不眠城之夜影評

① 如何評價《不眠城之夜》

《不眠來城之夜》是一部微電影自，看過該片的人微乎其微，而且該影片的評價也一般。

② 求『西雅圖不眠夜』的一篇英文影評。

That's for "Sleepless in Seattle"（西雅圖未眠夜) Review/Film; When Sam Met Annie, Or When Two Meet Cute By VINCENT CANBY Nora Ephron's "Sleepless in Seattle" is a feather-light romantic comedy about two lovers who meet for the first time in the last reel. It's a stunt, but it's a stunt that works far more effectively than anybody in his right mind has reason to expect. Not since "Love Story" has there been a movie that so shrewdly and predictably manipulated the emotions for such entertaining effect. Be warned, though: "Sleepless in Seattle" is a movie you may hate yourself in the morning for having loved the night before. The situation is this: the recently widowed Sam Baldwin (Tom Hanks), a successful architect, has moved to Seattle from Chicago to try to assuage his sorrow. One night, his 8-year-old son, Jonah (Ross Malinger), calls a late-night radio talk-show psychiatrist. It is Christmas, and the boy is worried about his dad. The furious, embarrassed Sam then gets on the phone. Before he realizes it, he's talking about his perfect marriage before a large portion of the United States population. Nora Ephron's "Sleepless in Seattle" is a feather-light romantic comedy about two lovers who meet for the first time in the last reel. It's a stunt, but it's a stunt that works far more effectively than anybody in his right mind has reason to expect. Not since "Love Story" has there been a movie that so shrewdly and predictably manipulated the emotions for such entertaining effect. Be warned, though: "Sleepless in Seattle" is a movie you may hate yourself in the morning for having loved the night before. The situation is this: the recently widowed Sam Baldwin (Tom Hanks), a successful architect, has moved to Seattle from Chicago to try to assuage his sorrow. One night, his 8-year-old son, Jonah (Ross Malinger), calls a late-night radio talk-show psychiatrist. It is Christmas, and the boy is worried about his dad. The furious, embarrassed Sam then gets on the phone. Before he realizes it, he's talking about his perfect marriage before a large portion of the United States population. Three thousand miles away, Annie Reed (Meg Ryan), a successful feature writer for The Baltimore Sun, is driving to Washington to spend the holidays with her wimpish fiance's family. Annie hears Sam's confession and is so moved that she nearly drives off the road. She's bewitched by something about his voice, the ill-concealed lump in his throat, his choice of cliches. She doesn't immediately know it, but she's in love and will one day wind up with Sam to live in the 1990's version of the kind of bliss that old-fashioned movies used to celebrate. Evoked by "Sleepless in Seattle," through clips and numerous references in dialogue and soundtrack music, is Leo McCarey's sentimental 1957 classic "An Affair to Remember," a movie that instantly reces every woman in the new film to tears. "An Affair to Remember" serves as an interesting yardstick for "Sleepless in Seattle." It a reminder of just how much smaller and more self-conscious romantic movies are today than they were when they were played by such icons as Cary Grant and Deborah Kerr, when love could be a matter of life and death, and when fate, not an interfering television-bred child, shaped the outcome. It's clear that Ms. Ephron understands this. "Sleepless in Seattle" is so cannily concocted that it somehow manages to stand above the sitcom world in which it is set. You won't for a minute misidentify that world. It's there in the unquestioned material perks enjoyed both by Sam and Annie, in the picturesque houseboat on which Sam and Jonah live in Seattle, in the tone of the wisecracks delivered by Annie's pal Becky (Rosie O'Donnell) and even in the nature of Sam's grief. Sam's beautiful first wife, Maggie (Carey Lowell), materializes from time to time in fantasy sequences, but the movie makes sure that his grief is not contagious. The audience knows, from Ms. Lowell's billing if nothing else, that Maggie is history, that Sam has a woman with co-star status waiting for him around the corner. The movie uses grief, but makes it safely meaningless. This is, after all, the world of sitcoms. Mr. Hanks and Ms. Ryan are terrifically attractive, each somehow persuading the audience of the validity of all of the things that keep them apart and then miraculously bring them together. Annie's fiance, Walter (Bill Pullman), is a comic nerd for our time. He's not ridiculous in the manner of the other men once played by Ralph Bellamy, but he does have a large problem with allergies. Walter is allergic to almost everything. No great effort is made to explain how Annie could have fallen in love with him in the first place. He's a plot function, as is Victoria (Barbara Garrick), the woman Sam courts halfheartedly in Seattle. She is pretty and has a manic giggle that would curdle hollandaise sauce. The film was made by the book. Yet Ms. Ephron and her associates create a make-believe world so engaging that "Sleepless in Seattle" is finally impossible to resist. Both Mr. Hanks and Ms. Ryan bring substance to their roles. The film will probably call up memories of "When Harry Met Sally," although "Sleepless in Seattle," compared with that denatured version of a Woody Allen comedy, looks like a stunning original. It's not easy keeping apart two lovers who the film tells you are made for each other at the beginning, but the digressions are often extremely funny. The manner by which they are united is outrageous and painfully cute, but finally satisfying. Ms. Ephron makes Machiavellian use of soundtrack music. There's no doubt how you're supposed to respond when you hear "Over the Rainbow," "Star Dust," "Bye-Bye, Blackbird" and "Jingle Bells." Every now and then, however, there is a comic invention that lifts the movie up, up and away, as with the choices of "As Times Goes By," which more or less opens the film, and "Make Someone Happy," which ends the movie, both sung by the incomparable, gravel-voiced Jimmy Durante in a way that puts the lyrics in movingly bold relief. In a way, "Sleepless in Seattle" is vamping for time from start to finish. It knows that it couldn't possibly show us (at least, for any length of time) a Sam and Annie together as fully in love as they are apart, before they've met. That would have to be an anticlimax. The movie, in which pacing is all, stops on a dime. "Sleepless in Seattle" has been rated PG (Parental guidance suggested). It includes some vulgar language. Sleepless In Seattle Directed by Nora Ephron; screenplay by Ms. Ephron, David S. Ward and Jeff Arch, based on a story by Mr. Arch; director of photography, Sven Nykvist; edited by Robert Reitano; music by Marc Shaiman; proction designer, Jeffrey Townsend; proced by Gary Foster; released by Tri-Star Pictures. Running time: 100 minutes. This film is rated PG. Sam Baldwin . . . Tom Hanks Jonah Baldwin . . . Ross Malinger Annie Reed . . . Meg Ryan Suzy . . . Rita Wilson Greg . . . Victor Garber Rob . . . Tom Riis Farrell Maggie Baldwin . . . Carey Lowell Walter . . . Bill Pullman Barbara Reed . . . Le Clanche Rand Cliff Reed . . . Kevin O'Morrison Dennis Reed . . . David Hyde Pierce Betsy Reed . . . Valerie Wright Becky . . . Rosie O'Donnell Jay . . . Rob Reiner

