野孩子影評

1. 野孩子中文觀後感，急！！！！！！

嗯。。就實現簡介內容，然後說「其實我覺得她父親的決定是對的，在這所寄宿內學校，她找到了真正的友誼，真容正的愛情。雖然有時我們羨慕有錢人的上等生活，但卻不知這也會是我們變得蠻橫無理。所以，在平常的生活中才能找回真正的自己，最自然的自己，最遠原先的自己。｛不知字數夠不夠啊~但只是我自己的看法，你要加一些進去啊，(*^__^*)...嘻嘻

2. 誰有一篇《野孩子》的英文影評

The Wild Child (1970) 的英文影評：

As simply and lightly told as possible, Francois Truffaut's The Wild Child is an immensely interesting and fascinating study of childhood and the process all of us go through in order to be ecated, civilized and forced into the larger confines of society. Children are a hallmark of Truffaut's cinema and he shows a deft touch in crafting this true story based on reports and notes left by an 18th century French doctor who took custody of a "wolf boy" found in the forest and trained him to walk upright, wear clothes, eat with utensils and even recognize letters from the alphabet.

The bulk of this film is dedicated to the process of such an achievement and Truffaut's talent has rarely been matched as it is here. Shot in simple but beautiful black and white, the camera films more as a documentary than a feature film. Numerous montages are utilized to show the advances the boy makes with the doctor (played with subed coolness by Truffaut himself) who tirelessly seeks to transform this savage into a noble human being. The textured greatness of the film lies in how wonderful the actors play off each other, especially Jean-Pierre Cargol as the wild child 'Victor' who is in every scene and never once appears as if he is acting in the conventional sense. He is absolutely convincing as this uncultured creature in every action he does, making the story that much easier for the audience to follow and understand.

Truffaut is widely regarded as one of the greatest directors of children. This may be his quintessential moment with them and it is an uplifting and empowering vision. Here, children are seen to be capable of everything alts are. They are not children but little alts; this in and of itself is a transforming notion.

3. 類似電影野孩子的一些影片

《灰姑娘的玻璃手機》，《風暴突襲者》這個裡面的男主角和《野孩子》的一內樣，Alex。還有《大學新生》也很好容看，《公主日記1.2》和《歌舞青春1.2.3》都好看，《校園兔女郎》，等等。

《風暴突襲者》喜歡~~

再推薦幾部連續劇《gossip girl》（美）和《（日版）花樣少男少女》又名<深深愛著你>，《野豬大改造》。

4. 看完奧斯卡的野孩子的觀後感想 600字

這部影片的觀後感：

一部青春勵志片，主人公是一個充滿活力的漂亮女孩，她具有叛逆的性格，在片中她逐步成長，提高了對事物的判斷能力，在友情、親情的幫助下，她從一個「惹人厭」的野孩子成長為一名優秀的女孩，因此說，叛逆並不可怕，可怕的是是否有正確的對待態度，影片對於孩子教育方面具有很強的教育意義。

影片中的叛逆的女孩，結交了一群叛逆的朋友，她對自己父親的再婚不願接受，在她的認知觀里，父親的再次選擇是對母親的背叛，是對她的離棄，用各種叛逆行為抵制自己的父親，一點毫不留情的打擊著父親，父親無奈之下將她送入寄宿制學校，在這個與世隔絕的地方，她無法忍受，判逆心理更加加重，在同宿舍好友的幫助下，進行一次次的判逆行為，行為顯明的與學校是格格不入，可在這樣一次次的活動之後，她逐漸發現與同舍友不舍的友情，為讓學校開除與校長的兒子故意靠近，但靠近後才發現這個男孩的優秀，與自己的投入，正當一切如她所願的進行時，校長發現了她的聰明所在，校長在一步步引導著這個叛逆女孩，而同時也插入了另一個校友的搗亂，舍友對她的友情開始懷疑，男友對她的利用感到生氣，她百般解釋也是徒勞，在郁悶中，晚上她獨自來到一間休息室，無意將窗簾點燃，引發了一場大火，在大火中她救出了同舍好友，她的勇敢得到了大家對她的好感，在她可能因為這場大火離開這所學校時，她才覺得了不舍和留戀。在學校的審判大會上，她說出了自己的真實感受，承認了引發大火的錯誤行為，當舍友們調查清楚消除她們之間的誤會，也弄明白了引發大火的並非是她，而是另有其人，友情將她留了下來。她們將友情升華，在球賽上努力對抗著隊友們，成為冠軍。而這時她已不再是那個青春叛逆期的女孩，已成為球隊隊長，獲得自信，當父親來看她的球賽時對她簡直不敢相信，看到了具有青春朝氣的女兒，脫胎換骨的她讓父親喜悅非常。

看到篇中如此的青春沒有幾人是不羨慕的，看到她的青春期，很慶幸她遇上這么好的校長。聰明、自信，這就是在青春期中無法抵抗的力量，有過失望，有過抗拒，有過悔過，有過努力，還缺什麼呢，點燃青春的火花，讓它洶洶燃燒。

