Tess影評
1. 急！辣媽辣妹(Freaky Friday)英文影評
給你4篇地道外國人寫的英文影評，又長有專業，可以參考！
http://www.veryabc.cn/movie/new/article/2007/0801/article_532.html
http://www.veryabc.cn/movie/new/article/2007/0801/article_533.html
http://www.veryabc.cn/movie/new/article/2007/0801/article_534.html
http://www.veryabc.cn/movie/new/article/2007/0801/article_535.html
2. 我想知道辣媽辣妹的英文影評
To make Freaky Friday work perfectly; you would have to believe that Jamie Lee Curtis is Lindsay Lohan and Lindsay Lohan is Jamie Lee Curtis. Although at times it seemed that way, at other times, it just seemed like Lohan was trying to be Curtis and Curtis was trying to be Lohan. Any way you look at it, Freaky Friday is a family-friendly film that tries to please everyone, and does. It pleases shallow teen prep girls because of Chad Michael Murray. It pleases teen boys because of Lindsay Lohan. It pleases older men because of a Jamie Lee Curtis thong shot. It pleases older women because of Mark Harmon. It pleases the whole family, being that they already saw Finding Nemo and it's the only other family movie out there.
Tess Coleman (Jamie Lee Curtis) (changed from Ellen Andrews from the novel by Mary Rodgers) is a harried psychiatrist who still has time for her family. Anna Colemen (Lohan) (changed from Annabel Andrews) is supposed to be a typical teenager (but is anything but), and has daily fights with her younger brother Harry (Ryan Malgarini) (changed from Ben Andrews). Tess is going to marry Ryan (Harmon), because her husband died three years ago (can't there be a Disney movie with both parents still alive?), of whom Anna doesn't approve. After a fueled feud, Tess and Anna open fortune cookies that switch bodies: Tess is in Anna's body, and vice versa. Whatever will be done?
Although most people have praised Curtis for her accurate portrayal of a typical teen (although with the people at my school, what she does is anything but typical), and she should be, Lohan does better at being an alt. If Lohan, a teenager, could be an alt so well, that's rather scary. I thought at most times Lohan was Tess, but Curtis was having too much fun as Anna to really be thought of as great. Instead of acting like Lohan, Curtis just acts like a young kid who just ate too much ice cream.
One part of Freaky Friday that I didn't like is how often we were put in an awkward situation. And when they were there, they just didn't seem plausible. All of a sudden, Anna-as-Tess is a guest on a talk show, talks to someone she has a crush on, and watches Tess-as-Anna perform? Not only were they awkward, they were just not believable. On the other hand, Freaky Friday not only has some genuinely funny moments, but is also quite touching at times. Obviously, it was going to be, and Tess and Anna were going to learn to respect each other, considering it was shown in the trailer.
One other part I didn't like was how far it strayed from the book. It only focused on Anna-as-Tess (Annabel-as-Ellen), and how she spent her day. Of course, back then she was a housewife, but now she has to be a successful doctor. I do admire it for changing it, unlike others, which is basically watching the book. Overall, Freaky Friday is a likable, pleasant 90-minute diverter. It won't change your life, but you won't be upset you saw it.
My rating: 7/10
Rated PG for mild thematic elements and some language.
3. 有《辣媽辣妹》英文版的觀後感嗎
By all rights, "Freaky Friday" should have been little more than a cinematic footnote, the latest example of a movie remake that didn't need to be made. But sometimes the seemingly impossible happens, and filmmakers actually manage to improve on creaky material.For example, this re-do of the 1977 Jodie Foster vehicle, later remade for TV's "Wonderful World of Disney" 1995 with Shelley Long in the mother role, is funnier, sweeter and more charming than either previous version.A lot of that has to do with Jamie Lee Curtis, who stars as Tess Coleman, a workaholic therapist about to remarry. Her high-maintenance teenage daughter Anna (Lindsay Lohan) isn't too thrilled about it, and the two spend most of their time butting heads.That all changes in a hurry after a hex causes them to switch bodies. Suddenly Tess finds herself having to deal with tests, teachers and a would-be boyfriend (Chad Michael Murray), while Anna has to cope with neurotic patients and figure out what to do about the impending nuptials.Even more daunting is the fact that these seemingly polar opposites will have to cooperate with each other if they're going to find a way out of their predicament. Director Mark Waters is smart to keep the tone light fast-paced, so that some of the character inconsistencies and plot holes aren't glaring. Besides, he's got two most appealing screen heroines in Curtis and Lohan.The former is clearly having a ball here. It's easy to forget just how funny she can be — it's been a long time since "A Fish Called Wanda." As for the latter, this is her second Disney remake (including the 1998 re-do of "The Parent Trap") and again she impresses; so why has it been five years since we've seen her?As for their male co-stars, Mark Harmon is appropriately subed as Tess' fiance, while veteran Harold Gould steals his scenes as Tess' somewhat confused father.
