第九區劇本

❶ 第九區的幕後製作

創作背景
這部電影實際上是導演尼爾·布洛姆坎普2005年作品的升級版。那部叫做《約堡外星人》的短片由尼爾·布洛姆坎普撰寫劇本並拍攝，講述外星人和地區居民在約堡的沖突。約堡實際上就是約翰內斯堡，而沙爾托·科普雷也從《約堡外星人》的主演成為了《第九區》的主演。實際上這部影片製作了6個不同的結尾，而影片最終只是其中之一。而當時彼得·傑克遜正准備組建團隊拍攝X-BOX上的游戲大作《光環》電影版，而選中的導演正是尼爾·布洛姆坎普，但後來影片因為大公司的利益考慮被無限期擱置，始終看好尼爾的彼得·傑克遜決定自掏腰包3000萬美元，讓尼爾拍一部他自己想拍的影片，於是誕生了《第九區》 。
內容映射
片中的外星人聚居地實際上就是在非洲的貧民窟取景拍攝而成，除了主角和外星人主角克里斯托弗所住的小屋是臨時搭建外，所有的貧民窟棚屋都為真實取景。外星人肢解野獸，嗜食貓糧都讓人聯想到貧民窟中的生活，貧民窟中的居住者都以野獸的腐肉，或是貓食為生。另外外星人嗜食貓食的主意實際上來自於一位製作人，他在影片拍攝時用貓食做餌釣蝦。而影片中外星人遷居之事也影射了一件真實事件：約翰內斯堡的一座貧民窟被拆除，而所有的居住者將會被移往一處政府建造的聚居區 。

❷ 關於第九區的結局

「流體」（能量）不夠，所以沒多的能量幫主角變回人，更不可能長時間的逗留了，必須盡快的返回他們的星球，所以約定三年.......