青春是激情，是張揚，在那段美好的時光里，盡情燃放青春的炮竹，讓它渲染天空;青春是木棉花，是悄悄來臨的春天，等你眸然回首，它已花落結果；青春每個人都擁有，但不是永遠，所以，青春就讓它盡情綻放吧。

希望可以幫到你！

5. 求用英文寫一篇 美國電影電影《野孩子》的觀後感

A youth inspirational film, the hero is a vibrant beautiful girl, she has a rebellious character, in the film she graally grow and improve the ability to judge things, in friendship, family's help, she was from a "arouses tired "wild child grow into a good girl, so that rebellious is not terrible, terrible is whether there is the correct attitude towards the film has a strong ecational value for children ecation. Youth is a passion, is unassuming, in the good times, enjoy setting off firecrackers youth, it rendered the sky; youth is Kapok, is quietly coming spring, so you eye back then, it has Whispering results; youth everyone has, but not always, so let it enjoy the bloom of youth now.

6. 求一個電影野孩子300字左右的觀後感

何為「野孩子」？就是與社會脫軌的，比如狼孩、豬孩、熊孩等。

這部電影以野孩子為題就是為了突出主題，以一個不合群的孩子的個人成長經歷貫穿整部電影，從不知道自己到底想要什麼、看不清自己到經歷了友情愛情的洗禮直到變成熟的過程。

在美國，這種拍以年輕人為主的電影非常多，而且大多以校園為背景，不管現實中是否如此，那就是這些在我們看來不學無術的調皮鬼，總能在一次次的經歷之後找到自己人生的目標，找到自己真正感興趣，並願意為之而奮斗的東西。這讓我想起前幾年風靡校園的偶像劇《流星花園》，但當時被國內封殺了，原因是因為覺得這部偶像劇是校園暴力，但是直到現如今還有很多國內偶像劇是仿《流星花園》拍的。

學習成績在西方人眼中也同樣重要，而且可能要比國內還要重視，在哈佛大學的圖書館凌晨4點時已經看不到空位了，而在國內圖書館的凌晨還沒有開門，但是也不能完全否定中國人不勤奮，要是沒有「雜交水稻之父袁隆平」，我想全世界的人都會被餓死吧！但我想他們的大部分學校，教育的目的都在於培養學生的創造力和實踐能力，可能這就是美國人天生樂觀的原因之一吧。在我看來這也是一部青春勵志片。

父親的抉擇讓她在這所寄宿學校，她找到了真正的友誼，真正的愛情。雖然有時我們羨慕有錢人的上等生活，但卻不知這也會使我們變得蠻橫無理。所以，在平常的生活中才能找回真正的自己，最自然的自己，最原先的自己。

7. 類似野孩子的電影

這些行嗎?
<<賤女孩>>
<<女男變錯身>>
<<倒霉愛神>>
<<辣媽辣妹>>
<<足球尤物>>
<<戀愛刺客>>
<<麻雀變王妃>>
<<少兒不宜>>
<<灰姑娘的玻璃手機>>
勁歌飛揚
高校天後
舞出我人生
物質女孩
倒霉愛神
平民天後
灰姑娘的玻璃手機
魔法灰姑娘
超完美男人
歌舞青春
牛仔褲的夏天
天生一對

<<賤女孩>>
(她賤,是因為愛情.不錯的電影.女主角就是因為這部電影紅的.)

原著：羅莎琳德·懷斯曼
編劇：蒂娜·妃
導演：馬克·沃特斯
主演：蓮莎·露夏恩、蒂娜·妃、瑞秋·麥克亞當斯、喬納森·本尼特、麗芝·嘉帕蘭
類型：喜劇/愛情
發行：派拉蒙影業
上映日期：2004年4月30日

15歲的青春少女凱蒂(林賽-洛韓 飾)，跟隨她動物學家的父母搬到了美國伊利諾斯州生活。活潑好動的凱蒂很快就認識了一群新朋友，並有幸進入一個小圈裡，有了許多新女伴。不過，習慣了在非洲生活的凱蒂，在新環境里卻感到有些措手不及，幾次暗地裡被人罵為「老土冒」。

有一天，她在午餐桌上認識了一位名叫亞倫(喬納森-班奈特 飾)男孩。他性感憂郁的氣質立刻吸引住了凱蒂，被他一雙迷人的電眼迷倒了。然而，凱蒂迷上的男孩亞倫，卻是學校出名的青春女王、校花(瑞秋-麥克亞當斯 飾)的前男友。校花是這個學校里最風光的女孩，同時也是最潑辣厲害的女孩，當她知道凱蒂想跟他搶男孩時，校花抓狂了，處處與凱蒂作對，她們採用散播謠言、罵她是「賤女孩」、排斥她進入餐桌、發送辱罵的網路信息、對她保持沉默等孤立方式報復她。

自以為可以適應任何艱困環境的凱蒂對「求生法則」有了全新的理解，她很快也找到了報復她那些從前所謂的「好朋友」的好辦法，那就是以彼之道，還施彼身……

<<女男變錯身>>
(我很喜歡那個男主角,好帥!)

