簡愛的影評英文
Ⅰ 《簡愛》的影評！謝謝！最好是英文版的
《簡愛》的影評 英文版
A thoroughly engaging adaption of the brooding classic, this film rises above the turgid tone often imposed on other classics brought to the screen. Joan Fontaine turns in a brilliantly deceptively understated performance, and Orson Welles restrains from the scenery chewing that marred some of his own projects; there is surprising chemistry between them. At times, Welles is a downright "sexy" leading man! The script (credited to John Houseman and Aldous Huxley) captures the right "tone" of Victorian cruelty and repression.
Under Robert Stevenson's direction Fontaine/Welles seem to capture the essence of two abused outsiders resisting their attraction for one another, trying to adhere to convention. A strong supporting cast. There are brief though memorable appearances by Agnes Moorehead, Elizabeth Taylor and Peggy Ann Garner as "young" Jane.
George Barnes' camera captures appropriately stark images of Ross Dowd and Thomas Little's sets. Charlotte Bronte's grim novel is well suited to the excellent B/W, cinematography: a memorable scene early in the film has young Jane being punished by being forced to stand on a stool that is nearly in the center of a fan of shadows cast by the stair railing, It is almost reminiscent of expressionist German films of the Weimar years.
The film manages to entertain as well as inform. Purists may object to the last 3 lines of the film which hint at a slightly happier denouement than the book offered. In spite of that, Jane Eyre is still a nearly flawless film.
參考資料：
Ⅱ 《簡愛》的英文影評
A thoroughly engaging adaption of the brooding classic, this film rises above the turgid tone often imposed on other classics brought to the screen. Joan Fontaine turns in a brilliantly deceptively understated performance, and Orson Welles restrains from the scenery chewing that marred some of his own projects; there is surprising chemistry between them. At times, Welles is a downright "sexy" leading man! The script (credited to John Houseman and Aldous Huxley) captures the right "tone" of Victorian cruelty and repression.
Under Robert Stevenson's direction Fontaine/Welles seem to capture the essence of two abused outsiders resisting their attraction for one another, trying to adhere to convention. A strong supporting cast. There are brief though memorable appearances by Agnes Moorehead, Elizabeth Taylor and Peggy Ann Garner as "young" Jane.
George Barnes' camera captures appropriately stark images of Ross Dowd and Thomas Little's sets. Charlotte Bronte's grim novel is well suited to the excellent B/W, cinematography: a memorable scene early in the film has young Jane being punished by being forced to stand on a stool that is nearly in the center of a fan of shadows cast by the stair railing, It is almost reminiscent of expressionist German films of the Weimar years.
The film manages to entertain as well as inform. Purists may object to the last 3 lines of the film which hint at a slightly happier denouement than the book offered. In spite of that, Jane Eyre is still a nearly flawless film.
Ⅲ 簡愛電影的英文影評。
A fast hour and a half
of psychological doom and gloom, and glimmers of happiness through true
love trounced by the realities of 1840 England. It's all pretty amazing
stuff, and you have to see it to believe it, those dark clouds and
sprawling stone buildings.
Yes, Orson Welles is the lead male here, Mr. Rochester, and he's a
physical presence, for sure, but a stiff one. As just one slightly
unfair comparison, watch how Lawrence Olivier handles being lead male
in a similar era (1939) Bronte film, Wuthering Heights. It's unfair
because this earlier movie, directed by William Wyler, is even better
than Jane Eyre. But here we have an actress who wowed the world in the
masterful Rebecca in 1940, and with Olivier himself, and if you see
this Hitchcock movie, based on a Daphne Maurier book, you'll see a
weirdly too similar echo of Charlotte Bronte's plot, complete with
mysterious master of the house and a big fire at the end.
This big mix and match is meant only to say that this kind of movie,
this kind of plot, reached a fever pitch in the early 1940s and
proced three masterpieces. You should see them all, and see the
influences back and front and sideways. Great stuff, with Jane Eyre the
third in line, made by the lesser known British director Robert
Stevenson (who had this one early success and then the other one, Mary
Poppins, of all things). But it was based on an Orson Welles radio
version of the story, which you can feel in the narrated lines with
Joan Fontaine's voice. You sense Welles had a hand in the whole feel of
the movie, the camera angles in the early scenes (looking up or down at
the child), and the overall Gothic excess and fog.
