諾丁山電影影評
『壹』 諾丁山英語觀後感或英語簡介
觀後感
Notting Hill
It may be a paradox to say that a film can sparkle slowly, yet that's the only way I can describe this charming romantic comedy. The star(dom)-crossed lovers don't know that they are Meant For Each Other ... yes, this is the standard RomCom setup. But the -way- they don't know? That is put across in a most British and deliberate pace and setting. And it makes the ending that we all know is coming gather color and charm.
"Notting Hill" takes over a third of its running time to show William (Hugh Grant) as he is immersed in his daily life, wanting to be supportive of his friends, yet searching for his own inner life. The five closest friends all show something he lacks: "happy" conformity, a loving marriage transcending obstacles, a sister who takes bold risks for finding love, and a roommate that sees through pretense and says so (and, yes, is delightfully vulgar).
That very British character-in-a-wry-setting pattern borrows from "Four Weddings and a Funeral," but the only friends there that I could consistently believe -mattered- to Grant's character were the gay couple, one comic, the other showing profound emotion. Here, all of the lead character's circle deeply cares about him, as he does about them. This makes all the difference.
Where it matters most is in giving him support when the American film beauty (Julia Roberts) comes into his life, then out, then in, then ... and all in ways that are believable for such dissimilar lovers. The romantic turns are more plausible because Grant's character has such support and a place for sharing his emotional roller-coaster ride. He isn't crushed by the down moments, but picks up his indiviality and moves on. And his friends tell him, sometimes with only searching looks, just when he's picked up -too much- of being on his own. (Okay, the moment towards the end when Spike puts his exasperation into three pointed, even vulgar, words is a refreshing change. Sometimes, when a friend lets loose with the pithy truth, it hits the needed spot.)
All this backstory, character richness, and pointed use of the "right" words are British qualities that we don't get with the standard American RomCom setup.
Gina McKee's turn here as Grant's wheelchair-bound female friend is of someone with deeply felt indiviality and unique perceptiveness, including her own tender perspective on loves past and present -- especially her husband. It's a glimpse into a woman with distinctive qualities that -she- has chosen. This makes her both appealing to all her friends, and forceful by quiet understatement. She also ends up being much funnier, when you've rewound the tape and end up thinking about the story. (Listen for her spoken turn on "standing up." No, it's not a cheap play on her limitations. Not in context. And that's subtle comic acting.)
Richard Curtis's inventive screenplay is one of the best in years, and would reward a look in book form as well. He takes this backdrop of supportive friends, puts in the sparkle of Roberts invading and shaking up their world, and creates a skein of personal truths and imposed celebrity nonsense.
Grant and Roberts are both passionate and bemused observers of the absurdities of fame that end up surrounding them, but they act this out in comic byplay and inventive responses. This isn't an American breakneck-pace (or "screwball") comedy, and their subtle discovery of each other's -minds- and substance wouldn't work in such a setting.
Roberts has both the easy familiarity with and the hair-trigger of frustration from fame, both coming out to undermine her when she least expects it. But she shows that she can grow and learn from her mistakes. (Unlike her well-acted but overexplained realization at the end of "Runaway Bride.") She even has one scene -sans- makeup that is a genuine romantic turning point. I don't see many other actresses being willing to try that.
Grant shows an astonishing inner strength and self-awareness, not being willing to hide how -he- sees reality. (He did the same realistic turn in "Four Weddings," but didn't try nearly as effectively to figure himself out.)
The photography and settings show off London beautifully, and the story's interior scenes make highly imaginative use of a narrow, stacked-up Notting Hill mini-townhouse.
Only two items give this any less than a 10 rating from me -- and even then, only down to a 9. The director doesn't take up very many opportunities to build on the comic or dramatic moments in the screenplay. He coasts on the words. They're good words, but they need a twist at times.
The other partial disappointment is with the musical score. It isn't really a score, or much of one, it's mostly popular tunes that underscore the action. One of these is luminous, and frames the story perfectly -- Elvis Costello's cover of "She." Others, though, use their lyrics to grind plot points into the ground. They also are usually performed far too high in volume, and sometimes lapping against dialogue.