片名：女男變錯身
英文名：It's a Boy Girl Thing
導演：尼克·休倫 Nick Hurran
編劇：傑夫·戴尼 Geoff Deane
女男變錯身主演：凱文·席格斯 Kevin Zegers
莎蜜拉·阿姆斯特朗 Samaire Armstrong
艾米莉·哈普斯萊 Emily Hampshire
布魯克·徳奧塞 Brooke D'Orsay
麗貝·亞當斯 Libby Adams
約翰·布萊格 John Bregar
類型：喜劇/愛情 分級：PG-13
發行：Icon Entertainment International
上映日期：2007年2月14日

女男變錯身劇情簡介：

伍迪和妮兒雖然住在彼此隔壁，又上同一所高中，但兩人個性天差地別，彼此互看不順眼，是不共戴天的死對頭。伍迪是西達高中足球隊里最閃亮的四分衛，他人長得帥、個性親切大方、極富運動細胞又十足超人氣，是學校里的運動明星風雲人物[女男變錯身主演演員女主角劇情介紹影評

眼看校友日足球友誼賽即將到來，伍迪非常期待能代表學校出賽。而住在他家隔壁也跟他同校的，是功課名列前茅但社交笨拙的書獃子女生妮兒。對她來說，人生最重要的意義與目的就是要好好用功念書，然後進入夢寐以求的長春藤聯盟中的耶魯大學，才有光明未來。

某次校外教學他們又爆發激烈爭執，並且互相吵罵，沒想到這次惹來淘氣的阿茲特克大神想要插手管管這對冤家。於是第二天他們一早醒來，竟發現自己被換成了對方的身體！

<<倒霉愛神>>
(男女主角都很靚!)

主演：琳賽·羅韓/Lindsay Lohan

克里斯·派恩/Chris Pine

薩梅瑞·阿姆斯特朗/Samaire Armstrong

費松·拉夫/Faizon Love

劇情介紹：

試想一下,你是一個叫做阿什莉(琳賽·羅韓飾)的曼哈頓可人兒,天生麗姿,討人喜愛,一踏出校門就得到一家極負盛名的大企業的青睞,胡亂買個彩票卻能中大獎,上下班高峰期只有你能輕松打到的士,司機哥哥還樂意給你打個折……反正是要風得風,要雨得雨,從上帝造物那天似乎就註定要把全世界的運氣都贈於你.

你是世界的寵兒,直到你在一個化裝舞會遇到他（克里斯·派恩飾）-他也是被神眷戀的對象,只是包圍他的是全世界的倒霉,他懷才不遇,英俊挺拔卻只能混跡在保齡球場洗廁所;他命犯太歲,天生霉運糗事吸鐵石;不過,最起碼他從未放棄理想,仍然期待能讓自己的樂隊被發掘一朝成名,這樣的男子還不錯,所以你們翩翩共舞後深深一吻.

可這塊吸鐵石不但吸霉運,一個吻卻把你積攢了二十年的好運全吸走了.恍如時空逆轉,倒霉漢突然被賞識、名成利就，你卻被厄運相伴的噩夢日夜糾纏。從天堂跌入地獄，你要怎麼辦才能奪回屬於自己的運氣？

<<辣媽辣妹>>
(親情與愛情參半,不錯哦.很搞笑)

如果發生怪事的話，沒有比發生在13號星期五這一天更適合了。??這個故事就是發生在一個詭異的星期五早晨。

單身母親苔絲?科爾曼和自己15歲的女兒安娜對各種事情的意見都不一致，兩人總在鬥嘴。母親不理解女兒的高中生活，女兒也不明白做醫生的母親的責任和她的未婚夫。這天兩人又鬧起來，並認為對方在生活中的表現讓自己很不滿意，覺得如果相同的情況讓自己來應付，肯定可以輕松搞定，活得漂漂亮亮，而不象現在這樣。

這天在唐人街的一家餐館，兩人同時冒出個念頭，希望自己變成對方，好讓對方看看自己是如何應對的。這種幻想，在一塊神秘的幸運餅乾的參與下，在這個奇怪的星期五，居然實現了……媽媽跑到了女兒的身體中，而女兒則變成了媽媽的樣子。這還不算完，就在這個星期六，苔絲就要嫁人，再做新婦了。她當然不想錯過自己的婚禮！而女兒也不想糊里糊塗成了繼父的新娘，這太超過她的想像了。

