這個殺手不太冷英文觀後感
A. 求一篇200字的這個殺手不太冷的英文觀後感
Natalie Portman plays Mathilda, a 12-year-old girl who lives in New York with her step-family. She has a close relationship with her little brother, but otherwise her life is a misery. Her father is involved in handling drugs for a crooked cop called Norman Stansfield (Gary Oldman). One day, Mathilda encounters Leon (Jean Reno), a fellow tenant of the apartment block and professional hitman, and a relationship begins to form between them. Mathilda is out shopping for Leon when Stansfield kills the rest of her family for thinning out the drugs a little, and ultimately she takes refuge in Leon's apartment.
Desperate for revenge on her family's killers, Mathilda begs Leon to teach her his skills. Soon she has wormed her way into every part of his unusual life. Leon does his best to keep her out of trouble, and a father/daughter bond forms between the two of them. Leon however has little experience of being either a father or a friend, and is unable to prevent Mathilda from pursuing her vendetta against Stansfield.
This is a wonderful film, in that it gets so many things right. The story, which at first glance is corny and silly, actually becomes gripping and emotional in the hands of the skilled Jean Reno and Natalie Portman. The characters are sympathetic and likeable, and one is touched by the depth of the relationship between Leon and Mathilda. There is real danger and drama throughout the film, yet it never becomes merely an action film – the characters are too significant for that. Besson, as always, both makes the film look beautiful and builds plenty of atmosphere into it.
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B. 跪求《這個殺手不太冷》的英文影評
We prosaic life killer is a supplement, it is another entirely different life. With similar words are pirates, spies, hunters, Rangers. I always think that these are purely male occupations, in this men also Chuanerdong, a shiny clothing, Cixiongmoban era, these types of people who obviously felt a primitive male charm, and male forces. They are not found in our daily life, but also in the legends of them did exist. We have to understand them through the incident through our illusions to complete their image. They are men dream, in the dark night of the emergence and spread of things and meet our most primitive desire and impulse, and the yearning for mystery itself.
These men on the professional attitude, people could not help but think of the novels Gulong: Gui deep in the girls, is the front of the windows of the heavy silence watching Xingdoushan Liao. In that one night, there was a black general who flew wind her window. Suddenly, he returned, with their feet Gouzhao eaves, exposed and neat rows of white teeth, giving her a vibrant smile. Introction and very confident: "Hello! I was a Caihuazei." Girls tension, confusion, because she is the first to see a Caihuazei, such a charismatic thief, the thief Closer. They talked about it on Banqi scorer, and the girls even become other people's grandmother, also has sweet memories of this story. On the issue of the killer, is the attitude of men like this girl.
Gulong girls on the mental grasp of this, I had a heavy body, not personally tried, and therefore do not know the true or false. I only know that the one-China men in the heroic story of growing up, we heard in childhood, the story is one of the most heroic. Heroes, male-hung. However, such as when we grow up, all the heroes have been dead for many years. Therefore, as men, we have no choice, we can only become a woman.
Women wear shoes in the small feet, men's shoes Le small in soul; women dressed to please his beloved own people, men bowing and scraping like slaves system to meet the requirements of the agricultural community; only a woman become a general, she Jiao Hua Mulan. There are many men Steers completed their personal values, they called 9,000-year-old called Dili division, called Wang. . . . . . More resilient than their mothers than Zhimaoyi more patience, more stringent than the calculation of trivia, Miyazato Zhengfengchicu after more than Shan, pulled hair than the street spat more unsafe, and ultimately to become a great man.
Therefore, every man like a Huaichun and lonely girl, waiting for the killer, from his window after. Seeing jump on the house across the street creeping fuzzy image watch their small feet, in tears. Not every one spring night, the killers are, the men cut a time of Mr. Rose, Wang Ran into the bottle,一聲 sigh.
In such a gentle atmosphere, there is a hard killer. Killers have already been sold to the life of Faust that an old friend, the killer is noble. "Hands" in Chinese, there is the meaning of a particular operator. The killer was the end of life with a precision operation, killing at the same time has become a violent aesthetic characteristics and the work of black humor. I remember living in the city, sounded the killer of a president of the International Asia doors. Doors open shots, between the two eyebrow. Gate customs, people Yao, and the corpse was lying on the ground. Chouzhao breathing a group of people discussing this matter, it was deep sigh said: "Step 10 killing one person and not stay away trip. Things to Fuyi, with a deep hiding." Some say: "Look this efficiency."