③ 《不眠城之夜》為什麼不火

《不眠城之夜》為什麼不火呢?這是一部黑色幽默片兒。首先這部電影很小眾，喜歡的人並不多，其次選的題材，這部片子主要以「性」貫穿在整部片子。可是表演過於直白。演員的專業性並不強，表情動作並不到位。

④ 求西雅圖夜未眠的英文影評大概是700個字~謝謝啦。

這里有此片的英文影評185篇：
http://207.171.166.140/title/tt0108160/usercomments
不想雷同的話，從中間開始翻頁，找兩三篇綜合整理一下，就可以用了。

⑤ 《不眠城之夜》外界如何評價

據我所知《不眠城之夜》外界評論並不好，豆瓣評分5.3

首先表演非常模糊，讓人看不懂想要表達回什麼，其次，《不眠城答之夜》並沒有傳遞出什麼實質性的意義。音樂也跟劇情不搭調，整體劇情枯燥無味，而關於性方面的卻表現得太過於直白，讓觀眾在觀影過程中感覺不舒服。整部影片沒有任何藝術可言。

⑥ 求『西雅圖不眠夜』的一篇英文影評。

That's for "Sleepless in Seattle"（西雅圖未眠夜)

Review/Film; When Sam Met Annie, Or When Two Meet Cute
By VINCENT CANBY

Nora Ephron's "Sleepless in Seattle" is a feather-light romantic comedy about two lovers who meet for the first time in the last reel. It's a stunt, but it's a stunt that works far more effectively than anybody in his right mind has reason to expect. Not since "Love Story" has there been a movie that so shrewdly and predictably manipulated the emotions for such entertaining effect. Be warned, though: "Sleepless in Seattle" is a movie you may hate yourself in the morning for having loved the night before.

The situation is this: the recently widowed Sam Baldwin (Tom Hanks), a successful architect, has moved to Seattle from Chicago to try to assuage his sorrow. One night, his 8-year-old son, Jonah (Ross Malinger), calls a late-night radio talk-show psychiatrist. It is Christmas, and the boy is worried about his dad. The furious, embarrassed Sam then gets on the phone. Before he realizes it, he's talking about his perfect marriage before a large portion of the United States population.

Nora Ephron's "Sleepless in Seattle" is a feather-light romantic comedy about two lovers who meet for the first time in the last reel. It's a stunt, but it's a stunt that works far more effectively than anybody in his right mind has reason to expect. Not since "Love Story" has there been a movie that so shrewdly and predictably manipulated the emotions for such entertaining effect. Be warned, though: "Sleepless in Seattle" is a movie you may hate yourself in the morning for having loved the night before.