4. 《德伯家的苔絲》影評
曾以為作家的偉大在於多產，在於創作大量經典名著。看了Thomas Hardy的名作Tess of the D』urbervilles（《德伯家的苔絲》），才知道好著作只需一部足夠。哈代筆下的苔絲曾被多位出色的女演員演繹過，1979年德國女演員Nastassja Kinski出演的電影《苔絲》獲得最佳攝影、最佳藝術指導、最佳服裝設計三項Oscar金獎，後來相繼拍成了其他演員擔演的電視連續劇，其中我最愛Justine Waddell飾演的Tess---1998年BBC推出的電視劇《德伯家的苔絲》。
好的故事因有好的情節，演繹的出色不亞於情節本身。
有人說曾獲得Oscar獎項的電影《苔絲》不如BBC於98年的電視劇《德伯家的苔絲》，因為女主人公的扮演者不同。據說Nastassja Kinski太野性，她的經歷使她難以演繹出哈代筆下的苔絲---美麗的英國鄉村少女的形象；而Justine Waddell有種英國式的古典美，既優雅甜美又有種說不出來的孤寂感，所以與哈代筆下的苔絲的形象更為接近。
我也更喜歡98年的電視劇《德伯家的苔絲》。五年前買了《德伯家的苔絲》電視劇VCD（片長約3小時，共3張），痛快地看了又看，越看越著迷，叫人心碎…五年後的今天，對苔絲的眷念仍不減，執起筆來，重溫些許插曲與片段，細細回味劇中的氣息，濃郁的悲情…
★ 我的「苔絲情結」
1. 潔白如詩那般美，令人迷醉
Tess很美。她的姣好與玲瓏映襯在一身的潔白下。她很白，白的那麼純，不可褻瀆；白的那麼美，無與倫比；白得那般艷，令人驚羨。那般白，曾盛開在燦爛的日光下，奔放在原野綠叢中，舞動在庄園秋色里。那般白，曾如此的出奇奪目、嬌艷動人。當火紅的玫瑰戳傷了手，鮮血沾染了潔白，Tess的白，開始讓人憐惜。
「Shall I compare thee to a summer's day? Thou art more lovely and more temperate.」「我能否將你比作夏天？你比夏天更美麗溫婉。」(出自我最愛的詩歌---莎翁十四行詩之18)
很自然想起這首詩，就學著它那樣來形容Tess---
「Shall I compare you to an Easter lily? You are more pure and pretty.」「我能否把你比作百合？你比它更純潔更美。」
2. 影音與命運雙重奏，撩動人心
無論快樂與苦痛，Justine的真情演繹，皆發自內心，毫不虛掩。盡管命運一次次變著戲法，給無知的Tess開玩笑，幸福一次次繞過她身旁溜走，她依然亭亭玉立，猶如一朵鮮花，嬌艷欲滴，沁人心脾。我不禁震懾住了，內心涌動一股悲情，哀Tess所哀，愁Tess所愁，我相信觀者定能感受到，並與之共鳴。
令我驚詫的，還有劇中反復奏響的樂曲，那淡淡的憂傷。那樂曲多麼美妙動聽，讓人如痴如醉，百聽不厭。佳音好比天籟，就象莫文蔚的一曲《盛夏的果實》，誰也計算不了曾經醉過多少天下人，歌曲里那淡淡的憂傷，和諧的韻律與無窮的韻味令多少人為之傾倒！
電視劇《德伯家的苔絲》的插曲與故事情節如此吻合，激起了我心底萬般柔情。故事的情節不失浪漫，浪漫之餘卻散發著憂傷，彌漫著宿命。情節與畫面交織的天衣無縫，影音與命運的雙重奏，給純潔的Tess蒙上了宿命的色彩。主旋律、背景音樂與摻和的曲調穿插於劇情中，訴說著淡淡的憂傷、綿綿哀怨、柔弱、孤苦與無助，預示著冥冥中的命運。
3. 咽著淚水那一幕，百折不回
當歷盡磨難的Angel決定從巴西重返英國，與心愛的Tess言歸於好，便有了Tess含淚帶笑，默默注視Angel的一幕。Angel的歸來，猶如一把利刃，徑直刺向Tess的心坎。「Too late...Too late!...」 一切都來的太晚！
多少個日夜，Tess企盼著丈夫回心轉意，回到自己身旁。抱著一線希望，她給Angel寫信，懇求丈夫迅速歸來保護自己。可是伴隨她的卻是孤獨、悔恨、憤慨、絕望，最後，她只能甘受屈辱和苦難。
Too late! 聲聲悲切。這遲來的相見，是命運的捉弄，天意弄人。
想起韓國影視的女角色都愛哭。為感動而哭，莫名、單純地哭，天真可愛甚或淘氣地哭。如My Girl（《我的女孩》）里李多海飾演的「周幼琳」，一把鼻涕、滿臉淚花，毫無保留地把一切溢於言表，以淚水宣洩…而Tess，則將所有的冤屈與苦痛以及對愛人的思念都統統深埋在心裡，默然含淚，淚往心裡流，此情此景，言語怎來得及思索？
4. 死亡是苦難的終結，肝腸寸斷