❸ 電影《第9區》劇本源自何處，看的好像真實的求大神幫助

電影版《光環》徹底泡湯之後，影片原監制彼得傑克森(Peter Jackson)和導演 Blomkamp已經找到了新職位:拍攝一部名為《第九區(District 9)》的科幻電影。影片開始是一段飛機上的鏡頭采訪，一群看起來就像是巴西移民的人一個個對著鏡頭抱怨自己不受歡迎、自己不被接受之類的話，就像是電視里常見到的關於移民問題的采訪，這段畫面由手持攝像機拍攝，鏡頭晃動得就像《科洛弗檔案》和《女巫布萊爾》，幾分鍾以後，畫面切換到機艙外，觀眾可以看到「飛機」其實是一架很大的外星人飛船，他們被送到了一個「貧民區」，字幕打出「他們不是人類」（「人類」二字用紅色）…… 這時，畫外音告訴我們，這個貧民區就是「第九區」，28年前，當外星人首次來到地球時引起了人類的恐慌，人們不知該怎麼辦，也不敢信任這群外星來客，於是就專門在南非建立了這樣一個貧民窟用來隔離外星人，並起名「第九區」…… 看到這里你是否發現，這部影片和《人類之子》有幾分相似，在《人類之子》中，英國人把外來移民全部集中關押到一個隔離區，不管不問、任其生老病死，《第九區》也有點這個意思，只不過摻進了《黑衣人》的科幻色彩。（用外星移民的故事影射現實社會的移民問題？） 不過《第九區》的故事並不僅僅就是「人類之子+黑衣人」，繼續往下看，你會發現這個故事還參考了卡夫卡的《變形記》…… 故事的主人公是Sharlto Copley扮演的「Wikus」，他本是一名政府特工。影片開始沒多久，他和MNU（Multi-NationalUnited）組織的人一同在幾個全副武裝的士兵的保護下穿過「第九區」。他來到一個門前敲開了門（門上貼著一張紙條），開門的是一個巨大的蟲類外星人（臉長著很像「掠食者Predator」），他們告訴這個外星人他必須離開，原來他們是來驅逐這個移民的（門上的紙條就是驅逐令），外星人當然不高興，他尖叫著跳上了房頂…… 過了一會，Wikus向跟著他們的攝影師展示一些外星人的武器（所有鏡頭都是這個攝影師跟拍的），他拿出一個罐子似的東西，上面還有外星人寫的字，Wikus從沒見過這個，他沒想過這會是一個武器，於是擺弄了幾下，結果罐子里噴出了一團黑色的物質，噴到他的臉上，當觀眾再次看到他時已經過了一會了，他的鼻子開始流出黑色物質，通過畫外音我們知道Wikus被外星人的生物技術感染了，政府的科學家從沒見過這種技術，深知這項技術價值的科學家們立刻展開研究，然而無人關心Wikus的死活，他們只想利用他做研究…… 被感染後的Wikus逐漸開始發生變化，變得更像外星人了，他和一個老外星人面對面交談，通過自己變身外星人後的親身經歷，他真正體會到了外星移民在地球上受到的不公待遇，他決定做些什麼改變局面，這里要提一下，影片的外星人製作的非常酷，和通常人們想像的「小灰人」不同，本片中的外星人都是昆蟲模樣…… 總體來看《第九區》 [1] 雖然有很強的科幻色彩，有不少特效和動作場面，但卻是一部立意很深的影片，通過主人公變成外星人的親身經歷、通過他的眼睛深入到另一個世界，帶著觀眾也進行了一次換位思考…… 南非，彩虹之國，盛產黃金寶石的地方。在廢棄的荒原上，《指環王》導演彼得．傑克遜一副指點江山的氣派。難道，「霍比特人」住膩了沙土洞，准備搬到地面上？非也，非也！掛帥製片的傑克遜老哥，這次打算在地球上一窺外星人模樣。大帥之所以有意，倒也不是平白無故天馬行空，而是看上了尼爾．布洛姆坎普上的奏疏。布洛姆坎普，男，南非人氏，正值而立之年。四年前，專攻視效還提名過艾美獎的他，自籌資金回家鄉拍了一部6分鍾的短片，取名《約翰內斯堡的外星人》，據說，愛才心切的傑克遜看了短片，恨不得立馬把他收歸旗下。兩人一拍即合，「南非外星訪記」就此基本成型…… 或許是有點眼紅J．J．艾布拉姆斯撐腰的《科洛弗檔案》成績斐然，也可能是影片內容多少有些異曲同工，《第九區》從前期謎團式宣傳到後出的仿記錄風格預告片，都大幅克隆了前者的發行模式。不過，和《科洛弗檔案》對怪物的由來遮遮掩掩的神秘不同，本片早在正牌預告片中就大方曝光了外星人和飛船的形象。看來，簡簡單單地賣關子並非它的目的…… 查經翻典才知，原來它所依仗的竟是20世紀世界10部影響最深遠的小說之一--現代主義文學開山祖師卡夫卡的代表作《變形記》。雖說包裝的特效和動作場面很精彩，雖說電影表面把罪魁禍首栽贓到了外星人身上，但無論是小人物因為偶然且怪誕離奇的原因變形，還是他逐漸改頭換面成形似甲蟲的異形，都彷佛名作的現代衍生……

❹ 電影《第九區》奧斯卡未得一獎的原因是什麼

《第九區》很多地方體現了人類的殘忍、自私和狹隘，並用反面手法表達了人類以自我為中心的短視。
奧斯卡是一個非常排外和自傲的獎，它會對這樣的一部影片給予承認嗎.