(The two original themes by Trevor Jones are beautiful, lushly written, and quite fitting to the main characters. We should have had more of his work, but they're less than a fourth of the film's music.)
The British often put more creativity below the narrative surface and into the setting than Americans do, and often get beyond formula. To discover this in a film is joyous. You'll feel this when you find yourself compelled to see this deeply felt, yet very funny, film twice, thrice, or more. For me, it's still delightful after nine months and nine viewings.
『貳』 我為什麼喜歡諾丁山英文影評
Notting Hill proves one thing -- jokes lie in the oddest places. This film is an excellent vehicle for Julia Roberts to put her own life as an actress under the microscope. While Roberts' "Anna Scott" character isn't an autobiographical figure, the Scott character allows for some biting satire at the life of Roberts herself. Need I mention some excellent one liners in the film like the sister of Hugh Grant... "I feel like we are sisters", an excellent throw-back to "My Best Friend's Wedding"... or my favourite, a discussion about nude body doubles just before a nude Julia Roberts (or a Julia Roberts body double) crosses the screen.
Apart from the small bit of satire, Grant's character plays on the emotions of every guy who has ever unexplainably fell in to, threw orange juice-on, lost out on, and fell back in to love. Roberts character can only help us understand how such a relationship as the one her and Grant share in the movie, could be "Surreal, but nice."
樓主不喜歡這段的話，下面的參考資料中的鏈接上有500多篇影評，自己去選吧!
『叄』 諾丁山 英文觀後感
I think this movie was done exceptionally well. It is a love story that is funny, sad and keeps you interested all the time. The movie could have done with out some of the language, but otherwise this movie is great for all ages and types of people. Julia Roberts was as expected, a good job--not an oscar, and Hugh Grant did better than in his recent films. I highly recommend this movie!
『肆』 電影《諾丁山》觀後感!!!英文300字內
Notting Hill is a romantic film by Roger Michell. It was written by Richard Curtis (one of the top screenwriters in the UK) in 1999. As regards the plot, if we summarize it, we can say that a very famous Hollywood movie star, Anna Scott, falls in love with the owner of a bookshop, a normal fellow, in the charming London district Notting Hill. Apart from the fact that I like the actors very much, Julia Roberts (Anna Scott), and overall Hugh Grant (William Thacker), I think that this is a good film, because I also like comedies, and Notting Hill has, in particular, an original plot, and it's a very entertaining film. There are quite humourous notes, among them the way in which Anna and William meet, because he spills orange juice on her T-shirt. William's flatmate, Spike (Rhys Ifans), provides comic gags for the film. He's absurd, funny and indiscreet, but he also tries to help his friend. Even though the love at first sight between Anna and William is immediate, when the ending is close, he rejects her because he heard her speaking dismissively of him to her co-star. So, the excitement is kept until the end, when he realises his mistake and runs after her. The leading role in the film is shared between the main actors and the Notting Hill district itself. It is the centre where a lot of cultures and people from different worlds come together. This film poses a very current problem: the relentless pursuit that famous people suffer from the paparazzi. Moreover, Anna Scott sees how some suggestive photos of her that were taken some years ago are publicized. Finally, if you want, you can enjoy its soundtrack, which is wonderful. In particular, it has a nice song by Ronan Keating titled `When You Say Nothing At All'.
『伍』 有關電影諾丁山的影評資料
電影《諾丁山》十年觀感
初聞這部影片的我，當時還是個懵懂的大學生對愛情充滿了無盡的遐想和憧憬。當時看來，只覺是一部完美結局的愛情影片，並沒有過多的感觸。十年後的今天，再看這部影片，當真感慨萬千，感慨男主雖然生活不順利，但卻有可愛的室友，一群相親相愛的朋友，他們中的每個人都遭受自己人生的黑暗時刻，但是他們卻依舊樂觀，積極的，艱難的生活著...