苦難終有盡頭。在一個靜謐的黎明，Tess被捕，被處絞刑，至此，全劇終了。然而，與電視劇不同的是，小說的結局燃點了希望：Angel懷著懺悔和苔絲的妹妹開始了新的生活。這種希望，是否預示著新的愛情的萌生？就好象許多愛情故事一樣，妹妹繼承姐姐的愛，和男主人公從此幸福快樂地生活。可是真能幸福快樂嗎？當初愛得那般死去活來、肝腸寸斷，我懷疑這種愛的繼承，至少，在《德伯家的苔絲》里我相信愛是無法繼承的。就象《拿什麼來拯救你，我的愛人？》里的故事一樣，愛，無法彌補，沒有替身，也沒有退路，只能按著原路走，唯一條路，一直走下去……
只有在懸崖，斷腸人才得以解脫
5. 給個德伯家的苔絲評價
講訴抄一個貧窮無知少女被Alec誘奸懷孕，孩子死亡，之後去牛奶廠，認識了Clare，另一個悲劇又開始了。相知到相許，眼看幸福降臨了，新婚之夜，苔絲坦白了過去，遭到Clare的拋棄。之後丈夫遠走他鄉，苔絲痛苦中掙扎，後迫於無奈又與Alec同居。一年後Clare醒悟，回來找苔絲，為時已晚，Tess殺了Alec,與Clare私奔，度過了一生中最幸福的日子。途中被抓，最終上了絞刑架。Tess可憐悲劇，但是可憐之人必有可恨之處。她性格的弱點如缺乏自我，一味地依附於別人，自卑感，易與現實妥協，這些都與他的悲劇分不開。再者社會背景，封建道德，不公正的法律也是悲劇的根源。
6. 電影「苦月亮」到底講的啥啊
安壞的虐戀，這種毀人不倦的變態關系讓這個世界比想像的可怕！！的。。多！！
不要輕易陷入這樣一種關系！毀滅式的愛情
和一段 業力很差的關系相比，
我們更需要一個出色的心理醫生！！！啊啊啊啊啊！
7. 急求關於《Tess of the diUrbervilles》的評論
Tess of the D`
Review
This novel caused a heck of a fuss when Thomas Hardy first published it. Originally titled "A Pure Woman" it was considered outrageous for a woman such as Tess to be seen as pure in Hardy's eyes. I'm giving a fairly lengthy plot description here, so apologies if you get bored, and the ending is given away, so watch out!
Tess Durbeyfield is the peasant daughter of haggler John. She is partaking in a local dance with other girls when three young brothers wander along- Angel, Felix and Cuthbert (poor bugger) Clare. Angel wants to join in the dance, but his older brothers are basically a bit snobby about dancing with country girls, so Angel dances with all of the girls save for the pretty Tess, which he regrets, while she feels snubbed by him.
When a local parson tells the rather vain John that he is actually the descendant of the D'Urbervilles, an old rich family. John goes to get drunk in celebration and ends up so hammered that he's too ill to take some stuff which he has to sell in the horse and cart. He gets Tess and her little brother to do it instead. Tess falls asleep and the horse ends up in an accident and is killed. As a result, the overly sensitive Tess feels guilty not realising it is really John's fault.