❺ 美國電影 第九區 有沒有第二部

有，因為好像是小說改編，現在好像已經開機拍了，
劇情：外星人終於回到了自己的星球 然後告訴他的同伴們 自己和現在那些仍然困地球上的夥伴們在地球上的遭遇 和地球人的所作所為 讓他們知道地球人 是多麼的暴力 知道真相的外星人們 決定到3年以後 重新回到地球 營救自己的同胞們 並且 對地球人 進行懲罰 在這期間 他們做好了一切准備 而外星人男主角也兌現他的承諾將治療的設備或者葯物 進行籌備 通過計算到達地球的時間 剛好是3年後的這一天 而決定出發日 外星人男主角 也已將治療設備或葯物備好
接下來的猜想的 劇情 就覺得 可能 類似於《世界大戰》和《獨立日》 來到地球後 外星男主角 苦苦尋找 感染的男主角 終於找到了他 而外星男主角的帶來的同伴們 卻正在對地球人 進行 毀滅的打擊 這一切 都被男主角 看在眼裡 但是卻也無力阻止 直到 外星男主角跟他 再次相遇 說可以治好他 並可以把他 帶會自己的星球 因為地球可能在這次 報復性制裁中 毀於一旦 男主角 當然不可能答應 並且 一再表明自己的態度 如果外星人 在這么攻擊下去 他寧可不治療被感染的自己 他不想看到地球 就這么被毀滅 因為 他更 渴望 和平 雖然他也很恨人類（主角在收到感染後曾一直被人類追捕 想要研究他 並且利用他 來控制外星武器 對這些進行研究 來製造出屬於人類的高殺傷性 武器） 但他 還是很理智的 她知道這么互相敵對下去 只有一個結果 ~~ 就是 毀滅地球 地球上的一切 生物，文明 一切的一切 都將 不復存在 當然 也包括 他最愛的人 為了 人類也是為了他的愛人 他拒絕了 外星男主角的 治療 並且勇敢的去 找到了他的 愛人 正面的面對她時 女主 終於知道 一直以來 默默 的 關心 她 給她送花的人 是誰 ~！她也明白 自己 還是愛著這個男人的 雖然他 現在 確是 一個外星人的模樣 醜陋無比 但是 他們之間的愛 終於讓女主角 願意接受面前 這個 面目醜陋的 「外星人」 在地球即將毀滅 之際 與他共度 最後的一段 美好時光 而 這一幕 也正好 被 外星 男主角 看到 讓他也明白了 真正的愛 是 高於一切的 在做了一番思想斗爭之後 終於 答應 男主角 的請求 不在對地球 進行毀滅 就在 即將 啟動 終極武器 毀滅地球 之際 主動 站了 出來 阻止了 終極武器的啟動 為此 卻 以付出了 外星男主角的生命為代價（期間可能會 被地球戰士誤傷） 不過這也終於 讓他的同胞們 停止了 毀滅 在外星男主角 死前一刻 男主角 試圖 救他 但是 外星男主角 知道自己 已經 不行了 用顫抖的手 拿出來 自己 研製出來的 用於治療男主角 變異的 葯物 隨後 死去 一切OVER 外星人 帶著外星男主角的遺體 離開地球
男主角恢復本來面目後 則跟 女主角 幸福的生活在一起 .....................................

❻ 第九區 結局

最後有個外星人在垃圾堆里撿垃圾，那個人就是男主角，他已經完全變成了外星人了。那個外星人跟男主角說過三年時間幫他治好，叫他等他拿著紙花的主角他仍然愛著妻子於是製作了紙花，前面有提到主角喜歡做些東西送給妻子。

第九區簡介：

影片《第九區》是2009年索尼出品的一部科幻電影，由尼爾·布洛姆坎普導演，沙爾托·科普雷、詹森·庫伯等聯袂出演主演。影片於2009年11月26日在中國內地上映。

電影講述了維庫斯感染了某種神秘病毒，正逐漸變成一個外星人，為了不淪為研究的對象遭受非人的實驗，他只有逃往唯一安全之地——第九區

(6)第九區劇本擴展閱讀：

第九區的創作背景：

這部電影實際上是導演尼爾·布洛姆坎普2005年作品的升級版。那部叫做《約堡外星人》的短片由尼爾·布洛姆坎普撰寫劇本並拍攝，講述外星人和地區居民在約堡的沖突。約堡實際上就是約翰內斯堡，而沙爾托·科普雷也從《約堡外星人》的主演成為了《第九區》的主演。實際上這部影片製作了6個不同的結尾，而影片最終只是其中之一。