而她一個和他們看似完全不在一個世界的人，卻奇跡地出現在了男主的世界裡，猶如中了500萬彩票一樣，讓人活在夢幻里，那感覺不可思議，難以置信。男主和女主的愛情，按照現在的愛情視角，門當戶對來看，顯然是完全不合適的。最明顯的一點，男女主不在一個社會階層上，女主一部影片就能賺1500萬英鎊，而男主經營的小書店，常年虧損，生活平淡沒有一絲波瀾。其次，男主對於女主一開始的喜歡，像極了粉絲與偶像之間的愛慕，充滿了呆萌和純碎。而女主的主動，造就了男主粉絲心理的炸裂，無可救葯的著迷和愛上了她，並且幻想佔有她，永遠和她在一起。而後知道女主有男朋友，那種失落和內心的難受和煎熬，像極了失戀的人兒，多麼渴望那個愛著的人能回來，繼續相愛，可是這結果讓人神傷，心碎...
擱在現實生活中，兩個社會階層相差如此大的人，是很難走到一起的，就如男主說的那樣，他無法理解一個女明星的處境，無法理解聚光燈，無法理解那些無謂的八卦報道，因此，就算女主這么如花似玉的女神請求他來愛他，他也拒絕了。可能這才是現實，現實讓我們恐懼，害怕之後的所有麻煩，在情感面前更多的會選擇逃避和放棄...
影片的結尾，很多人說像極了童話，但是我認為它似乎是要告訴所有相信愛情的人們，也許你也曾或者至今仍然相信愛情，但是要成就一段愛情，男主最後的決定的轉變以及朋友的推波助瀾卻是劇情進展里格外重要的環節，一旦男主自己選擇了放棄以及周圍朋友的聲音多數選擇了反對，試問男主還有後面的故事和浪漫的姻緣嗎？結論可想而知。可以說，這部影片讓我喜愛的一個重要的原因，不外乎是告訴人們，浪漫愛情人人都渴望，但是請拿出渴望愛情的勇氣和力量，才能成就美好愛情。否則，就算安排了美好的相遇，依舊會錯失愛情。想愛就認真、勇敢的去愛吧，電影的結尾那一幕不正是你想要的嗎?夕陽西下，公園里，妻子依偎在丈夫身上，肚子里懷著美好愛情的結晶，那一幕顯得格外的溫馨和美好....
『陸』 《肖申客的救贖》的影評
現實的神話－－看「肖申克的救贖」
望是人類最美好的擁有, 只要自己不放棄, 希望就會永遠相伴相隨。安迪很認真地對幾個好友說出這樣的話, 換來瑞的沉默, 許久, 他才開口, 希望是危險的東西, 是精神苦悶的根源。然後, 瑞沒有再抬頭看安迪一眼, 他離開了飯桌, 安迪則靜靜地目送他離開。鏡頭上搖, 看見鐵窗外悠藍的天空……
「肖申克的救贖」有名「刺激95」 是佛藍克．達拉邦特的作品, 講述了一個在名為沙堡的監獄, 安迪是怎麼自我救贖以及怎樣幫助朋友們找到精神家園的故事。
因為被誣告謀殺自己的妻子和妻子的情人, 安迪被法庭宣判終生監禁, 影片很巧妙地使法庭上的宣判閃回一連串謀殺當晚的情景, 喝地大醉的安迪和他那雙暗夜裡充滿仇恨的藍色眼睛, 他的手槍一直握在手中, 但是, 最終還是放了回去……極其充滿諷刺意味的是, 鏡頭明確地告訴我們, 安迪沒有殺人, 而法庭卻因為對方律師一系列有力的假設般的推理, 對一個年輕有為的銀行家處以無期徒刑, 這對他的事業和未來無疑是判處了死刑。