Meanwhile her mother Joan has learned that a Lady D'Urberville lives in a neighbouring village. She wants to send Tess to claim kin and learning that there is a master D'urberville, has notions that Tess, being a beautiful girl, will marry him. Tess really doesn』t want to go but does out of guilt of the death of the horse. Alec, the young D'Urberville, is, to put it politely, a nasty sleazy git who needs to be castrated and lusts after Tess. Eventually he rapes/seces Tess (because of the time of writing, Hardy had to shroud the sex in imagery) and she ends up pregnant. She goes home after Alec tries to buy her off.
Tess's baby becomes ill, she christens the baby Sorrow in a touching ceremony with her siblings, but the child dies. Not long after, Tess gets work at Talbothays, a large dairy farm a good way away from her home town, and she heads off there. This marks a happy spell in Tess's life. She meets Angel Clare who had been at the spring dance. His father is a parson but Angel doesn't want to be involved in the church and is learning the ways of farming instead. He falls for Tess, who is distraught after deciding not to get married. Angel persists the pair fall in love and agree to marry. The two wed, and just after Angel confesses to "eight-and-forty hours' dissipation with a stranger". Tess, feeling unburdened, confesses. Angel freaks out and leaves Tess, although by law they are still married, and travels to Brazil.
Tess in the meantime ends up working with some of her old dairymaid friends for a horrible farmer. She runs into Alec who accuses her of tempting him and guilt trips Tess into living with him, because her family are on the verge of homelessness and need the money. Having given up on Angel and realising his hypocrisy, she agrees. Angel comes home from Brazil having realised the error of his ways and tracks Tess. On finding her, he learns that she thinks it』s too late for them. He takes off and Tess gets into a fight with Alec, which ends in her stabbing him. She runs after Angel, and they spend time together in an old mansion. After wandering the countryside for a while, Tess finds they are at Stonehenge, and feels at home, having been described as a heathen in her home village. She tells Angel that should she be caught she wants him to marry her sister Liza-Lu. The police catch up to her, and shortly after Tess is hanged.
Tess of the D』Urbervilles is a beautifully constructed story, which makes use of the hand of fate. It is the sweet and natural character of Tess that gives the book its exceptionality. The beautifully innocent child never seems to grow into a woman; she retains a dear innocence and vulnerability, which she had from the outset. Her purity of morals and spirit make her the perfect victim for such a small-minded society, and I empathised with her in a way I have done with few characters in novels. It is difficult not to fall in love with her sweet naïveté and quiet courage, although it is easy to feel exasperated with her intense passivity. Her true, deep love for Angel is another thing, which makes her endearing. As Izz notes when Angel asks if he loves her more than Tess did, no-one could because she would lay down her life for Angel.
The three-dimensional Angel is another attractive character. Initially you want to like him and by the later chapters you begin to empathise with him despite his rather rash and inconsiderate treatment of his wife. It is clear that he loves her, but it』s also fair to say that he doesn』t feel the intense love that Tess does, given that he was so willing to treat her cruelly and with such narrow-minded hypocrisy.
Hardy』s descriptive language is beautiful, especially in relating the growing love between Angel and Tess at Talbothay』s. The passion shown is so beautifully described, especially considering that there is nothing even beyond the realm of suggestive. The same descriptive style, which I felt, made the Mayor of Casterbridge and bit cumbersome, plodding and difficult to get into has a wonderful vibrance and colour to it, so that you can perfectly picture Tess and the little upward curve of her lip that drives Angel mad. The natural description is also thoroughly detailed in typical Hardy style, but once again has a beauty that the Mayor of Casterbridge didn』t have (for me anyway).
Hardy weaves a complex tale which clearly has dire thoughts of his eras views of morals and religions and the hypocritical stance which said that men were unable to control their sex and drives and therefore upper class men could have sex with as many peasant girls as they wished and have no reason to feel guilty. Alec is painted as the devil, reappearing in different forms and appearing with pitchforks in all his moustached, Victorian melodrama villain glory. Hardy paints a sad picture of religion too, where minor doctrines are given more importance than forgiveness and kindness.
All in all, Tess is a beautiful book full of gorgeous language and suggestive passion, which in my view is unequalled. The lovely Tess is such a sweetie that you just want to wrap her up in bubble wrap and keep her protected and safe from the big bad world. By the end of this I was literally crying buckets of tears; but there is an irony in that Tess dies happy- she feels ready to go, she doesn』t want to live for Angel to lose his love for her, and knows that he will look after her sister. So, in an odd way, the ending could be seen as happy.