而當時彼得·傑克遜正准備組建團隊拍攝X-BOX上的游戲大作《光環》電影版，而選中的導演正是尼爾·布洛姆坎普，但後來影片因為大公司的利益考慮被無限期擱置，始終看好尼爾的彼得·傑克遜決定自掏腰包3000萬美元，讓尼爾拍一部他自己想拍的影片，於是誕生了《第九區》

❼ 第九區2 降臨者來襲 什麼時候上映

最新新聞消息是第九區導演才開始寫第九區2的劇本，而且只寫了十幾頁。降臨者來襲回並不是第九區2的名字答，第九區2的名字大概被定為「第十區」。「他與妻子兼編劇搭檔特麗·塔歇爾已經撰寫了《第九區》續集《第十區》的18頁劇本大綱」 因為那個導演在忙著拍新作《Chappie》，照這個速度兩年之內應該不會上映
新聞地址
http://news.mtime.com/2013/07/17/1514892.html

❽ 《諜影重重3》《第九區》《非常嫌疑人》《心靈捕手》《光榮戰役》求以上任意一部電影的英文影評。

《第九區》

Well, that wasn't supposed to happen. "District 9" was supposed to be another tired Man Versus Scary Alien late summer crapfest. Actually, when you think about the plot, it really should be a crapfest. "District 9" has absolutely no business being A Good Film. But, yet, here it is and here we are. We: the late summer movie going audience desperately seeking out... something... anything; one last eensy weensy morsel of precious, precious entertainment to use as an excuse to get out of the wretched heat of a mid-August sun . It: not content to be just A Good Film -- but, rather, A Great Film. And, on certain levels, maybe even An Important Film.

Whatever you think you know about "District 9" is, probably, wrong. "Well," you say, "It's about a reporter that discovers..." No. Wikus (Sharlto Copley), the main character, is not a reporter. He's a government bureaucrat. "OK, fine" you contend, "he discovers the atrocities that are occurring in District 9 and fights to help..." Nope. Wikus is well aware of what's happening in the district and, at first, is part of a team that's making things a bit worse. "Well, there are big scary evil aliens, right?" Evil? No. Scary? Not really, ornery might be a better adjective. Aliens? Yes!

You see, "District 9" plays out quite realistically -- if, you know, a giant alien spaceship visited Earth. Twenty years ago a spacecraft appears over Johannesburg, South Africa, and, for awhile, absolutely nothing happens. Finally, a mission to the hovering ship is implemented and around one million sick and malnourished aliens are found. They're brought down to the city, a large scale humanitarian effort takes place. Samaritans from around the world arrive to help feed and shelter the visitors. What happens next? Well, what always happen when the news of the day shifts to another story? Except for the government and a Nigerian gang who both have interest in their weapon technology, they're forgotten. (Remember those Iran elections the media cared so much about? Oh, yeah, you might not because Michael Jackson died.)

The aliens are far from evil -- writer and director Neill Blomkamp describes them as worker bees after the queen bee has died: a bit lost and without a purpose -- just neglected and, in terms of their life on Earth, quite poor. They live in a slum and absolutely no one wants them here -- especially the human residents of the slum. Wikus Van De Merwe is in charge -- a job he was given by his father-in-law -- of a relocation effort of the aliens from District 9 to the even less desirable District 10. Under South African law, each alien must be served an eviction notice. This is why Wikus and his team are in the district; to serve and have each alien sign a of his eviction notice.

Image &; Columbia Tristar Marketing Group, Inc.

Wikus does, eventually, take an interest in the aliens' well being. But not because Wikus has a sudden influx of morality or righteousness -- his motives are strictly selfish. There's a lot of selfishness at play in this film and not a lot to like about human behavior. The most genuine character in the film is named Christopher Johnson -- you may be surprised who Christopher Johnson turns out to be.

It next to impossible to ignore -- considering the film's South African setting -- the underlying comparisons of the aliens' plight to that of apartheid. Blomkamp -- a South African native -- draws on his own experiences of his home country and transforms black and white racial tension to human and aliens on a surprisingly low 30 million dollar budget. This isn't a particularly scary film, but it is gory (Christ, is it gory) and it has something to say. The thing is: even if you completely ignore "District 9"'s themes, there are aliens and a lot of things explode -- people seem to enjoy that. As stated: "District 9" shouldn't really be a good film; it shouldn't be a great film. It is. "District 9" is the best film of the summer -- possibly, so far, the year.