在星期五的這一天當中，她們不僅必須以對方的身分應付各自原本認為簡單輕松的日常生活，還必須想出辦法在星期六婚禮之前恢復原來面貌，否則，事情就大糟特糟了。

<<足球尤物>>

少女薇歐拉（阿曼達·拜恩斯）長相青春可人，笑起來也殺傷力一片，可漂亮的她卻是個瘋狂足球迷。但該死的學校居然砍掉了女生足球項目，教練也不許薇歐拉進男子隊伍，她只能在家悶悶不樂。這時，本該去新學校報到的雙胞胎弟弟賽巴斯蒂安卻決定離家出走兩個星期，去倫敦追求自己的音樂夢。 薇歐拉突然靈機一動，為什麼不代替身材相似的弟弟報名呢，何況弟弟學校的足球隊正是自己以前足球隊的最強敵手！足球的吸引力加小小的復仇心態，心動不如行動，造型師一番打扮，薇歐拉果然報名成功！但一切可沒她想像的容易，住進男生宿舍的她要保持不穿幫簡直太困難了！更讓薇歐拉不知所措的是，她居然愛上了英俊室友杜克（錢寧·塔圖姆） 大帥哥一心把她當成知心兄弟，薇歐拉更第一個知曉了杜克喜歡學校最漂亮的奧莉維亞的消息。還以為事情不會更糟，她卻發現大美女奧莉維亞喜歡上了有點書獃子氣的賽巴斯蒂安，當然，也就是自己！誰讓女扮男裝的薇歐拉完全符合大美女完美情人的條件——敏感而又善解人意。壞事一籮筐而來，不僅塞巴斯蒂安的前女友莫妮卡來湊熱鬧，連弟弟賽巴斯蒂安也居然提前回來了，偏偏這傻弟弟還完全不知道自己的身份已經被佔用了……

<<戀愛刺客>>
(友情與愛情的電影)

戀愛刺客[2006美國最新喜劇大片]xiazai
◎譯 名 戀愛刺客/約翰·塔克必死/愛殺強塔克
◎片 名 John Tucker Must Die
◎年 代 2006
◎國 家 美國
◎類 別 喜劇
◎語 言 英語
◎字 幕 中文（TLF）
◎IMDB評分 5.1/10 (2,537 votes)
◎IMDB鏈接 http://www.imdb.com/title/tt0455967
◎視頻尺寸 720 x 384
◎片 長 90 Min
◎導 演 貝蒂·托馬斯 Betty Thomas
◎主 演 Ashanti .... Heather
Penn Badgley .... Scott Tucker
Jeffrey Ballard .... Cute Boy
Amber Borycki .... Jennifer
Sophia Bush .... Beth
弗爾維奧·希希爾 Fulvio Cecere .... Chemistry Teacher
Stephen Chang .... Italian speaking Chinese fisherman
Fatso-Fasano .... Tommy
阿里爾·凱貝爾 Arielle Kebbel .... Carrie
Taylor Kitsch .... Justin
Nicole LaPlaca .... Molly
詹尼·麥卡錫 Jenny McCarthy .... Lori
Heather McEwen .... Freshman Girl #2
Jesse Metcalfe .... John Tucker
Dan Payne .... Steve
◎簡 介
◇ 劇情：高校公主復仇記
貝絲（索菲亞·布希）、海瑟（阿香緹）和凱莉（艾瑞爾·克博）是某高校最受歡迎的三朵校花，雖然如此，分屬三個派系的美女們卻從來都是互不搭理。直到一天，同在拉拉隊訓練的三人突然發現，她們約會的竟然是同一個男孩子--學校的籃球隊長、花心情聖約翰·塔克（傑西·麥特卡爾菲）！當場氣得七竅生煙的她們，惱羞成怒之餘決定施展報復，給塔克一個永生難忘的教訓。
為了「復仇」，她們團結一起無所不用其極，可偏偏魅力無窮的塔克就有辦法讓每次「危機」都成為自己的優勢表現點。就連讓塔克誤食過量的雌性激素，也讓塔克領銜的籃球隊當天表現尤其特別，更使得大票女孩子為他的「溫柔一面」動心不已。沒轍的三人思來想去，終於想到了報復的最完美方法--讓這個花花腸子真正墜入情網，再狠狠被拋棄，讓他也心碎一回！
學校新來的女生凱特（布里坦尼·斯洛），成了校花們共同相中的對象。在三位校花的聯手魔鬼培訓下，本來就資質不錯的凱特很快脫胎換骨，不僅成了塔克的泡妞熱門人選，也成了學校新任校花之一，可面對人人皆知的迷人塔克，突擊打造的凱特真能「坐懷不亂」？這場「必死」的報復，到底誰贏得了誰，一切還是未知數！

<<麻雀變王妃>>
(很喜歡的一部電影哦~)

「丹麥的王室繼承人」——有這么一頂大帽子往腦袋上一扣，再加上俊秀挺撥的外表，愛德華王子(盧克·梅伯利飾)就有如刷了金粉的希臘雕像一樣尊貴得讓人難以正視。可惜，「眾星拱月」的生活似乎寵壞了這么一位本應該很優秀的領導者，愛德華王子就像一個慣於穿梭在花叢中的花花公子，開著名貴的跑車、享受著速食愛情，身邊的女伴永遠都是哥本哈根最可愛的姑娘。想當然，愛德華那異常出軌的不羈生活也成為了地方媒體爭相報道的焦點話題，這些都頗為有損於王室的尊嚴，對此，就連羅莎琳德女王(米蘭達·理查森飾)也無計可施。
地球的另一邊，佩吉·摩根(朱莉婭·斯黛爾斯飾)是一位立志要成為醫生有抱負的美國女孩，她利用上學的空檔做兼職，同時還要抽出時間幫助家裡料理位於威斯康星州的乳牛場，佩吉那排得滿滿的作息時間表永遠都不會為了「浪漫」、「愛情」、「約會」這種無謂的字眼做浪費。
在一個電視廣告的錯誤誘導下，當然，也是為了避開惱人的小報記者，愛德華王子化名為「埃迪」，和忠實的家臣索爾(本·米勒飾)以普通的身份來到美國佩吉就讀的學校。跨越了半個地球，兩個本來毫不相乾的青春男女有了交集，雖然他們初次會面的情形並不十分愉快，但這只不過是愛情紅娘開的小玩笑而已……愛情的不期而遇，打亂了佩吉有方向的生活步調。然而，愛德華王子註定要回到丹麥成為一國之王，佩吉能夠放棄自己畢生的理想，去過「王子與公主的幸福生活」嗎？