當安迪在其他囚犯的帶有挑逗意味的喊叫聲中, 走出囚車時, 他的眼底竟然沒有任何意識, 像是靈魂被抽空了一般。走在人群中安迪的孤獨氣質很快便吸引了老囚犯瑞, 他和其他朋友打賭, 他說, 今夜, 第一個哭出聲的就是這個高個子。然而, 安迪的沉默讓他輸了兩包香煙, 但是瑞卻開始在心裡對安迪有了一種特殊的感覺, 是一種想進一步了解他。自此, 影片由鏡頭的客觀視角轉而成為瑞的主觀視角, 攝影機成了瑞的眼睛, 瑞的獨白……
第一次, 安迪和瑞的對話是, 請瑞為他在外面買一個手錐。瑞用懷疑的眼睛看著他, 安迪解釋說, 他只是為了消磨時間而想雕刻石頭罷了。於是, 安迪得到了那把手錐, 沒有人對安迪的動機表示懷疑, 因為用瑞的話來說, 用那個來挖洞估計要六百年才行。然後的一次義工中, 安迪運用自己的聰明才智為每個做義工的囚犯爭取來了每天早上10點鍾在天台上喝冰啤酒的待遇。於是, 當10點的太陽照在他們疲憊的身體上的時候, 他們圍坐在一起, 喝著可口的啤酒, 就像在自家的天台上修理一樣自在。而, 安迪卻只是坐在遠處帶著一點笑意的看著他們， 似乎是他來到沙堡的第一次的笑容。之後, 監獄長利用安迪的學識為他洗黑錢, 為此安迪被調到輕松的圖書館工作。安迪看到圖書陳舊, 書目很少, 便每一周寫兩封信去相議員請求增加書目。在他堅持不懈的努力下, 議員終於寄來了撥款；安迪也許永遠忘不了處見沙堡時候片刻窒息的感覺, 攝影師羅傑．迪金司沒有過多的買弄花哨的鏡頭, 他只是嫻熟地用了兩個鏡頭, 一個是從監獄門的上空大俯拍, 一個是從監獄門的下面往上仰拍, 兩個鏡頭很快地重疊, 再分開, 變形的門和由內而外的透視監獄的全貌, 扭曲的世界預示著安迪將來的命運, 與其有異曲同工之妙的是國內導演張意謀的「大紅燈籠高高掛」中的頌蓮提著箱子無住的站在門口, 整個畫面的構圖就是一個很大的口字, 似乎要將她整個熱門內吞進去一般。
影片的畫面採用的多是四分之一側面, 在人物特寫出現時多用灰色, 黑色的色調, 強調出沙堡的抑鬱和獄警沒有人味的事實。片名「申肖克的救贖」, 其實是指安迪在沙堡所做的一切, 即使因為洗黑錢, 安迪得到了比其他囚犯好的多的待遇, 但是， 他依然知道那些所謂的正人君子, 那些把聖經掛在嘴邊的監獄長和獄警們, 只是在利用他干著黑暗的勾當, 他看得很清楚, 這一切, 從他第一天進來, 看見保式懷里的那隻小小的渡鴉時, 他就在渴望自由, 他從未想過放棄對自由的嚮往, 自由是是什麼?是, 沙堡的牆外那片藍得近乎於透明的天空 ；是, 安迪一個人獨處時, 幻想太平洋那片湛藍色的博大海水時凝神的雙眼中所透射出的憂郁；是, 陽光下幾個囚犯圍坐在天台上喝啤酒的情景；是，保式將他養了很久的傑放飛的那一刻, 遙望囚窗的傷感；是, 初春的午後, 陽光普照下, 公園里保式喂鴿子時, 想念傑時溫存的笑容；是, 飄散在沙堡上空「費加羅的婚禮」；是，陽光下, 囚犯們圍坐在天台上享受冰啤酒的舒爽；是, 大雨中, 安迪向天空伸出雙手的激情；還是, 海灘邊, 瑞向他緩緩走來? 也許, 一切只是為了獲取自由, 人與人之間對於自由的渴望是平等的, 並不會因為囚犯而有所減少。正如瑞在最後對檢察人員所說的, 我真是很想和我的過去說話, 和那個什麼都不懂的小孩子說說話……無盡的滄桑都包涵在這樣的積聚簡單的話中但是卻可以直指人心。