8. 辣媽辣妹(Freaky Friday)英文影評
To make Freaky Friday work perfectly; you would have to believe that Jamie Lee Curtis is Lindsay Lohan and Lindsay Lohan is Jamie Lee Curtis. Although at times it seemed that way, at other times, it just seemed like Lohan was trying to be Curtis and Curtis was trying to be Lohan. Any way you look at it, Freaky Friday is a family-friendly film that tries to please everyone, and does. It pleases shallow teen prep girls because of Chad Michael Murray. It pleases teen boys because of Lindsay Lohan. It pleases older men because of a Jamie Lee Curtis thong shot. It pleases older women because of Mark Harmon. It pleases the whole family, being that they already saw Finding Nemo and it's the only other family movie out there.
Tess Coleman (Jamie Lee Curtis) (changed from Ellen Andrews from the novel by Mary Rodgers) is a harried psychiatrist who still has time for her family. Anna Colemen (Lohan) (changed from Annabel Andrews) is supposed to be a typical teenager (but is anything but), and has daily fights with her younger brother Harry (Ryan Malgarini) (changed from Ben Andrews). Tess is going to marry Ryan (Harmon), because her husband died three years ago (can't there be a Disney movie with both parents still alive?), of whom Anna doesn't approve. After a fueled feud, Tess and Anna open fortune cookies that switch bodies: Tess is in Anna's body, and vice versa. Whatever will be done?
Although most people have praised Curtis for her accurate portrayal of a typical teen (although with the people at my school, what she does is anything but typical), and she should be, Lohan does better at being an alt. If Lohan, a teenager, could be an alt so well, that's rather scary. I thought at most times Lohan was Tess, but Curtis was having too much fun as Anna to really be thought of as great. Instead of acting like Lohan, Curtis just acts like a young kid who just ate too much ice cream.
One part of Freaky Friday that I didn't like is how often we were put in an awkward situation. And when they were there, they just didn't seem plausible. All of a sudden, Anna-as-Tess is a guest on a talk show, talks to someone she has a crush on, and watches Tess-as-Anna perform? Not only were they awkward, they were just not believable. On the other hand, Freaky Friday not only has some genuinely funny moments, but is also quite touching at times. Obviously, it was going to be, and Tess and Anna were going to learn to respect each other, considering it was shown in the trailer.