<<少兒不宜>>
(可不要被電影名稱給嚇到了,很不錯的一部電影)

傑克（克里斯·埃文斯飾）是學校橄欖球隊的隊長，也是無數女生心中的白馬王子。這天，閑的無聊的傑克和同伴打賭，要把學校最不起眼的女生潔妮（切樂·利飾）變成最美麗最耀眼的校園舞會皇後。為了贏得賭局傑克開始接觸這個邋邋遢遢、沒有一點女人味的丑小鴨。很快傑克就和潔妮打成一片，這可讓那些平時看潔妮百般不順眼的女生又氣又恨！她們決定千方百計的阻撓傑克的計劃，於是，一場笑料百出的校園戲劇開幕了…… 女生潔妮（切樂·利飾）夢想成為一名藝術家，然而在學校里，她的外形邋邋遢遢，不修邊幅的穿戴使她看起來活像是個怪胎，根本沒法同周圍花枝招展的女孩聯系在一起，她顯得那麼奇怪，同齡的女孩都為此而孤立她。同潔妮正好相反，男生傑克（克里斯·埃文斯飾）是學校里最受歡迎的足球隊長，也是無數女生心中的白馬王子。某天，閑著無聊的傑克和同伴打賭，要把不起眼的潔妮變成最美麗、最耀眼的校園舞會皇後，於是為了贏得賭局，傑克開始對潔妮狂追不舍。與此同時，一直看潔妮百般不順眼的女生「大姐頭」——一位風騷的啦啦隊長，在不明就裡、又嫉又恨的情況下，她想方設法地對傑克的追求加以阻撓。最終的結局其實大家都能夠猜到，猜不到的可能就是怎樣達到這個解決的過程。

<<灰姑娘的玻璃手機>>
(我覺得很浪漫的電影,就像經典愛情片<<風月俏佳人>>一樣浪漫)
珊曼（希拉里德芙）曾經是世界上最幸福的小女孩，然而父親去世後，她的生活便陷入了水深火熱之中。她那超級自戀的繼母費歐娜（珍妮弗庫里吉）與一對愚蠢的雙胞胎繼妹，成天把她當菲佣使喚。珊曼只希望自己能夠順利進入普林斯頓大學，好早點離開這個沒有溫暖的家。 在日復一日的忙碌生活中，珊曼最大的寄託，就是與一名無話不聊，心靈相通的網友上網聊天和傳簡訊。萬聖節舞會當晚，王子與灰姑娘在舞池正中央相遇了。學校里人氣第一的足球隊長奧斯汀安姆斯（查德麥可莫瑞），並沒有認出他眼中的美麗公主的真面目。午夜來臨，灰姑娘匆匆離去，只留下一支來不及撿起的手機。 然而當奧斯汀終於發現了灰姑娘的真實身分，錯愕的表情傷透了珊曼的心，此時費歐娜又送來普林斯頓大學的拒絕信。無法離開家裡，又失去王子的拯救，萬念俱灰的珊曼，只好繼續為繼母繼妹做牛做馬，當一輩子的灰姑娘。 又或者……灰姑娘可以鼓起勇氣，拒絕繼母的剝削，追求自己理想中的人生，順便拯救一直不敢活出自我的王子。灰姑娘會怎麼做呢？王子與公主究竟能不能從此過著幸福快樂的生活？

8. 野孩子的英文觀後感 急！

1
Wild Child is one of those guilty pleasures, a bit like Mean Girls and Thirteen Going On Thirty, which cuts through all acquired patinas of sophistication and go straight to the inner twelve year old girl inside.
Poppy (Roberts) is a fairly typical LA teenager, self-obsessed, vacuous, spoiled and utterly sheltered. After the death of her mother, she and her father (Quinn) have been increasingly distant; he makes up for it by showering her with material goods and money while failing to give her the attention she craves; when a prank finally goes too far, rather than dealing with her properly he packs her off to an English boarding school – worse, an all girls』 English boarding school - where she is expected to learn lacrosse, wear a hideous uniform, and hand her mobile phone over to Matron (Henderson, in the second of two roles this week). Her father, and the headmistress (Richardson) hope that some discipline will turn Poppy into a lady.

And of course it works. After some initial – and frankly not too naughty – acts of rebellion (these girls don』t even smoke, let alone do drugs), Poppy is won over by our British charms. She discovers that her dorm mates, including 『Angus, Thongs and Perfect Snogging』』 Kimberly Nxon and 『Atonement』s』 Juno Temple won』t tolerate her brattish ways and, realizing that her friends in LA have forgotten her, decides to knuckle down and get on with things. And though she makes an enemy of the dominatrix-lite head girl Harriet (Georgia King) she discovers there are compensations in the form of Freddie (Pettyfer), the Head』s cute son, who is forbidden to date the girls.