安迪選擇的生活是跳出來, 使自己不被沙褒內殘暴的制度所麻木, 變得對它依賴, 被它侵蝕, 他一直過著隱忍, 置身與度外的生活中, 身體雖然被囚禁了， 但是靈魂深處對於自由的嚮往卻沒有因為時間的流逝而改變。他在這種鈍重而又疼痛的選擇中證明了人之所以成為人的特質。
最難能可貴的是, 安迪不但要對與自己進行救贖, 當他眼看著周圍的對沙堡的生活越來越依賴, 甚至於對於重獲自由變的麻木的時候, 他想盡一切辦法幫助他們， 喚醒他們沉睡地靈魂。為此他一周兩封信寫到議院請求擴建圖書館, 他冒險通過廣播播放歌劇, 雖然聽得懂的人很少， 但是那奇妙的歌聲卻是那麼美妙, 把每個人心中的夢想都放飛了出來。他通過自己一些看似以卵擊石的行動, 一次又一次地撞擊著沙堡的殘酷制度, 摧毀著獄頭所謂的命運掌握在他的手中這一說法。
他向所有人述說著一個不變的真理, 自由就是在陽光下自由的呼吸, 於是, 他用了19年的時間, 挖開了常人幾乎要挖600年的隧道, 他在500尺的糞坑中匍匐前進, 地獄和天堂只有一線之隔, 於是, 在對那一片悠藍的天空和大海的嚮往下, 安迪終於重獲自由, 並且懲罰了有罪的獄頭等人。他創造了一個現代的神話。
影片中幾乎沒有提到愛情, 講述最多的是人與人之間的友情。安迪和瑞, 兩個默契的朋友, 當瑞接過瑞送給的口琴時, 雙手的請顫, 和安迪在入獄十年後接受一份來自瑞的海報時, 眼底漾起的溫情, 都是想冬天的陽光一樣溫暖的友情。他們在默默地彼此關注著, 即使安迪自己得以逃脫, 他也沒有忘記好友的未來, 他在橡樹下的信, 將瑞最終帶到了他的身邊, 同樣在一片湛藍的沒有記憶的海水中笑著……
重溫《肖申克的救贖》
這是一部比較早的片子了，我已經看過挺多遍，但仍忍不住又重溫一遍，而且 每 一次都能被影片本身打動，可能是片中反映的兩種人類美好的感情：自由與友誼
自由是什麼，就是能在陽光下悠閑自得的呼吸。對於我們而言，它就想空氣， 平常的讓你根本不去想失去它會怎樣，但是自由對於那些高牆內的囚徒，尤其是 那些註定一輩子都要呆在那裡的人們又是都么珍貴而又遙不可及的幸福。安迪最 後逃出鯊堡，是什麼實現了對他的救贖？可能是他心中對自由的渴望，是希望的 存在吧！所有人都被體制化了，從一開始憎恨這兒，到習慣這兒，最後到依賴這 兒，這就造成了老布的悲劇，在這個殘酷的地方，人們到底應該信仰什麼？像監 獄長說的那樣？---我堅信兩件事情，一為管訓，一為聖經，你們兩樣都少不了， 在這里你把信仰交給神，把命交給我們。可是囚徒門能依靠從而得到救贖嗎？首 先，作為司法（管訓），它對於安迪是不公正的，因為誤判而入獄，而做為司法 象徵的監獄長為了繼續讓安迪留下為他洗錢而槍殺了湯米，在這個司法機器內， 人命如草芥，法律不能作到真正意義上的公平。其次，聖經（宗教）能解決什麼 讓人精神有所寄託，丟肉體的折磨更加麻木？它並不能解決實際問題，作為基督 徒的獄警毒打犯人致死，他們在一定程度上犯有「瀆神罪」。而監獄長則更厚顏 無恥地標榜自己是人們的「救星」，可笑的是，他妻子在教堂為他綉的標有「主 的審判迅速降臨」的掛毯後面居然是他藏洗錢證據的地方，也是對他這種偽教徒 的嘲諷，而這塊掛毯也成了他最後結局的一種預示，而當安迪明白兩者都不能為 他帶來自由後，他只能依靠自己，憑著對於自由夢想和信仰，最後實現了對自己 的救贖。而他在獄中的努力，也表現了他並不認命，不妥協於現狀，越是努力一 點，就越覺得向自由邁近了一步，至少是自己心中的自由。
