appeared, to recognize exaggerated comic scenes make it in your eyes, but also make the TV viewing audience tears; he brought Truman's close friends in their emotional bad time to care for him, enlighten He, so that it felt the "Oasis in the Desert" and rebirth of confidence, although the friend is an actor, and is carrying a large segment of lines ... ...
Who admire the film brilliant and arrogant genius director, he leads people to think of God, also saw the weak, tired, helpless and confusion Truman was the hypocrisy of the play again, or for life and the future with optimism when the waves in my heart to sorrow and grief, I could not bear to face - can not bear to face a real "us"!
"Life is like a play, movie is like life," so lamented philosopher, but the actors on the stage of life - we, is not always an act of consciousness has it? Or deception and the arrangement of God, selflessly doing meaningless things? Happy, do not
Enough to make us love this world; setbacks, not enough to make us abandon this world. God is like the genius as a director, holds a very good degree, he knew that when a blow to us, when we gave a warm fire burned, he allows us to maintain hope in pain, in hope enre pain, the pain making the story as waves, but also making the ratings, the hope is to train and gave us the appearance fees, so we are not so half-way stop play.
The end of the movie, Truman is awake, and he told the camera, really the "God" strike played out. Panic talented director, he will lose the audience, he strove to retain Truman, the director told him to leave the control of the world is very dangerous, but Truman was out of that door, walks over to the dark unknown world, he said that the world waiting for him no matter what, he did not care. Buddhism, the "epiphany" one said, and that a complete self-sufficiency of human nature is dead in the st covering it, it lost. Truman is the insight it seems, he should get back the lost self, the self-contained complete and carefree nature.
"Diamond Sutra" language: "Where all the phases are all false, if seen in the phase of non-relative, then see the Tathagata." Costume sooner or later to fade, set to be removed sooner or later, when the act is performed in a lively manner, but Do not forget to watch a movie than ever addiction, feel free to let another "I" - the I, off the stage, in the audience, sipping tea, take a look at the stage of "I" and "them", a few drum Under the palm, a few drops of tears flow, understand this, that will insight a. In fact, we not taken the door across what is the relationship? Because our hearts have been cross-out.
翻譯成中文:楚門是個普通人,普通得就像生活在我們身邊。他有許多的慾望,又很容易滿足。因此,他有時欣喜若狂,有時如喪考妣,大多的時候則彷徨郁悶,不知所措。這時,天才的導演又有了用武之地,他不斷地製造新的刺激,使他的長劇變得波瀾起伏,吊人胃口。他在楚門快樂的時候便給他製造些麻煩,在其沮喪的時候,則不失時機地給其開啟一線生機。他讓金發女郎如言情小說般突然出現在楚門的視線中,開啟他愛欲的閥門,又讓她突然離去,使其心靈墜入無底的深淵;他讓楚門從未謀面的「已故父親」突然現身,誇張滑稽的相認場面令其熱淚盈眶,同時也賺取了電視觀眾的熱淚;他又讓楚門的知心朋友在其情緒惡劣的時候去關懷他、開導他,令其感受到這「荒漠中的甘泉」而重生信心,雖然那位朋友只是一個演員,而且正背著大段台詞……
很佩服電影中那位才華橫溢、不可一世的天才導演,他讓人想到了上帝,同時看到那個軟弱、疲憊、徨惑的楚門被一次次的虛偽所玩弄,還是對生活和前途充滿了樂觀時,我的內心就一陣陣地酸楚,我不忍面對——不忍面對一個真實的「我們」!