2
Shot and set in Blomkamp's native South Africa, "District 9" imagines a present-day scenario in which humans and aliens are forced into an uneasy co-existence and, predictably, bring out the violent worst in each other. As scripted by Blomkamp and Terri Tatchell, the result reps a remarkably cohesive hybrid of creature feature and satirical mockumentary that elaborates on the helmer's 2005 short "Alive in Jo'burg," borrows plot points from 1988's "Alien Nation" and takes its emotional cues from "E.T."

The film's faux-verite visual style, however, is very much a thing of the present, blending handheld HD camerawork with ersatz news coverage (complete with CNN-style text scrolls) and talking heads, plus actual archival footage from local news agencies, so as to suggest an urgent dispatch from the front lines of an interspecies war.

The introctory 15 minutes are swiftly paced, making modest demands on the viewer to keep up with the jiggly aesthetic and the particulars of the premise: Twenty years ago, an enormous spaceship came to rest over Johannesburg, now a sun-scorched urban wasteland. Since then, the ship's inhabitants, referred to as "prawns" -- four-legged insectoid beings that walk upright, secrete black goo and speak in subtitled grunts and gurgles -- have been moved into the titular ghetto and placed under the control of Multi-National United, a private corporation bent on cracking the secrets of the aliens' ultra-powerful weapons.

Into the fray strides Wikus van der Merwe (Sharlto Copley), an annoyingly chipper, boastful MNU operative overseeing the transfer of aliens to the more remote District 10. Blithely navigating cameramen through the creatures' filthy shack homes, Wikus accidentally comes into contact with an icky substance that, within hours, begins altering his DNA.

In the script's most ingenious gambit, the contaminated Wikus is suddenly coveted by MNU, as well as by a gang of Nigerian thugs and witch doctors who won't win the filmmakers any prizes for ethnic sensitivity. Forced into hiding, Wikus teams up with an intelligent, green-skinned prawn, Christopher Johnson (voiced by Jason Cope), and his kid, Little CJ, who's kinda cute in a hideous sort of way; together, they seek a way to reverse Wikus' alien metamorphosis and help the refugees return to their planet.

Rather than plunge the viewer immediately into unrelieved carnage and chaos, the film opens on a note of anxious uncertainty and tense humor as it probes the varying degrees of hostility in human-prawn relations. Though compelling throughout, "District 9" never becomes outright terrifying, largely because Blomkamp is less interested in exploiting his aliens for cheap scares than in holding up a mirror to our own bloodthirsty, xenophobic species.

That said, he doesn't skimp on the viscera; it's hard to watch the grisly climactic battle, with its parade of high-tech weaponry and exploding body parts, and not think of the horror cheapies Jackson was making pre-"Lord of the Rings." The pic does take a sentimental turn toward the end, with an excess of alien reaction shots that feel at odds with the much more authentic passion Blomkamp lovingly invests in his grotesque setpieces.

Copley makes the most of the only substantial human role -- and not an especially likable one at that -- with a twitchy, blustery, shifty-eyed performance of ferretlike intensity. Dropping F-bombs in Afrikaans-accented English, he ably conveys not only Wikus' physical transformation but also his mental deterioration and subsequent moral awakening; it's to the pic's credit that when Wikus is shown on the battlefield, his half-mutated body covered with festering wounds and alien protrusions, he has never seemed more profoundly human.

Lensed primarily on the Red-One camera, the film looks and sounds terrific, its seeming improvisation masking the obviously exhaustive planning required in all departments. The interactions between the aliens (a combo of f/x and old-fashioned prosthetics) and the humans are handled as confidently as anything in the "Transformers" movies and are arguably more impressive for d.p. Trent Opaloch's off-the-cuff shooting style. Clinton Shorter's percussive score is effective but at times over-reliant on the loud wailing/crooning that has become a too-easy signifier of Africa and other foreign locales.