Great stuff to just feel and absorb.
Ⅳ 簡愛的英文影評
Eyre — A Beautiful Soul
Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:
We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.
We remember her pursuit of justice. It』s like a companion with the goodness. But still, a virtuous person should promote the goodness on one side and must check the badness on the other side.
We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God』s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality.
We also remember her striving for life, her toughness and her confidence…
When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.
Actually, she wasn』t pretty, and of course, the ordinary appearance didn』t make others feel good of her, even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease, so when Miss Ingram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than 『the plain and ugly governess』. But as the little governess had said: 『Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!』 This is the idea of equality in Jane Eyre』s mind. God hadn』t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impress us so much and let us feel the power inside her body.
In my mind, though a person』s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn』t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it』s not true, they will like the person no more. For a long time, only a person』s great virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that 『Beauty is a heart enflamed and a soul enchanted』. I can feel that how beauty really is, as we are all fleshly men, so we can』t distinguish whether a man is of nobleness or humbleness, but fleshly men, so we can』t distinguish whether a man is of nobleness or humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.
Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.
影評沒找到，這個是讀後感，好像還不太全，參考一下吧~~~~~~~~
Ⅳ 觀簡愛電影觀後感英文版80-120個詞
觀簡愛電影觀後感英文版，見附件。
如果看不到附件，請用電腦訪問。
Ⅵ 簡愛英文版觀後感
Jane Eyre — A Beautiful Soul Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think: We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past. We remember her pursuit of justice. It』s like a companion with the goodness. But still, a virtuous person should promote the goodness on one side and must check the badness on the other side. We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God』s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality. We also remember her striving for life, her toughness and her confidence… When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality. Actually, she wasn』t pretty, and of course, the ordinary appearance didn』t make others feel good of her, even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease, so when Miss Ingram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than 『the plain and ugly governess』. But as the little governess had said: 『Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!』 