The situation is this: the recently widowed Sam Baldwin (Tom Hanks), a successful architect, has moved to Seattle from Chicago to try to assuage his sorrow. One night, his 8-year-old son, Jonah (Ross Malinger), calls a late-night radio talk-show psychiatrist. It is Christmas, and the boy is worried about his dad. The furious, embarrassed Sam then gets on the phone. Before he realizes it, he's talking about his perfect marriage before a large portion of the United States population.

Three thousand miles away, Annie Reed (Meg Ryan), a successful feature writer for The Baltimore Sun, is driving to Washington to spend the holidays with her wimpish fiance's family. Annie hears Sam's confession and is so moved that she nearly drives off the road. She's bewitched by something about his voice, the ill-concealed lump in his throat, his choice of cliches. She doesn't immediately know it, but she's in love and will one day wind up with Sam to live in the 1990's version of the kind of bliss that old-fashioned movies used to celebrate.

Evoked by "Sleepless in Seattle," through clips and numerous references in dialogue and soundtrack music, is Leo McCarey's sentimental 1957 classic "An Affair to Remember," a movie that instantly reces every woman in the new film to tears. "An Affair to Remember" serves as an interesting yardstick for "Sleepless in Seattle." It a reminder of just how much smaller and more self-conscious romantic movies are today than they were when they were played by such icons as Cary Grant and Deborah Kerr, when love could be a matter of life and death, and when fate, not an interfering television-bred child, shaped the outcome.

It's clear that Ms. Ephron understands this. "Sleepless in Seattle" is so cannily concocted that it somehow manages to stand above the sitcom world in which it is set. You won't for a minute misidentify that world. It's there in the unquestioned material perks enjoyed both by Sam and Annie, in the picturesque houseboat on which Sam and Jonah live in Seattle, in the tone of the wisecracks delivered by Annie's pal Becky (Rosie O'Donnell) and even in the nature of Sam's grief.

Sam's beautiful first wife, Maggie (Carey Lowell), materializes from time to time in fantasy sequences, but the movie makes sure that his grief is not contagious. The audience knows, from Ms. Lowell's billing if nothing else, that Maggie is history, that Sam has a woman with co-star status waiting for him around the corner. The movie uses grief, but makes it safely meaningless. This is, after all, the world of sitcoms.

Mr. Hanks and Ms. Ryan are terrifically attractive, each somehow persuading the audience of the validity of all of the things that keep them apart and then miraculously bring them together. Annie's fiance, Walter (Bill Pullman), is a comic nerd for our time. He's not ridiculous in the manner of the other men once played by Ralph Bellamy, but he does have a large problem with allergies. Walter is allergic to almost everything.

No great effort is made to explain how Annie could have fallen in love with him in the first place. He's a plot function, as is Victoria (Barbara Garrick), the woman Sam courts halfheartedly in Seattle. She is pretty and has a manic giggle that would curdle hollandaise sauce. The film was made by the book.

Yet Ms. Ephron and her associates create a make-believe world so engaging that "Sleepless in Seattle" is finally impossible to resist. Both Mr. Hanks and Ms. Ryan bring substance to their roles. The film will probably call up memories of "When Harry Met Sally," although "Sleepless in Seattle," compared with that denatured version of a Woody Allen comedy, looks like a stunning original.

It's not easy keeping apart two lovers who the film tells you are made for each other at the beginning, but the digressions are often extremely funny. The manner by which they are united is outrageous and painfully cute, but finally satisfying. Ms. Ephron makes Machiavellian use of soundtrack music.

There's no doubt how you're supposed to respond when you hear "Over the Rainbow," "Star Dust," "Bye-Bye, Blackbird" and "Jingle Bells." Every now and then, however, there is a comic invention that lifts the movie up, up and away, as with the choices of "As Times Goes By," which more or less opens the film, and "Make Someone Happy," which ends the movie, both sung by the incomparable, gravel-voiced Jimmy Durante in a way that puts the lyrics in movingly bold relief.

In a way, "Sleepless in Seattle" is vamping for time from start to finish. It knows that it couldn't possibly show us (at least, for any length of time) a Sam and Annie together as fully in love as they are apart, before they've met. That would have to be an anticlimax. The movie, in which pacing is all, stops on a dime.