Frenchman good meet our needs this. Everyone has the right to dream of making to Zuojiuzuo one of the largest and most wild. Leon wearing a coat, wearing sunglasses, the stand quietly behind you, on your neck with the knife, and your dialogue. That the most direct dialogue, in fact is everyone's favorite. We will follow the cold metal infiltration and control each other's soul and body, than compromise, mediation, coordination, balance more direct and simply. We in reality between the various forces difficult time, when we tangled relations between the various objectives of the struggle Paxiang, Leon used a knife to show us one thing: Alexander can not use the simplest way untie the "mystery of the line corporation." Leon Subction in the dark, tough and violent, and that the emperor has a remarkable power and control. In the brilliant sunshine of us, pale and feeble, weak crawling with.
It is said that Leon is the representative of the French men. I like killer is the kind of simple life and the men should have clumsy. Undoubtedly, through his hands Nepen flowering plants will never have a metaphor: a killer closed out something. We thought it was happy, so even the construction of the garden, do not know that they therefore become a day in heavy labor under the heavy responsibility and Huajiang. Construction of a garden easily becomes ll and mediocre, because the love of this garden, so that we forever locked in the square under the sky. In fact, a person does not even go with a bowl of Hua. And we have built a whole garden, become refined and delicate, a sophisticated and subtle man gives the impression that inverted do appetite. Men should be proficient in the use of axes, in a precise arc arbitrary under logs Picheng two, and not good at Feizhenzouxian. In the hands of clumsy, left us a broader space to women to fill the gentle and delicate. This world is very complicated, but we can not lay down a bowl of flowering plants; this world is very simple, if you use a hammer.
Or, some people will ask what is the meaning of life? I saw the bomb Lahuang the scene of the air, I think it is all of great significance. Legend has it that the killer will have one day to the devil they redeem their lives, it generous dedication to their own cherished things. If a killer for life for murder and money, then he will always only a no feelings of the machines. A no treasure, life is incomplete. Killer doomed to die doubt, in this day comes, he must find something to their own lives on the altar, to complete the completion of his own. He simple life, as when he lost his own life, beyond the yoke together, he wanted to become their own. He only control, and that is his own life, he must put it to the redemption by the end of the way of life, the dignity of human life and to take back the hands of, at the last moment, with the lives of integrity. Such a killer, no-regrets dead, and his plant was finally able to find a quiet and the growth of the earth
C. 《這個殺手不太冷》3000字英文影評
《這個殺手不太冷》Another day and night time, also a classic movies, I again exposed to master works.
Perhaps directly. I was on the analysis from the plot habit. First, the story is very simple MaDiEr reaches to revenge is to kill Stan, Leon: learning how to do a killer, and finally to save his lover Leon and sacrifice. The story is very simple, the story of the test, perhaps this is the movies and novels. In the novel, you write a story if it is very simple, unless you have the same style and lu xun, otherwise known as is failing. But the movie is not. Some of the story is very simple, but through the lens or some skills can be clever. This is the so-called "story". Story actually quite "character", in which the girl and the killer about love, let a person do not feel like WengFan Yang and married that strange or nausea. Two people are in love does not show any obstacles and discomfort. They have a common characteristic: they have to lose to which they love and never ll. This is a perfect sentence. They really nothing, Leon lost her lover, kill people, only to Tony, sleeping of time, have to sleep with one eye. MaDiEr da, lost mother, father, sister, and that from these people died and she has no relation is natural, is the most important her four-year-old brother died in Stan gang, she won't forget. That love can make people couldn't imagine, for me at least. MaDiEr reach first appearance, those who relaxed music, and guitar with a warm, I can see her heart. Lens for a close-up of her eyes. When I lie on the bed to watch was stunned by the beautiful eyes, how can have such a beautiful girl... Lens is a small preview, making it more prominent eyes of Natalie. Remember that a few words, "hey," some lightly warm dialogue, and those music... It seems that the corridors and not behind the bloody corridor... I saw only warm... Until the Stanford.
Stories, need transition. This film is very good transition section, for example, Stan rumsfeld said to take his gang noon. In the room, we see clock leonus to 11:58, and then a series of scene precisely occurs within 2 minutes, then the gang at noon on time.
Said the skills, and storytelling sure-to-be-talked-about camera language. Movies have some very impressive camera language, such as the use of subjective lens. The film is a subjective lens opening. Finally in the gun Leon that picture is subjective. Then, is a Tony Leon and scene, lens gives extremely close to a close-up of the canthus, to Tony, we can see his eyes to the grain, Leon, give the milk into the cigarette, give to Tony Leon small black sunglasses, and that said "<" talk of Tony's soul lip. This alone is from the lens in the beginning of film award, direct use lens can seize the audience, LvKeBei loose work really badly. The film begins we hardly see Leon's face, and even murder is the bridge, and only in the final of the knife when face. This is clearly a killer professional identity and professionalism.