This is the idea of equality in Jane Eyre』s mind. God hadn』t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impress us so much and let us feel the power inside her body. In my mind, though a person』s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn』t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it』s not true, they will like the person no more. For a long time, only a person』s GREat virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that 『Beauty is a heart enflamed and a soul enchanted』. I can feel that how beauty really is, as we are all fleshly men, so we can』t distinguish whether a man is of nobleness or humbleness, but fleshly men, so we can』t distinguish whether a man is of nobleness or humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.
Ⅶ 在哪可以看到英國電影簡愛的英文影評
片名：簡愛 英文：jane.eyre 導演：德爾伯特·曼 Delbert Mann 編劇：夏洛特·勃朗特 傑克·普爾曼 主演：喬治·C·斯科特——愛德華·羅切斯特（邱岳峰配音） 蘇珊娜·約克——簡·愛（李梓配音） 伊恩·巴納恩——聖約翰·利弗斯 傑克·霍金斯——布洛克赫斯特先生 娜麗·唐·伯特——布蘭奇·英格拉姆 拉切爾·坎普森——菲爾法克斯太太 坎尼斯·格里菲斯——梅森 彼得·考普蘭——約翰 國家：英國 語言：英語 類型：劇情 片長：110 min 上映：1970 劇情介紹： 全世界擁有讀者最多愛情小說的經典電影版。 影片根據英國女作家夏洛蒂·勃朗特的同名小說改編。簡愛父母早亡寄居在舅舅家，舅舅病逝後，舅母把她送進孤兒院，成年後她應聘去桑費爾德當家庭教師。來到桑費爾德，當男主人公羅切斯特先生家的家庭教師，男主人羅切斯特生活頹廢脾氣古怪，經過幾次接觸，簡愛愛上了他，而簡愛的到來也使他的生活有了希望。在他們舉行婚禮時，羅切斯特的內弟梅森闖進來指出古堡頂樓小屋裡的瘋女人是羅切斯特先生的妻子。由於這個瘋女人的存在，他們無法結合，簡愛 也不願作為情婦，愛毅然離開了桑費爾德，來到一個偏遠的地方。在牧師聖約翰的幫助下，簡愛找到了一個鄉村教師的職業。在聖約翰向簡愛提出結婚時，她想起了羅切斯特先生。當 簡趕回桑費爾德時古堡已成廢墟，羅切斯特雙目失明，簡愛趕往羅切斯特先生住的芬丁，她決定下來和相愛的人廝守一生…… 圖片附件: 0.jpg (2007-12-17 04:31, 24.27 K) 半個靈魂：郎騎鐵馬來，你在未來，我在古代。 妖嬈棉花 級別 管理員 精華99 帖子11015 威望11182 點 金錢29851 點 金橋幣 101 JQB 貢獻度 2 點 閱讀許可權 230 狀態 離線 #2發表於 2007-12-17 04:35 資料 主頁 個人空間 短消息 圖片附件: 1.jpg (2007-12-17 04:35, 16.04 K) 《簡愛》(1970)影評： 英國作家Charlotte Brinte的傳世經典，自問世以來不斷地被搬上舞台和熒屏。電影人對這個故事頗為熱衷，從早年的奧遜·威爾斯 Orson Welles（《公民凱恩》）版本到近期的威廉.赫特（《大寒》）版本，在歷時半個多世紀以來，伴隨著7、8個版本簡愛影片的誕生，不同的電影人在各自的作品中用自己的角度闡述對作品的理解，同時也推動了這部經典名著在全球的普及。 1970年的George C. Scott飾演的版本歷來被認為是所有版本中改編得最恰到好處的－－既忠實於原著精神，且故事結構更為緊湊，愛情主題更加突出。蒼涼靜謐的英國荒原，神秘詭異的古堡，陰郁迷離的氣氛，加上「老戲骨"George C. Scott的表演，將一個維多利亞時代歌特式的愛情故事演繹得凄美動人。George C. Scott的表演無疑是本片的一大看點，他的激情演繹使其他版本的Rochester黯然失色，其鋒芒直逼早年的Orson Welles。而Susannah York外表沉靜，含蓄內斂的風格也被評為最接近原著簡愛的精神氣質。本片的主題音樂更是大手筆，它出自著名音樂人約翰.威廉姆斯之手，這一主題曲把本片的愛情主題推向高潮，更成為該版本的標簽，至今仍在不同的音樂會上被演奏。 對於中國觀眾，這一版本的意義尤為特殊——它被無數次地製成錄音剪輯，在全國各地的電台一播再播：它被製成各種版本的錄音帶，被「聽迷」們爭相購買，聽這部電影著迷的人甚至比有機會看這部電影的觀眾還要多。對於出產了無數配音電影精品的上海電影譯制廠，《簡愛》堪稱精品中的精品。在觀眾每一次選出的配音作品中，《簡愛》無不位列三甲。它從台詞翻譯到演員表演，無不成就了一種典範。這是配音大師邱岳峰與李梓的顛峰之作，他們用聲音拓展了新的表現空間，豐富了電影這一「視聽」的藝術在聽覺上的美好體驗。邱岳峰塑造的羅切斯特，或憤懣，或柔情，或倦怠，或狂暴，無不讓人動容。而李梓演繹的簡愛在不慍不火的聲調里展現出細膩的情感變化，或溫婉，或堅定，也在更深層次上豐富了簡愛人物的形象。他們的聲音有表情，有形象，有情感，一寸一寸都是鮮活的。 本片是20世紀70年代初拍攝的小成本電視電影，雖然由明星喬治·斯科特擔綱主演，但國外觀眾對其評價不高，在國外電影市場基本上沒有什麼影響力，是上海電影譯制廠表演藝術家們的精湛技藝使得她面貌煥然一新，成為觀眾心目中外國電影經典之作。經過邱岳峰和李梓主配之後，多少觀眾為之傾倒，甚至有人在寒冷的冬夜剛看完這部片子步出影院，便滿懷激情吟誦起羅切斯特和簡愛的對白來。簡愛的愛情觀、價值觀、人生觀對不少女性產生了巨大的影響，孕育了一批中國式的女權主義者。大夥欣賞之餘，還找來原著細細品讀、比較 。 這是一部特殊的電影，觀眾可以閉上眼睛，傾聽這來自靈魂的聲音。 如果問譯製片里有哪部影片可以稱得上是「聖經」的話，那一定就是她了。 圖片附件: 4.jpg (2007-12-17 04:35, 46.25 K)
Ⅷ 要寫一篇英文的簡愛的影評 是BBC06年的 急求
聲明以下不是我寫的.請參考:
http://www.bbc.co.uk/drama/janeeyre/
http://www.imdb.com/title/tt0780362/usercomments
"Never before have I watched characters with such passion, or felt that I truly knew a character personally.