One other part I didn't like was how far it strayed from the book. It only focused on Anna-as-Tess (Annabel-as-Ellen), and how she spent her day. Of course, back then she was a housewife, but now she has to be a successful doctor. I do admire it for changing it, unlike others, which is basically watching the book. Overall, Freaky Friday is a likable, pleasant 90-minute diverter. It won't change your life, but you won't be upset you saw it.
9. 《德伯家的苔絲》影評
曾以為作家的偉大在於多產，在於創作大量經典名著。看了Thomas Hardy的名作Tess of the D』urbervilles（《德伯家的苔絲》），才知道好著作只需一部足夠。哈代筆下的苔絲曾被多位出色的女演員演繹過，1979年德國女演員Nastassja Kinski出演的電影《苔絲》獲得最佳攝影、最佳藝術指導、最佳服裝設計三項Oscar金獎，後來相繼拍成了其他演員擔演的電視連續劇，其中我最愛Justine Waddell飾演的Tess---1998年BBC推出的電視劇《德伯家的苔絲》。 好的故事因有好的情節，演繹的出色不亞於情節本身。 有人說曾獲得Oscar獎項的電影《苔絲》不如BBC於98年的電視劇《德伯家的苔絲》，因為女主人公的扮演者不同。據說Nastassja Kinski太野性，她的經歷使她難以演繹出哈代筆下的苔絲---美麗的英國鄉村少女的形象；而Justine Waddell有種英國式的古典美，既優雅甜美又有種說不出來的孤寂感，所以與哈代筆下的苔絲的形象更為接近。 我也更喜歡98年的電視劇《德伯家的苔絲》。五年前買了《德伯家的苔絲》電視劇VCD（片長約3小時，共3張），痛快地看了又看，越看越著迷，叫人心碎…五年後的今天，對苔絲的眷念仍不減，執起筆來，重溫些許插曲與片段，細細回味劇中的氣息，濃郁的悲情… ★ 我的「苔絲情結」 1. 潔白如詩那般美，令人迷醉 Tess很美。她的姣好與玲瓏映襯在一身的潔白下。她很白，白的那麼純，不可褻瀆；白的那麼美，無與倫比；白得那般艷，令人驚羨。那般白，曾盛開在燦爛的日光下，奔放在原野綠叢中，舞動在庄園秋色里。那般白，曾如此的出奇奪目、嬌艷動人。當火紅的玫瑰戳傷了手，鮮血沾染了潔白，Tess的白，開始讓人憐惜。 「Shall I compare thee to a summer's day? Thou art more lovely and more temperate.」「我能否將你比作夏天？你比夏天更美麗溫婉。」(出自我最愛的詩歌---莎翁十四行詩之18) 很自然想起這首詩，就學著它那樣來形容Tess--- 「Shall I compare you to an Easter lily? You are more pure and pretty.」「我能否把你比作百合？你比它更純潔更美。」 2. 影音與命運雙重奏，撩動人心 無論快樂與苦痛，Justine的真情演繹，皆發自內心，毫不虛掩。盡管命運一次次變著戲法，給無知的Tess開玩笑，幸福一次次繞過她身旁溜走，她依然亭亭玉立，猶如一朵鮮花，嬌艷欲滴，沁人心脾。我不禁震懾住了，內心涌動一股悲情，哀Tess所哀，愁Tess所愁，我相信觀者定能感受到，並與之共鳴。 令我驚詫的，還有劇中反復奏響的樂曲，那淡淡的憂傷。那樂曲多麼美妙動聽，讓人如痴如醉，百聽不厭。佳音好比天籟，就象莫文蔚的一曲《盛夏的果實》，誰也計算不了曾經醉過多少天下人，歌曲里那淡淡的憂傷，和諧的韻律與無窮的韻味令多少人為之傾倒！ 電視劇《德伯家的苔絲》的插曲與故事情節如此吻合，激起了我心底萬般柔情。故事的情節不失浪漫，浪漫之餘卻散發著憂傷，彌漫著宿命。情節與畫面交織的天衣無縫，影音與命運的雙重奏，給純潔的Tess蒙上了宿命的色彩。主旋律、背景音樂與摻和的曲調穿插於劇情中，訴說著淡淡的憂傷、綿綿哀怨、柔弱、孤苦與無助，預示著冥冥中的命運。 3. 咽著淚水那一幕，百折不回 當歷盡磨難的Angel決定從巴西重返英國，與心愛的Tess言歸於好，便有了Tess含淚帶笑，默默注視Angel的一幕。Angel的歸來，猶如一把利刃，徑直刺向Tess的心坎。「Too late...Too late!...」 一切都來的太晚！ 多少個日夜，Tess企盼著丈夫回心轉意，回到自己身旁。抱著一線希望，她給Angel寫信，懇求丈夫迅速歸來保護自己。可是伴隨她的卻是孤獨、悔恨、憤慨、絕望，最後，她只能甘受屈辱和苦難。 Too late! 聲聲悲切。這遲來的相見，是命運的捉弄，天意弄人。 想起韓國影視的女角色都愛哭。為感動而哭，莫名、單純地哭，天真可愛甚或淘氣地哭。如My Girl（《我的女孩》）里李多海飾演的「周幼琳」，一把鼻涕、滿臉淚花，毫無保留地把一切溢於言表，以淚水宣洩…而Tess，則將所有的冤屈與苦痛以及對愛人的思念都統統深埋在心裡，默然含淚，淚往心裡流，此情此景，言語怎來得及思索？ 4. 死亡是苦難的終結，肝腸寸斷 苦難終有盡頭。在一個靜謐的黎明，Tess被捕，被處絞刑，至此，全劇終了。然而，與電視劇不同的是，小說的結局燃點了希望：Angel懷著懺悔和苔絲的妹妹開始了新的生活。這種希望，是否預示著新的愛情的萌生？就好象許多愛情故事一樣，妹妹繼承姐姐的愛，和男主人公從此幸福快樂地生活。可是真能幸福快樂嗎？當初愛得那般死去活來、肝腸寸斷，我懷疑這種愛的繼承，至少，在《德伯家的苔絲》里我相信愛是無法繼承的。就象《拿什麼來拯救你，我的愛人？》里的故事一樣，愛，無法彌補，沒有替身，也沒有退路，只能按著原路走，唯一條路，一直走下去…… 只有在懸崖，斷腸人才得以解脫