Wild Child is about as deep as a mug of hot chocolate and just as enjoyable. It』s the classic poor little rich girl redeems herself story and while there』s nothing particularly new about it girls will love it. Poppy is never so bad that we don』t side with her; she is mostly ridiculous with her sanitizer spray and her shrieking, which is soon beaten out of her by England, plus we have already realized that she is actually lost and lonely, grieving for her dead mother, and needs real friends who will give her a hard time when they realise she is behaving like an idiot.

The romance with Freddie is a bit soppy; it』s never terribly clear what Freddie actually does or where he lives. He is totally set up as boyfriend material for Poppy and it doesn』t really matter about his personality; he exists simply as an object of desire, and to be the cause of Harriet』s jealousy – he is a plot device pure and simple. And pretty with it, if you like blonds. But actually where the story is much more interesting is where it touches on that old and almost forgotten idea of a woman』s film. Poppy leaves her world of boys and flirting for what almost amounts to an enclosed order, and she learns to bond with other girls. Their friendship, and not Freddie』s clumsy kisses, are what causes her emotional growth and ironically, this is where Wild Child is very old-fashioned. Poppy dies her blond hair brown, buys a party outfit from a charity shop and leads the lacrosse team to victory, embracing the uber-English values of fair play, thrift and teamwork. There is even a sort of homage to 『Spartacus』 when Poppy is accused of a crime she didn』t commit. And this at a time when WAGs and conspicuous consumption is all the rage? Maybe Wild Child was anticipating the credit crunch?

2
『That』s the final straw, you are going to England!』 belts out Malibu dad Aidan Quinn as he sends his brat daughter Emma Roberts across the Atlantic for yet another film set at a British boarding school. Roberts』s roller-coaster accent of rising vowels and spoiled 『be-atch』 attitude don』t go down well among the jolly hockeysticks crowd, but those girls, led by uppity head Georgia King, aren』t so palatable either. It takes Roberts』s level-headed roommates to pesuade her of the benefits of a more agreeable approach to life.

Alt co-stars Shirley Henderson and Natasha Richardson struggle valiantly as a matron and headmistress and Daisy Donovan and Nick Frost have amusing small roles as a teacher and a hairdresser, but young Alex Pettyfer (『Stormbreaker』) as the headmistress』s dishy son is as wooden as Gordon Brown at a Southwold photocall. The directing by Working Title』s longtime editor Nick Moore (『Notting Hill』, 『Love Actually』) shows little knack for comic timing – but the script offers few gags beyond fart jokes and the basest of cultural-clash observations. This celebration of mid-Atlantic compromise is one for the youngest and most forgiving of teenage girls.

3
Here is another girly-tweeny movie on which I suspect I am about as qualified to pass judgment as on variant patterns of weather on the moons of Saturn. It is about a spoilt 16-year-old LA princess called Poppy, played by Emma Roberts, whose cross dad (Aidan Quinn) sends her to a posh English boarding school to straighten her out. The script is by Lucy Dahl, daughter of Roald, though the proction company website originally listed two more writers: Kate Kondell, author of Legally Blonde 2, and Britain's Daisy Donovan, who here plays the Grenfellish PE mistress. (Their credits now appear to have vanished.) Inevitably, Poppy finds friendship and real values with her new British pals, and has a crush on the headmistress's improbable hottie son, played by Alex Pettyfer. All amiable enough, but still a bit tame compared to, say, Clueless, or Lindsay Lohan's Freaky Friday remake.

4
This teen romp has Emma Roberts(niece of Julia) as Poppy, an out-of-control Malibu princess who is sent off to an exclusive private school in England where her now dead mother was put on the right path in life. She hates it at first, since iPods and mobile phones are not allowed and the uniform makes her look distinctly uncool. Added to that, the snooty head girl (Georgia King) takes an instant dislike to her.

However, Kate (Kimberley Nixon) extends an olive branch and soon Freddie (Alex Pettyfer), the handsome son of Natasha Richardson�s headmistress, takes a fancy to her. She begins to get into the swing of school life, survives the perfidy of the head girl, and a nasty fire which she is thought to have started, before encouraging the school to do better than ever before in the lacrosse competition.

Wild Child is the directing debut of Nick Moore, editor of Love Actually, About a Boy and Notting Hill. It may be manna for teen girls but any kind of critical eye will find it about as convincingly made as the last St Trinian�s movie. It is played, though, with lively abandon.

5
"Shit" is the first word spoken by Wild Child's 16 year-old heroine Poppy (Roberts), and rarely has an opening line been such an accurate assessment of what's to follow.

A ghastly teenage comedy written by Roald Dahl's daughter Lucy, Wild Child makes 2007's St Trinian's look like an Ingmar Bergman film. It makes you pine for the days of John Hughes, when he gave us Ferris Bueller's Day Off and the crew from The Breakfast Club.