"Sleepless in Seattle" has been rated PG (Parental guidance suggested). It includes some vulgar language. Sleepless In Seattle Directed by Nora Ephron; screenplay by Ms. Ephron, David S. Ward and Jeff Arch, based on a story by Mr. Arch; director of photography, Sven Nykvist; edited by Robert Reitano; music by Marc Shaiman; proction designer, Jeffrey Townsend; proced by Gary Foster; released by Tri-Star Pictures. Running time: 100 minutes. This film is rated PG. Sam Baldwin . . . Tom Hanks Jonah Baldwin . . . Ross Malinger Annie Reed . . . Meg Ryan Suzy . . . Rita Wilson Greg . . . Victor Garber Rob . . . Tom Riis Farrell Maggie Baldwin . . . Carey Lowell Walter . . . Bill Pullman Barbara Reed . . . Le Clanche Rand Cliff Reed . . . Kevin O'Morrison Dennis Reed . . . David Hyde Pierce Betsy Reed . . . Valerie Wright Becky . . . Rosie O'Donnell Jay . . . Rob Reiner

⑦ 《不眠城之夜》的導演是誰

《不眠城之夜》的導演是內地導演王嘉恆，現在並不出名，甚至網回上並查不到王嘉恆的個人資答料。他畢業於中國戲曲學院，主要熱愛於拍攝短片。如黑色幽默電影《不眠城之夜》，時長只有短短十五分鍾。

⑧ 哪裡有西雅圖不眠夜與這個殺手不太冷的英文影評

This is a very popular movie, also is a sentimental movie, Tom · Hanks and the Meg · auspicious graciousness two people acts the leading role "the Seattle Night of Dormancy". The story very is simple, says is two people pursues in one kind of life the perfect love story, after in the sam a wife died sorrowful hard to enre also concluded oneself difficult to seek to the man who really loves, Anne is again the accurate bride who loses love direction in happiness.Anne hears the sam after the broadcasting station the story is moved deeply, then thought own love are not extremely perfect, therefore a fill romanticism beautiful love story like this has launched ............ The human said love is on a table in four legs most slender also is actually a most attractive leg, was short it the table to lose artisticly, but other three legs also could support the table actually not but actually, life as usual. 。 The sam leads the son to recede the another region to come to the Seattle tranquil silently life, only is projects one lonely atmosphere in the tranquil night sam big shadow in the pleasure boat deck upthrow.But Anne narrated the look in the mother about the same year and father deep thick love Italy somewhat to be also desolate, her also treated own love to have the suspicion very obviously, only has not heard the sam at that time the story, in the heart sentiment all gives own fiance happily to cover up many.Two person normal life behind all is hiding that share to sincerely, the real love together understanding.The sentiment collects in front of a line each kind to burst out on proved sufficiently this point, at the airport first meet, the sam on has fallen in love to Anne, in seashore Anne in the distant place observation sam and the son together the scene which plays in the sand beach although does not say a word, but from Anne's look can feel actually leaves happiness and that kind of hope joins to the same place hope. Love is any, Anne's mother said that is magic, the charm, two people have known in advance in the connecting rod flash for a lifetime.In our this fast food time, two sentiments like each other the like to look for a needle in a haystack general difficult to meet, even if meets is also unable to say for certain to be able to persist gets down.The dry seas and crumbling rocks, the dark green sea mulberry field such love pledge became the sausage which mentioned to be striking, replies lives.Love is modified now, can present loves the supreme person is really great, dares to give up go for shelter all loves the river is phoenix Mao Linjia.Anne's courage will most let the human in the movie admire, pushes all to become the foregone conclusion at present the happy life, in the valentine day night, outside the glass window in the building window will screen the red light to put together intentionally the shape, under such atmosphere, Anne will have the courage to the fiance to say honestly oneself will not be able to marry to him, and has returned to give back to the diamond ring he.In the life we all are the greedy animal in, closely accumulates stops, in the brain was thinking brushed past the outstanding public figure, has the shed only then to have, has can have loses, such simple truth everybody understands, may be cannot lay down, Li Mu speaks in vain 「loosens the hand, you had the entire world!」Understood drops the human, can certainly be happiest. Modern we always like seeking an explanation break the earthen pot the way life, looks like the bodhi old ancestor to ask the week star is same 「likes needing the reason?」Asked answers, did not know therefore, asked afterwards we all forgot to seek are any thing. In the movie, the Tom Hanks's performance is extremely splendid, loses the wife after the performance the sorrowful lonely life, to son's great grandfather Ido brand performance incisiveness, Mei Jie the performance not too so has been on the other hand outstanding, this is I first time saw she in the movie the long hair appearance, has been short that simply, perhaps is in order to coordinate the disorderly relations which in the movie cannot clear off to stay behind selously.Afterwards, after when separates for five years, two people cooperated with this piece direct Nora Ephron "Electronic Sentiment Reason", also is a cordiality dormancy dormancy love movie.Although this kind of plot outmoded movie spits now with the vanguard fashion race mouth in the word described the speech is superficial! But, such movie only then draws close to the life, is bringing a faint trace sadness, the little light gentleness, that kind of emotion palpitates the slowly flowing which sends to let the human joyfully not already, do not forget, we also are the average person, the small small joyful happy life, always the left right knife have not been carving own on the face out of the ordinary.Such is uninteresting, also very idiot.