I experienced every moment of happiness, heartache, belonging and fear which Ruth Wilson portrayed so fantastically as Jane. A true credit to the acting profession, I hope to see many more outstanding performances by her.
Equally, the ever unpredictable Edward Rochester's character shone through perfectly e to the never ending talent of Toby Stephens.
This is undoubtedly the best period drama to date. I look forward to the DVD and hopefully a few BAFTAs."
"Having never previously seen an adaptation of Jane Eyre, or read the novel, I find myself wishing for Sunday evening to arrive so I can see the next episode. However I equally don't want to see an end to a truly wonderful drama.
This episode was fantastic - from finding out that Jane had an uncle, to her confession of love to Rochester, and vice versa, to the revelation of another wife, it was all beautifully done. When Rochester was explaining the story of how he had come to marry, it was very easy to feel compassion for him."
"I had thought Ruth Wilson's performance slightly dominated this adaptation. However, this episode saw Toby Stephens really shine. He was absolutely superb, going from schemer to giddy lover to despairing self-loathing man.
I've thoroughly enjoyed this adaptation, mainly because of the great actors and the chemistry between them. This has risen above any minor quibbles in details being left out. Sunday nights have never been so good."
"I'm a purist when it comes to Jane Eyre, my favourite novel, and I'm disappointed at the modernisation of almost all of the dialogue, which in the original is moving and humorous in places.
Having said that, I'm enjoying the episodes. I like the cast and it can be appreciated for its own sake.
Toby Stephens is the right age to play Rochester and has captured his charm and wit, as well as his rougher side.
Ruth Wilson is an excellent Jane, except that she isn't outspoken enough - her character has been muted. However, I look forward to the next episode, when I expect the romance will become more intense."
"Having seen all previous adaptations of Jane Eyre, I was sceptical that a new and innovative 'take' on the story could be achieved. However, I was mistaken. The new version is vibrant and shows the characters much more in synch with the text than all other versions.
The casting is also inspired - Toby (despite the critics) and Ruth are excellent and extremely well matched."
"I'm really enjoying this version, although I agree with some viewers that the script is a tad mbed down and misses some of the subtlety of the novel.
The relationship between Jane and Rochester is believable, they really do connect despite their different backgrounds.
I've always disliked previous Rochesters who have been played as bellowing brutes. Toby Stephens is tortured, sarcastic, self-pitying, charming and as real as the Rochester in the book.
I thought the mad wife was a little too pretty. In the book she's lost her looks and is fairly hideous. Perhaps a little more mad snarling wouldn't have gone amiss."
Ⅸ 不少於200詞的簡愛的英文影評 謝謝啦
This is a story about a special woman who has been exposed to a hostile
environment but struggling for her ideal life conreattionously and fearlessly.
It seems to me that many readers 『s English reading experience starts with Jane Eyer.It is not surprising to find some differences because it was filmed and retold in a new way,but the spirit of the novel remains to be an independent person, both physically and mentally.
Jane Eyer was a born orphan,whose parents went off when she was very young,and her aunt,the only relative she had,treated her as badly as she could.At the beginning of Jane』s ecation in Lowwood Orphanage,she didn』t get what she had been expecting.As a reward of revolting the ruthless oppression,Jane got a chance to be a tutor in Thornfield Garden.There she made the acquaintance of lovely Adele and that garden』s owner,Rochester,a man with warm heart while a cold face outside.After Jane and Rochester fell in love with each other and meant to get marry,Jane came to know Rochester had already got a legal life .And,unfortunately,Rochester seemed under the shadow of his wife.Jane wanted to give him a hand,however,she made her mind to leave,because she didn』t want to betray her own priciples.She is Jane Eyer.
The film has finally got a symbolist end.After finding Rochester』s misfortune brought by his original mad wife,Jane chose to stay with him forever.
Life is ceaselessly changing,but our living priciples remain.Firmly persisting for the rights of being independent gives us enough confidence and courage.In the world of the film,we have found te stories of ourselves, which makes us so concerned about the fate of the dramatis personae.
It』s our spirit that makes the life meaningful.