3

第九區 英文影評 District 9 Movie Review

Throw another prawn on the barbie

I suppose there』s no reason the first alien race to reach the Earth shouldn』t look like what the cat threw up. After all, they love to eat cat food. The alien beings in 「 9,」 nicknamed 「prawns」 because they look like a cross between lobsters and grasshoppers, arrive in a space ship that hovers over Johannesburg. Found inside, huddled together and starving to death, are the aliens, who benefit from a humanitarian impulse to relocate them to a location on the ground.

Here they become not welcomed but feared, and their camp turns into a prison. Fearing alien attacks, humans demand they be resettled far from town, and a clueless bureaucrat named Wikus van der Merwe (Sharlto Copley) is placed in charge of this task. The creatures are not eager to move. A private security force, headed by van der Merwe, moves in with armored vehicles and flame-throwers to encourage them, and van der Merwe cheerfully destroys houses full of their young.

Who are these aliens? Where did they come from? How did their ship apparently run out of power (except what』s necessary to levitate its massive tonnage?). No one asks: They』re here, we don』t like them, get them out of town. There doesn』t seem to be a lot to like. In appearance, they』re loathsome, in behavior disgusting and evoke so little sympathy that killing one is like — why, like dropping a 7-foot lobster into boiling water.

This science-fiction fable, directed by newcomer Neill Blomkamp and proced by Peter (「The Lord of the Rings」) Jackson, takes the form of a mockumentary about van der Merwe』s relocation campaign, his infection by an alien virus, his own refuge in District 9 and his partnership with the only alien who behaves intelligently and reveals, dare we say, human emotions. This alien, named Christopher Johnson — yes, Christopher Johnson — has a secret workspace where he prepares to return to the mothership and help his people.

Much of the plot involves the obsession of the private security firm in learning the secret of the alien weapons, which humans cannot operate. Curiously, none of these weapons seem superior to those of the humans and aren』t used to much effect by the aliens in their own defense. Never mind. After van der Merwe grows a lobster claw in place of a hand, he can operate the weapons, and thus becomes the quarry of both the security company and the Nigerian gangsters, who exploit the aliens by selling them cat food. All of this is presented very seriously.

The film』s South African setting brings up inescapable parallels with its now-defunct apartheid system of racial segregation. Many of them are obvious, such as the action to move a race out of the city and to a remote location. Others will be more pointed in South Africa. The title 「District 9」 evokes Cape Town』s historic District 6, where Cape Coloureds (as they were called then) owned homes and businesses for many years before being bulldozed out and relocated. The hero』s name, van der Merwe, is not only a common name for Afrikaners, the white South Africans of Dutch descent, but also the name of the protagonist of van der Merwe jokes, of which the point is that the hero is stupid. Nor would it escape a South African ear that the alien language incorporates clicking sounds, just as Bantu, the language of a large group of African apartheid targets.

Certainly this van der Merwe isn』t the brightest bulb on the tree. Wearing a sweater vest over a short-sleeve shirt, he walks up to alien shanties and asks them to sign a relocation consent form. He has little sense of caution, which is why he finds himself in his eventual predicament. What Neill Blomkamp somehow does is make Christopher Johnson and his son, Little CJ, sympathetic despite appearances. This is achieved by giving them, but no other aliens, human body language, and little CJ even gets big wet eyes, like E.T.

「District 9」 does a lot of things right, including giving us aliens to remind us not everyone who comes in a spaceship need be angelic, octopod or stainless steel. They are certainly alien, all right. It is also a seamless merger of the mockumentary and special effects (the aliens are CGI). And there』s a harsh parable here about the alienation and treatment of refugees.

But the third act is disappointing, involving standard shoot-out action. No attempt is made to resolve the situation, and if that』s a happy ending, I』ve seen happier. Despite its creativity, the movie remains space opera and avoids the higher realms of science-fiction.

I』ll be interested to see if general audiences go for these aliens. I said they』re loathsome and disgusting, and I don』t think that』s just me. The movie mentions Nigerian prostitutes servicing the aliens, but wisely refrains from entertaining us with this spectacle.