「人生如戲,戲如人生」,哲人如此感嘆,但人生舞台上的演員——我們,是不是時刻都有一種演戲的自覺呢?還是在上帝的欺瞞和安排下,忘我地做著無意義的事呢?快樂,不
足以使我們熱愛這個世界;挫折,不足以使我們拋棄這個世界。上帝就像那個天才的導演一樣,掌握著很好的度,他知道該在何時給我們當頭一棒,何時又給我們燒起暖暖的火爐,他使我們在痛苦中保持希望,在希望中忍受痛苦,因為痛苦製造著劇情的波瀾,也製造著收視率,希望則是賞給我們的出場費,使我們不至於中途罷演。
電影的末尾,楚門是覺悟了的,他對著攝影機,真的向「上帝」罷演了。天才的導演恐慌了,他將失去觀眾,他竭力挽留楚門,告訴他離開了導演控制的世界是很危險的,但楚門還是走出了那扇門,走向那個黑漆漆的未知世界,他說不管那個世界中等待他的是什麼,他都不在乎。佛家有「頓悟」一說,並說人的本性自足圓滿,是人世的塵埃覆蓋了它,使它迷失。看來楚門是頓悟了,他要找回那個失去的自我,那個自足圓滿、自由自在的本性。
《金剛經》語:「凡所有相,皆是虛妄,若見諸相非相,則見如來。」戲裝遲早要褪去,布景也遲早要撤下,演戲的時候則生龍活虎地演一場,只是別忘了過過看戲的癮,隨時讓另一個「我」——本我,走下舞台,在觀眾席上,呷一口茶,看看戲台上的「我」和「他們」,鼓幾下掌,流幾滴淚,明白了這一點,便接近頓悟了。其實,我們跨不跨出那扇門又有什麼關系?因為我們的心靈已經跨了出去。
7. 《楚門的世界》英語觀後感
《楚門的世界》英語觀後感,見附件。txt 格式,用記事本打開。
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8. 楚門的世界英語影評用英語怎麼說
until now, and then the answer is that we accept the reality of the world with which we are presented. I was shocked when I heard this. In our daily life, we get used to what is happening around us so we never ask why this just happens. Although we live our lives everyday, life itself is the thing easiest forgotten by us. If we pay more attention to our life, we may find that there are so many things for us to do to enhance our life. We are usually getting numb with time going by. So be curious about the things happened in our life and you may find that life is interesting and happy.
Cherishing your life and enjoying your life, you can make a big difference.
好好珍惜你的生命和享受你的生活吧,你一定能創造出一些成績!!加油
9. 求《楚門的世界》英文影評
《楚門的世界》英文影評717篇:
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挑選一篇能看懂的好了。
10. 楚門的世界影評
當你三十歲的時候,突然發現原來自己的生活原來徹頭徹尾都是一場盛大的騙局,你會作何種感想? 我很佩服這部戲的編劇,真不愧為最佳劇本。他生動地以諷刺的手法向人們展示當今這個被媒體滲透了的世界。我們的時代究竟是一個怎樣的時代?技術的發展、物質的充裕,究竟是解放了人還是束縛了人?究竟是把人推向了更加自主的方向,還是把他更加置於自己的對立面,更加失去了自我,更加遠離了真實的世界和鮮活的人生?《楚門的世界》用一種近乎寓言式的敘事,給了我們一個耐人尋味的回答。 每一個人都有自己的劇本,稱之為「命運」。但是「命運」的最終結局是怎麼樣呢?我們的教育體制、社會架構、經濟模式、道德觀念、文化傳統都在不斷地教化世人,但我們究竟要做一個怎麼樣的人呢?同時,我們的媒體,尤其電視、電影,教育我們要成為什麼什麼家、什麼什麼英雄才算出色,童時的我們不斷為這些美麗的謊言而努力。當突然有一天,我們發現幻象的泡沫破裂,光靠自己的力量是達不到目標,那時候迷茫的我們應該何去何從?如同電影裡面,楚門初戀女友短暫出場的幾個鏡頭,她衣服上有一個徽章的特寫:「How is it going to end?」