自由是什麼？
1. 高牆內囚徒頭上的那片藍天
2. 安迪時常流露出希望和純凈的蘭色眼睛
3. 陽光下，囚徒們坐在屋頂上喝啤酒的景象
----於是呢，在完工前一天，四九年春的公差犯人，在早上十點坐成一堆，
喝著冰涼的啤酒……陽光撒肩頭，彷彿自由人。象在修繕自家屋頂，我們象是造物主一樣自在，安迪呢？他窩在涼蔭下，臉上掛著奇怪的微笑，看者我們喝他的酒，你可說，他想拍獄長的馬屁，或博取囚犯的友誼，我只認為他想重溫自由，那怕一剎那
4. 老布飼養的小傑從窗口飛走時
5. 監獄上空飄揚著「費加羅的婚禮」
----我從未搞懂他們唱什麼，其實我也不想搞懂，此時無言勝有言。她們唱出難以言傳的美，美得令你心碎，歌聲直竄雲端，超越失意囚徒的夢想，宛如小鳥飛進牢房，使石牆消失無蹤，就在這一瞬間，鯊堡眾囚彷彿重獲自由
6. 安迪在閃電中向天空伸出雙臂
7. 碧海．藍天．小舟不要相信任何東西，只有信賴自己；可以放棄任何東西，惟獨不能喪失希望。
整部片子幾乎沒有愛情（如果安迪對妻子的回憶算是愛的話），只有男人間的友情，而且是發生在監獄這樣一個環境中，相比外面的世界，這里的友誼或許 要更純粹更干凈，沒有雜質。從安迪的朋友身上我們可以看到人性善良的一面， 不管他們過去作過什麼。安迪的朋友阿瑞，總是作為一個清醒的旁觀者出現，總 是用悲天憫人的眼光看待周圍，我覺得這里有兩個人可以稱為智者，一為安迪， 一為阿瑞，而阿瑞則比安迪更為內斂。安迪是因為良好的教育和堅韌的性格，而 阿瑞更多的是與生具來和經歷過很多事情後沉澱下來的智慧，當你仔細體會時， 就會發現他的智慧猶如灑落在沙礫中的金粒一樣爍爍發光。他們的友誼是不是建 立在惺惺相惜的基礎上？我覺得他們是一類人，有親和力，但又謹慎地和周圍保 持距離，清醒面對周圍，同時又有預見性，如果說不同，就是安迪對未來有更多 希望，而且能夠去設法實現，他們之間並不是親密無間，保持距離而又彬彬有禮
中國有句古話：君子之交淡如水。也許這樣的友誼才是最牢固，最持久的。當安 迪在黑暗中凝視他十年慶的禮物，當阿瑞撫摩那管口琴時，你能否感受到兩人之 間的友誼和互相為對方注入的希望？
『柒』 諾丁山影評
《諾丁山》：童話照進現實
耀眼的閃光燈，眾星捧月一般的簇擁下，她微笑，招手。所有的光環褪去後，淡淡響起的是他的聲音：「of course I've seen her films and always thought she was, well, fabulous. but, you know, a million, million miles from the world I live in, which is here, Notting Hill, my favourite bit of London...」
一個生活在他童話般夢想中的女星，就這樣在某一天不期然的闖入了他的小店，甚至他凌亂的生活。從他再一次打開門她送上的一吻開始，他的生活便徹底的發生了改變...