Leon speak. Leon is a killer, but as the translation, the killer is not too cold. His heart is green. Here is a about the thing: "through the star". This plant with Leon words, is his friend, but in the end, the pot is Leon incarnation. No women kidds axle. And his heart and love, these decided he needed is a not too cold. The green plant is his yearning and pursue, he said, the plants, happiness, is their partners, and he also hope so, but he can't do killer. He speaks with a period of going to the cinema, the film that I don't know what is old movies, because I didn't have. But inside, just can reflect the people's mood. Leon Circumstances are set reasonable, see this movie, Leon suggests he is free, the longing for love and yearning. Poor Leon, watching the film is also reflected in the sparsely populated hall watching... Leon mismanagement words, but encountered MaDiEr da is happy, from the beginning, to play for piggy MaDiEr and play games, each of MaDiEr of water, to buy gifts, and MaDiEr amounted to sleep together... Most propbably these memories are precious to him extremely. He doesn't want more than one side, do not want MaDiEr trouble, don't want let such a small child go his own way, don't believe in yourself, think oneself is probably not a good lover, but MaDiEr don't think so. Leon MaDiEr stopped when shot himself, of the fact he has admitted that the love. As you can see, Leon MaDiEr to buy back the gift of day, he was injured, and this is a top level of the killer is should not... Why? Only one explanation: his heart with care. As he said, "' r e not to lose me. You 've given me a taste for tourists. I wanna Sleep ring a bed, And roots, And time! L l, Mathilda. Would You loved of, now, baby. And there, go now," this is the first time since he became killer tasted the taste of life. He finally has a root, MaDiEr da, these memories are very beautiful. Therefore, in this place, and I finally, at the end, the tear, l love you that I love you, mathilda, I've felt Leon, I that tiny heart has been luc BeiSong lane frazzle. Nothing can stop the love, although it is a child and a killer of love.
MaDiEr speak. Natalie portman, seem to niuniu heard her name is exciting. To say that the girl in the picture is 13 years old when, the selection of actors, directors didn't hire she started later see this girl had finally agreed,. Israel's girl, oh, good ah, especially her skin lie in that red bed, wear black lingerie... (crazy... actually fascinated a 13-year-old girl..." Leon, said: "I 'm, running kina falling in site." just to die... Let me shout...ahhh (a)... ...
MaDiEr reaches a rebellious girl, with the question, what coarse fuck bitch shit like to master everything (actually I sounds nothing feels, no CNM and feels strongly TMD)... Don't blame her, she is mb. Itself, In her home, my sister everyday in order to lose like pigs like ass and not let MaDiEr amounted to see "transformers". Stepmother don't like her, dad is not what good stuff. Only brother and his close. She received a school teacher's telephone, said 1: "she 's died," explained his heart. She has died, her eyes see the congestion, Leon ask her how she fell off to cover all know, in fact, the bike is family. The second she see Leon and in the building, she keep bleeding, can guess this is probably from the sister doing good. Leon's concern to her heart feel comfort, when she got permission to buy milk can Leon, she faces bloomed smiles. MaDiEr don't hide your love, so every time she expression, Leon will jump out, for example, is the most common spray milk... In her to go out when she plans to the landlord say so: "he 's not fix, wash. lover wish." then the man listened to estimate crazy.
Stan, oldman play, checked and found him in the harry potter in the Sirius hoho ~ ~ ~ ~ to do good, the villain let him off, said he played to play very well, have robbed. Mtime saw a oldman for evaluation of, very interesting.
"Even if you don't like how to Renault, rob portman. How cold, no single Odysseus by oldman (that) (one share of abnormal condition, is enough to look it several times." "Manchester AoTeMan also than Odysseus pervert!!!!!!"
This film, have said, is the most worthy of full analysis of a lens, seeing a lens of analysis, but I haven't learned, until I learned and necessary analysis when to say again ~
D. 這個殺手不太冷 影評英文版小短文 急
This film was absolutely amazing. I have spent hours re-watching various scenes and noticing all the perfection with which they are acted and directed. It's not the violence or action sequences that make this movie so great (although they are well done...), but rather moments like where Mathilda knocks on Leon's door. It would be so easy to just film the door opening, but instead we see light illuminating Natalie Portman's face, symbolizing something angelic. And the moment has so much more meaning.
I know a lot of people who have seen this film because they are action fans. I'm not. But I'm glad I finally found it, because it's a wonderful film in so many other ways.