——這會是何種結局?這個答案太復雜了。但很顯然,楚門只屬於楚門的世界——一個被操縱的虛擬世界。他的出生、成長,一切的喜怒哀樂,如果不出意外的話,包括他的死亡,都將在一個被人為操縱和設計好的舞台上上演,並被無以計數的生活於光鮮富足的現代世界的男男女女們駐足觀看。他們與楚門融為一體,一起經歷著成長的歷程,離開楚門,他們的生活將無以為繼,世界將大亂,生活將沒有意義。然而,一場被設計好的持續了三十年之久的曠古未有的真人秀,卻終因楚門的疑心和探求欲被擊碎了。在楚門歷經了人造的風暴、雷電、巨浪的考驗後,承載著他走向真相的船,無情地撞破了那個藍得刺眼的美麗但卻虛假的天空。在那一剎那,一個神話結束了,一個陰謀被置於陽光之下。更為重要的是,這深深的撞擊,證明只要人性尚存,心靈是無法被永遠操縱的。觀看影片的我們,是否意識到,我們自身的生活又何嘗不是被種種欺騙包圍著么?意識形態的轟炸,從小到大一種聲音的灌輸,和楚門的世界有何不同?和《楚門的世界》不同的是,真實的大世界沒有那扇可以找到的、走得出去的大門,所以比楚門更可悲的或者是我們這群充滿窺私慾的看客。 同時,在這部荒誕不經的電影裡面,充滿了大量暗喻與諷刺。 首先是對人性的諷刺,尤其是深深隱藏在內心裡的窺私慾。 片中這個虛擬的世界取悅大眾近三十年,始終保持著高居不下的收視率,無數人目睹一個有血有肉的正常人所有的成長痕跡,讓他們悲傷,讓他們歡喜,讓他們焦躁,讓他們瘋狂。這些觀眾其實比那個操縱楚門的導演更殘暴、更無情,如同魯迅先生說的麻木不仁的旁觀者,他們窺探、他們沉默、他們隱藏,他們是缺乏同情心,麻木的群體。什麼都在那裡了,人與事與物,似乎唯獨感情不在那裡,在應該出現感情的波紋與色調的地方,只有一片空白和虛無,甚至可以說就是一個看不到的黑洞。只要與己無關,哪怕你殺的是活生生的同胞,也不過是一場熱鬧!最後,他們看到的是另外一種瘋狂,瘋狂的人相信瞬間就是永恆的存在,正如同相信抓住自己的腳就能飛到半空中一樣。觀眾在看一場精心策劃的鬧劇,看困鬥獸,看騙局,而自己又何嘗不是被愚弄和控制的對象呢?而愚弄自己和控制自己的不是社會,不是政府,社會與政府都是大眾意志集合的代表,幕後主腦正是人類本身。人類無時無刻不在自我愚弄,彼此間以他人的隱私來滿足自己的窺私慾,同時又深惡痛絕自己被偷窺,樂而不疲。 其次,這是對媒介的反思。 人的出生與離去都是孤獨的,所以需要交流,需要共鳴。同理,從出生、成長、死去,我們對世界的認識,從來是都是局限的,我們永遠無法做到像萬能的上帝那樣,可以對這個世界瞭然於胸。我們不得不藉助於各種載體來超脫我們的肉體樊籬,從而使得心靈可以通達久遠的過去,遙想漫長的未來,想像異邦的人世間,以滿足我們無限的好奇心和知識慾望。在這個意義上,我們不得不贊同麥克盧漢的至理名言:「媒介是人體的延伸」。然而,文明發展的悖論正在於,它常常走向自身的反面,成為剝奪自由和消解主體性的幫凶。今天,電子媒介在全球范圍內的普及和迅速擴張,已經完全實現了麥克盧漢關於「地球村」的天才預言。也正因為如此,全世界的人們才得以在同一個地球上,同時觀看楚門的世界,從而在如此廣袤的時空范圍內把人性中的窺探欲演繹得如此淋漓盡致。 現實的悲劇性正在於,在這個媒介的時代,誰都難以逃脫楚門的命運,誰也沒有十足的底氣說自己與楚門無關。在各種形式的電視真人秀節目中,難道我們不會見到楚門的影子嗎?當我們在為超級女生而狂熱歡呼的時候,難道我們不會在自己的身上看到那些抱著電視與楚門廝守的觀眾的影子嗎?在經濟利益驅動一切的今天,商業邏輯的泛濫,已經逼迫我們不得不把我們自己玩弄於股掌之間,我們只有自娛自樂,並在狂歡的剎那間,出賣我們的金錢、隱私、自由,乃至生命。如此看來,《楚門的世界》作為一個時代性的操縱隱喻,不僅講述了真實和虛假的邊界問題,更重要的則是提醒我們走出時代的騙局,走近我們的心靈,在一種頑強的反思中,保有一份不那麼時髦的自由。 最後,片中那個導演的角色頗值得爭議。 他營造了一個烏托邦,卻以掠奪他人的靈魂作為試驗的代價,確實已經超越了人道和人性的范疇。但是就烏托邦這個單純的想法來說,並沒有錯誤。當我們被謊言和虛假包圍了幾十年時,與其殘忍的戳破他們卻又發現自己無力突破他們,不如依舊生活在別人營造的謊言里,過一種沒有反抗和思想的生活,直到死去。只是意識到這一點的人,早已經看破了這個謊言,而生活在謊言中的人始終樂此不疲。所以這個悖論不可突破,並不具有實際的意義。這又令我想起魯迅先生那個「鐵籠子」的比喻:大多數的國民對國事昏昏頓頓,彷如在點燃的鐵籠子熟睡,但如果吶喊把他們叫醒,發現籠子無路可逃,那是不是應該讓他們在熟睡中死去?依我看來,片中「導演」扮演的是一個早醒者的角色,他不知道怎麼從籠子里出去,但很清楚籠子里的情況,而這場真人秀電視節目何嘗不能看成是一聲震耳欲聾的吶喊呢?