很多男人在意自己和對方的差距究竟有多大，在意是否自己更成功。他們欣賞那些優秀的女士，但是卻難以接受對方遠遠優越於自己的現實，或許只有在大男人的身份之下，他們才能夠在虛榮心得到滿足的同時感受居高臨下的快感。但如果一個事業並不成功的男人發現公交車廂上廣告中的明星時而優雅時而隨性的降臨時，他所能感嘆的或許只有愛情的神奇。
她，妝容精緻，八面玲瓏，擁有不成功的婚姻和不快樂的生活，但是卻有成功的事業，無論是晚禮還是便裝，她總有讓人驚艷的瞬間。他，不溫不火，內向收斂，擁有可愛的親人和朋友，也擁有一家常常虧損的小店，戴著那有些傻氣的眼鏡，他總是用他的英腔傳遞著內心的小矛盾。有太多人說這部片子是虛假的童話，是俗套到一看開篇便猜到結尾的時光消磨者，可是從片頭的"She"唱響的瞬間，我就愛上了它。
張愛玲說，愛就是不問值不值得。為了這份童話般的愛戀，他努力克服著自己的緊張，跟隨在她身後，接受無數鏡頭的檢閱；為了這份童話般的愛戀，她暫時停下自己的事業來結婚生子，放下明星的身份，衣著優雅而平凡，來到他的小店，她說：「我只是一個普通的女孩，站在一個她所愛的男孩面前請求他來愛她。」這就是愛情，沒有尊卑，沒有理由。
不想再來強調一家人圍坐在一起互敘衷腸的場面有多麼溫馨感人，不想再贅述安娜和威廉躲開世俗的鏡頭之後在一起的快樂時光，不想再渲染影片的結局光鮮的明星轉變為身懷有孕的小婦人躺在丈夫身邊安享生活的甜蜜，這部電影給我們的感受讓任何語言都會顯得蒼白無力。沒錯，它是一部童話，因為它美好的讓人們不敢相信，可是如果我們不願意再去相信童話，有會錯失多少美麗的情懷。只要相信，或許有一天，童話就真的會發生在我們的生活里。
「管什麼天長地久，只要能真心相愛，一分鍾也是好的。」
『捌』 哪有好的諾丁山影評
電影《諾丁山》是一部讓人看完後不得不久久思考的作品，雖然她是一部喜劇色彩的影片！
電影講述的是在英國的一個普通小鎮上，男主角與一個生活邋遢的室友住在一起並開了一個賣旅遊方面的書籍的店，經營效果並不好，他是一個很平常的英國男人！而女主角是美國好萊屋的當紅影星，是一個十分著名的人物，二者社會地位相差懸殊。但他們相愛了！相愛的有些不可思議，我不是說他們的社會地位不同不可以相愛，而是因為我看不出他們相愛的任何基礎，他們僅是見過一面後，好象就相愛了，很象我們中國所說的「一見鍾情」！
除了上面一點以外，總的來說，這部影片還是相當不錯的（如果能把男女主角相愛的基礎打扎實一些的話，那就十分完美），寧靜的小鎮環境下發生的一起十分浪漫而且時時由於雪碧而帶上幽默的故事！尤其是女主角最後說的一句話：「我只是一個普通的女孩，站在一個她所愛的男孩面前求他愛她。」這句話是多麼的單純，又是多麼的令人傾心呀！總體上，影片採取多組矛盾沖突來引起高潮，男女主角不斷的互相誤解直至解決矛盾，兩人這時才是真的達到了相愛！
the feeling of film"Notting Hill"
the film " Notting Hill " , people would think for a long time when he watched , though she is a film of comedy color ! The film tell that at one ordinary small town of Britain, the actor live with a slovenly room-mate and he have small shop sale on books about travelling , but few people buy his books , he is a very ordinary British man! but the actress is the hot movie star in hollywood fields ,she is a very famous personage , the social status of two person are different greatly. But they are in love! In love and a bit inconceivable, I do not say their social status is different can not be in love, but because I can not find out any foundation in love of theirs, after they have only seen one side, it seems in love , very as our China said" fell in love at first sight " !
Except above this , generally speaking , the film pretty good (if can play sturdy actor and actress in love foundation, then perfectly), quiet small town take place very romantic love story and often pulling the humorous story to ,because of Sprite together! Especially a word which the actress says finally: "I am only an ordinary girl, stand in front of a boy that she loves asking him to love her. " how 's simplicity,how it is make people cordial! Generally, film adopt much group's contradiction conflicts cause to the high tide , constant misunderstanding , until resolving contradiction each other of actor and actess, it was in love that two people really reached at this moment!
『玖』 《諾丁山》中文影評100字左右
很多人長大後都無法用尋常的語氣去復述一個愛情故事，不論是自己的還是別人的，現實里感情的道路從來都不會平坦，但也有那麼多人為此披荊斬棘。愛情當然是美好的，不過我們可能也有太多兒時童話里王子和公主幸福的生活在一起後而帶來的後遺症。朱莉亞羅伯茨走進諾丁山的一家尋常書店的可能性有多大，愛上書店男主人的故事又有多少可信度，這個世界三隻腳的青蛙很多，但相信.........