The film proper begins after Poppy's long-suffering father (Quinn) sends her packing from their flash Malibu pad to an English boarding school, Abbey Mount. Faster than you can say 'whatever', Poppy makes herself unpopular with her roommates by refusing to adhere to the school's rules. She makes a particular enemy of haughty head-girl Harriet (King), who has a thing for Freddie (Pettyfer), the handsome son of the school's headmistress, Mrs Kingsley (Richardson).

Distraught without her LA trappings - therapist, iPhone, and Jimmy Choo shoes - Poppy comes across like an extra from Mean Girls. At mealtimes she utters Buddhist chants while everyone else says grace, then refuses to eat the food on offer, claiming she's vegetarian, pescatarian and fruititarian. With the help of her roommates - who take pity on her when they discover Poppy's mother died in a car crash when she was 11 - our girl resolves to leave the school by getting herself expelled.

6
Like others who toil in the classroom (I』m a long-time film-studies professor at Suffolk University), I constantly fret over whether all those semesters of teacher talk have made a bona fide dent in students』 lives. Thousands in my charge have graated to the real world, but did I inspire them with my passion for cinema? Do they watch more classic movies, independent and foreign-language works, difficult art films, because of the exposure to such in my classroom?
On a bad day, I doubt it all: my ex-students have reverted to mainstream Americana. They』ve forgotten Kurosawa and Bergman. They』re blissed-out at the multiplex. Maybe that』s why I』m such a sentimental sucker for movies that see the classroom as a transformative, magical place where determined teachers make their mark and those in their tutelage are better and wiser for having sat at their desks. Recall earnest Jon Voight and his motivated black pupils on a South Carolina island in Conrack (1974). And in To Sir, with Love (1967), Sidney Poitier』s caring teacher in East End London taking his rowdy blue-collar kids on a class trip to the city』s great art museums.

I can abide even that drippy old pedant lecturing to æons of prep lads in the Hollywood fossil Goodbye, Mr. Chips (1939). Recently, we』ve been blessed with Nicolas Philibert』s tender 1992 documentary, To Be and To Have [Être et Avoir], which shows a real-life teacher doing wonders in a one-room classroom in rural France.

I don』t endorse every celluloid classroom movie. The most popular of them all, The Dead Poets Society (1989), is downright embarrassing. That』s not exemplary teaching that Robin Williams does, just the opposite. He showboats by climbing on desks. He bullies his worshipping students, in the name of non-conformity, into believing what he believes. Fie on his fascistic methods!

But forget Dead Poets — two sublime French movies about the teaching experience are very much alive this week at the Kendall Square. There』s a must-see 35mm revival of François Truffaut』s 1970 classic, The Wild Child [L』enfant sauvage]. And there』s the much-honored nominee for Best Foreign Film at the upcoming Oscars, Laurent Cantet』s The Class [Entre les murs].

Was there ever a more persistently autobiographical filmmaker than François Truffaut, who died at age 52, from a brain tumor, in 1984? His celebrated series of Antoine Doinel films, from The 400 Blows (1959) to Love on the Run (1979), are fictionalized stops at stations of his own dramatic life, with Jean-Pierre Léaud』s Doinel standing in for Truffaut. The Wild Child, which is dedicated to Léaud, has Truffaut』s markings everywhere. He cast himself as the benevolent doctor, Jean-Marc-Gaspard Itard, who takes in the Wild Child, a screeching, filthy human animal found in the woods. In part, Truffaut conceived his Itard as an homage to his mentor, the legendary film critic André Bazin. In the early 1950s, Bazin allowed into his flat an unhappy, undisciplined Parisian child and encouraged the boy』s passion for moviegoing and heavy books. That semi-civilized boy, ignored by his own feuding parents, was François. He was a love-starved auto-didact feasting on Balzac and American genre movies. What Flaubert said of Madame Bovary, Truffaut could assert of The Wild Child: 「C』est moi!」

Truffaut』s film is based on long-ago events. A 「Wild Boy」 was captured in 1798 in the French countryside and brought into Paris to be ogled. Was this smelly, howling being 「the noble savage」 that Jean-Jacques Rousseau had rhapsodized about? Dr. Itard rescued him from the urban mob and took the Wild Boy to his country estate to befriend him. But far more important for Itard was to study him and to civilize him. The Wild Boy, who was given the name Victor, would be less wild with Itard』s determined guidance. Soundly rejecting Rousseau, Itard would prove that rigorous ecation elevated humankind instead of corrupting us. The Wild Boy would ascend the chain of being if he could be taught to see and to hear instead of sniffing at the world, if he could sit at a table and eat with silverware. Victor had to be taught to speak, to read, to obey. Ultimately, he was to learn morality, a sense of justice.

A truly remarkable man, Itard published a simple-to-read 50-page tract, The Wild Boy of Aveyron, that』s a potent declaration of humanism at a historic time when charity barely was invented — it』s an amazing text! Truffaut』s movie stays close, in fact and spirit, to its source. The year 1798 is translated visually in black and white by Truffaut』s great cinematographer, Nestor Almendros, and shot in a classic style reminiscent of silent cinema. Most prominent, both for transitions and to frame the culture-shocked Wild Boy, is the free use of archaic 「iris in」 and 「iris out,」 a prevalent device in cinema through the 1920s. The extreme long shots of D.W. Griffith seem a source of visual inspiration. The tough-love dynamic between Itard and Victor must have been inspired by Arthur Penn』s The Miracle Worker (1962), by Annie Sullivan』s tug-of-war efforts to ecate the obstinate, seemingly deaf-and-mb Helen Keller.