E. 八年級英語影評60字這個殺手不太冷
提供一篇本片的英文影評,見附件。
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F. 急需電影:這個殺手不太冷的(英文)介紹或簡略影評
Mathilda, a twelve-year old New York girl, is living an undesirable life among her half-family. Her father stores drugs for two-faced cop Norman Stansfield. Only her little brother keeps Mathilda from breaking apart. One day, Stansfield and his team take cruel revenge on her father for stretching the drugs a little, thus killing the whole family. Only Mathilda, who was out shopping, survives by finding shelter in Léon's apartment in the moment of highest need. Soon, she finds out about the strange neighbour's unusual profession - killing - and desperately seeks his help in taking revenge for her little brother. Léon, who is completely unexperienced in fatherly tasks, and in friendships, does his best to keep Mathilda out of trouble - unsuccessfully. Now, the conflict between a killer, who slowly discovers his abilities to live, to feel, to love and a corrupt police officer, who does anything in his might to get rid of an eye witness, arises to unmeasurable proportions - all for the sake of a little twelve-year old girl, who has nearly nothing to lose.
A hit-man tries to lose himself in New York. When a neighbor family is killed, he takes in the surviving twelve year old girl, and teaches her to be a cleaner, so she can avenge her little brother.
Leon is a hitman, and happy with his life. When a young women comes home to find her family has been killed by a drug dealer, she runs to him for help. When she discovers he is a hitman, she asks him to teach her the skills to take her revenge.
Leon is a first-class hit man, but is also a sensitive guy who loves his potted plants. He is moral: "No women, no children" is his professional motto. He is sympathetic to his neighbor, Mathilda, a typically rebellious twelve-year-old who has trouble with her family. But when her father runs afoul of drug kingpin Norman Stansfield, Mathilda turns to Leon for assistance.
G. 這個殺手不太冷 英語影評!
sensed that Luc Besson (director of The Fifth Element and La Femme Nikita) was, like Tarantino and many, many others before him, borrowed elements from various films and genres to create their own voice in the film. With Leon, I sensed him alluding to the crime films of France (i.e. Melville), Hong-Kong (i.e. Woo), and America (i.e. Scorsese), and making it into his own special brand for the story and characters. That his style visually is as compelling helps a great deal. The international version (which is the one I saw) is a little grittier, and more suggestive, than the version most American audiences saw in 1994 and on cable. But it is also a must-see if you are planning to see the film. It's not a long movie, though it gives a good many details in its story.
Jean Reno has his star-making turn (at least for what he's worth) in Leon- he's ruthless contract killer who will kill just about anyone for the right price. He lives out of an apartment by himself, trying his best to ignore his noisy neighbors. One of the daughters is Mathilda (Natalie Portman, also a major breakthrough performance), abused by her whole family to no end. When a corrupt cop (Gary Oldman, one of the key villain performances of his career along with Dracula and Drexl in True Romance) goes and kills off her family while she's away, she has no one else to turn to besides the reclusive killer. She knows what he does, and she wants in. The rest of the film is about their relationship, as it unfolds professionally and emotionally, leading to a tremendous, bloody climax.
One thing that struck me most about Leon is the fact that the film was more disturbing than I expected. The idea of a killer getting a pupil in a young teenage girl is unusual enough, but the way it unfolds I felt so much for her plight got to me at times. this doesn't make Leon a tear-jerker (maybe for some, I'm not sure), but because of Portman's dead-on portrayal, it makes the story work somehow, and is in a way as fantastical as it is naturalistic. There are also a few scenes that stuck out as being little masterpieces of all the elements coming together. The first is a brief scene, and crucial to showing the character of Leon early on- he takes a break after his contract, and sees a movie, a musical with Gene Kelly. He's the only one in the theater, and he is completely in the grasp of what he sees on the screen. It's the perfect touch of humanity and shows his only escape is into complete fantasy.
The second is when Leon and Mathilda are in a restaurant, after she has just gone through a day of training (there's a hilarious montage that follows this scene). Mathilda is getting drunk off of champagne, rambling with words she may or may not mean. Suddenly, she starts laughing, and she laughs more, and harder. People in the restaurant look at her like she's nuts. Leon is, of course, embarrassed. However, I thought this was just the right touch to this scene, where the kind of father-daughter relationship going on between Leon and Mathilda is revealed. It's not exactly funny, not even really cringe worthy. It just is. The third scene is when Mathilda decides to pay a visit to the man who murdered her family. She follows the man into the bathroom, and waits. Suddenly, he (Oldman) appears out from behind a door. The language used, the tenseness of the two off of one another, it's simply the most terrifying scene in the picture (aside from the first violent turning point).