9. 求《野孩子》500字電影影評

野孩子影評：我就愛老妹的顛覆！
老美最讓我佩服的，就是他們天生有一種似乎永不止歇的精神——顛覆。

威爾史密斯在《幸福來敲門》里對他上幼兒園的兒子說：永遠別讓別人告訴你去做什麼。哪怕是我也不行。如果你有夢想，就堅持下去。

想起同樣的年紀，我卻在學校里被告知：書上說的就是對的，老師講的就是要遵守的。真是相當傷感的回憶。

於是，我在以成為一個好孩子的目標下謹言慎行的長大，長大之後發現世界完全不是書里的樣子。懷疑、失落、厭惡，成年之後才滋生的逆反情緒顯然是不健康且無用的。它只能讓你更加壓抑更加悲憤更加看不清楚人生之路是為誰而走。

愛因斯坦說：想像力比知識更重要。
只可惜在一個專為扼殺想像力而創造的環境里，這句想像力之父的名言顯然更像奢侈的擺設。而山寨的崛起卻在驗證著另一條更為貼合實際的游戲規則：在這里，模仿力比想像力更重要。

好吧，某國教育制度的失敗，已經是不爭的事實。一輩又一輩周而復始的命運，幾乎已經磨滅掉期待改變的力量。越來越聰明的小孩，越來越在信息化中暈頭轉向失去個性的小孩。

還是說回電影吧。
編劇上並不出彩的好萊塢青春喜劇。拍攝手法的連貫自如，以及演員的靚麗出演並不能掩蓋落入俗套的劇情。出生在洛杉磯富人區的二世祖波比，從小失去母親，父親嬌縱，難免助長了她飛揚跋扈的性格。一次惡作劇之後，公主大人的父親忍無可忍，將波比扔進了一所以嚴肅傳統著稱的英國名媛寄宿學校。用時尚堆砌成16年成長道路的波比仿若進入了修道院，與一切顯得格格不入。後來的故事順理成章，波比挑戰壞心眼的學校「女王」成功，揭穿好友RUBY的虛偽面具，結交到一群真正的閨中密友，帶領全校女隊首次奪下球賽冠軍，收獲了「王子」的愛情，更重要的是，在發現這也是她深愛的媽媽的母校的同時，她終於也找到了自己的位置：now i may have looked like a california girl,but in my heart i've discovered that i really am an Abey Munt girl。

我一直覺得在老美的青春片里，你看不到父母老師去生硬的告訴一個小孩什麼該做什麼不該做，而是給他們選擇的機會，並且讓他們自己去尋找屬於每個人自己的答案。這在我這個青春期過的相當壓抑的成年人來看，是一件多麼讓人欣喜若狂的事情。他們從小被根植的思想不就是一種顛覆的思想嗎？！OK，波比，你看不慣這所學校，你看不慣欺負你的HEAD GIRL，你看不慣你老爸，那你就自己去顛覆它們。說服，或者被說服，JUST A CHOICE。學校，即是一個社會。要成為強者，你需要拿出實力。當然，如果你顛覆的不是理念，而是道德底線，那好，會有榮譽法庭給你公正的裁決（當然，你一點不用擔心，這種片子里的法庭永遠會站在光明的那面）。

最有意思的是，我記得片中的女校長曾經對波比說，這是一個培養「給黛安娜王妃當修腳師」的學校，如果你希望的是成為美國周刊的封面人物，那可能你進錯了地方。言外之意是你要低調，隱忍，禮節，優雅，制度化，一如英國幾百年奉行的傳統，做一個恰當得體的淑女。哈，可是好玩的是，是女校長一次又一次給了波比認識自己、釋放個性的機會。她一定和波比的那些室友一樣，一開始，就看到了波比內心深處的溫暖和明亮。我想，其實女校長比誰都明白，個性，才是最鮮活最長久的生命力。即使給黛安娜王妃當修腳師，誰又規定那個修腳師不能同時是個FASHION DESIGNER呢？同理，波比在舞會上，以性感造型（那段舞蹈棒極了）挑戰《理智與情感》造型出境的HEAD GIRL，也是極富隱喻。陳舊的，不合時宜的，終將淡出舞台。

這座規整的校園建築內，洋溢的，是最美好最自由的靈魂。

沖它給我的那麼多感慨，我給這部青春片打4顆星。

畫外音，艾瑪羅伯茨，很有星相的姑娘。男主角也是相當的養眼。

10. 電影野孩子的英文觀後感 急！

嗯。贊同上面的看法。

因為這是在是一部很好的電影，

在青春校園電影里是很出色的版。

你自己去看應該會權有很多感慨的。

也可以用在線翻譯器啊，

而且不可能會有人願意自己寫200詞的英文觀後感，

所以這個要求其實很麻煩，

而且又不允許復制！

推薦用谷歌的英文在線翻譯，

感覺比較好，不好意思，沒辦法幫到你。