So, basically, when Leon finished, I think I realized that my reaction was this: if I had seen this film when I was younger, be it in high school or even middle school, I would've responded to it even more strongly than I do now. There's something very visceral about the nature of violence and killing, as well as the mentor/pupil relationship, that Besson really gets down pat. While some of the situations have the chance of slipping into clichés, it doesn't happen very often. Leon: The Professional, is hard-hitting when it has to be, soft and funny when it can, and does stay with the viewer a few days after it's over.
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H. 求一篇《這個殺手不太冷》的觀後感,要求是英文的
Natalie Portman plays Mathilda, a 12-year-old girl who lives in New York with her step-family. She has a close relationship with her little brother, but otherwise her life is a misery. Her father is involved in handling drugs for a crooked cop called Norman Stansfield (Gary Oldman). One day, Mathilda encounters Leon (Jean Reno), a fellow tenant of the apartment block and professional hitman, and a relationship begins to form between them. Mathilda is out shopping for Leon when Stansfield kills the rest of her family for thinning out the drugs a little, and ultimately she takes refuge in Leon's apartment.
Desperate for revenge on her family's killers, Mathilda begs Leon to teach her his skills. Soon she has wormed her way into every part of his unusual life. Leon does his best to keep her out of trouble, and a father/daughter bond forms between the two of them. Leon however has little experience of being either a father or a friend, and is unable to prevent Mathilda from pursuing her vendetta against Stansfield.
This is a wonderful film, in that it gets so many things right. The story, which at first glance is corny and silly, actually becomes gripping and emotional in the hands of the skilled Jean Reno and Natalie Portman. The characters are sympathetic and likeable, and one is touched by the depth of the relationship between Leon and Mathilda. There is real danger and drama throughout the film, yet it never becomes merely an action film – the characters are too significant for that. Besson, as always, both makes the film look beautiful and builds plenty of atmosphere into it.
I. 求《這個殺手不太冷》的英語影評!急用!
This film was absolutely amazing. I have spent hours re-watching various scenes and noticing all the perfection with which they are acted and directed. It's not the violence or action sequences that make this movie so great (although they are well done...), but rather moments like where Mathilda knocks on Leon's door. It would be so easy to just film the door opening, but instead we see light illuminating Natalie Portman's face, symbolizing something angelic. And the moment has so much more meaning.
I know a lot of people who have seen this film because they are action fans. I'm not. But I'm glad I finally found it, because it's a wonderful film in so many other ways.
J. 幫忙找《這個殺手不太冷》的英文影評``
This film, better known in the U.S. as "The Professional", is a wonderful and intense film. Jean Reno plays his role as a "cleaner" with incredible subtlety. Leon tries to keep his emotions completely suppressed, yet Matilda (in an extraordinary performance by a young Natalie Portman, who is destined to become a very powerful actress into her alt life) bring out in him a new-found joy for life that accompanies his growing paternal instincts. But, the most dynamic element of this film is undeniably Gary Oldman's performance as a wildly sadistic and crooked DEA agent with his own narcotic-inced demons. His obsessions eventually lead him to the brink of absolute madness in his hunt for the cleaner. Truly, this is Oldman's finest performance to date, worthy of Oscar glory, though sadly forgotten. And so, Luc Besson did indeed top his triumph of "La Femme Nikita" by far with this masterpiece. Though, I cannot exactly praise his most recent effort with the sci-fi misfire, "The Fifth Element."
在美國, 該電影更為人所熟悉的名字是「職業殺手」。這是部刺激的,扣人心弦的作品。法國演員讓·雷諾不苟言笑的神情把「清道夫」這樣一個角色演的入木三分。他試圖壓抑著內心的情感波動,然而馬婷達卻引導他發現了生活中的快樂,激發了他內心慈父般的感情。值得一提的是,飾演馬婷達的女演員娜塔麗·波特曼在該片中表現十分搶眼,他註定會成長為一名優秀的演員。
另外,片中飾演一名喪心病狂的毒品警察的Gary Oldman表現也尤為出色。他的瘋狂最終將他引入了一個癲狂的狀態,不擇手段追擊讓·雷諾表演的「清道夫」。這也是Gary Oldman迄今為止最為出色的表演,完全夠的上奧斯卡評選的資格了,可惜的是這一點卻被大多數人所遺忘了。
導演呂克·貝松憑藉此片超越了他之前的顛峰之作--《尼基塔女郎》。然而他最近的一部科
幻作品《第五元素》中的表現並不很令人滿意。