《心靈捕手》

In essence, Good Will Hunting is an ordinary story told well. Taken as a whole, there's little that's special about this tale -- it follows a traditional narrative path, leaves the audience with a warm, fuzzy feeling, and never really challenges or surprises us. But it's intelligently written (with dialogue that is occasionally brilliant), strongly directed, and nicely acted. So, while Good Will Hunting is far from a late-year masterpiece, it's a worthwhile sample of entertainment.

Like Scent of a Woman, which was released around this time of the season five years ago, Good Will Hunting is about the unlikely friendship that develops between a world-weary veteran and a cocky young man. The formula for the two films is similar -- both of the principals learn from each other as they slowly break down their barriers on the way to a better understanding of life and their place in it -- but the characters are different. Al Pacino's Slade was a larger-than-life indivial; Robin Williams' Sean McGuire is much more subtle. And Matt Damon's Will Hunting uses pugnaciousness to supplant the blandness of Chris O'Donnell's Charlie.

Will is a troubled indivial. As a child, he was the frequent victim of abuse. An orphan, he was in and out of foster homes on a regular basis. Now, not yet 21 years old, he has accumulated an impressive rap sheet. He has a short temper and any little incident can set him off like a spark in a tinder box. But he's a mathematical genius with a photographic memory and the ability to conceive simple solutions to complex problems. While working as a janitor at MIT, he delights in anonymously proving theorems on the math building's hall blackboards. Then, one evening, his anonymity is shattered when Professor Lambeau (Stellan Skarsgard) catches him at work. Will flees, but Lambeau tracks him down. Unfortunately, by the time the professor finds him, Will is in jail for assaulting a police offer.

The judge agrees to release Will under two conditions: that he spend one day a week meeting with Lambeau and that he spend one day a week meeting with a therapist. Eventually, once several psychologists have rejected the belligerent young man, Sean McGuire, a teacher at Bunker Hill Community College, agrees to take the case. After a rocky start, the two form a rapport and Will begins to explore issues and emotions he had walled up behind impregnable armor. And, as Will advances his self-awareness in sessions with Sean, he also learns about friendship from his buddy, Chuckie (Ben Affleck), and love from a Harvard co-ed named Skylar (Minnie Driver).

The script, by co-stars Matt Damon and Ben Affleck, is not a groundbreaking piece of literature, and occasionally resorts to shameless manipulation. The characters are well-developed, however, and there are times when the dialogue positively sparkles. At one point, Will comments that a session with Sean is turning into a "Taster's Choice Moment." Later, Will gives a brilliant, breathless diatribe against the NSA that has the rhythm of something written by Kevin Smith. (Note: Since Smith co-executive proced Good Will Hunting, it's not out of the question that he had some input into this scene.)

Director Gus Van Sant (Drugstore Cowboy, To Die For) culls genuine emotion from his actors, and this results in several affecting and powerful scenes. There's an edginess to some of the Sean/Will therapy sessions, and the offscreen chemistry between Matt Damon and Minnie Driver (who became romantically linked while making this film) translates effectively to the movie -- the Will/Skylar relationship is electric. Likewise, the companionability of Damon and Affleck is apparent in the easygoing nature of Will and Chuckie's friendship. Many of the indivial scenes are strong enough to earn Good Will Hunting a recommendation, even if the overall story is somewhat generic.

Matt Damon, who recently starred as the idealistic young lawyer in The Rainmaker, is solid (although not spectacular) as Will. Minnie Driver (last seen in Grosse Pointe Blank) adds another strong performance to a growing resume (and it's refreshing that she was allowed to keep her British accent rather than having to attempt an American one). The outstanding performance of the film belongs to Robin Williams, whose Sean is sad and wise, funny and somber. Arguably the best dramatic work in the actor's career (alongside what he did in The Fisher King), Williams' portrayal could earn him a Best Supporting Actor Oscar nomination. Adequate support is provided by Ben Affleck (Chasing Amy) and Stellan Skarsgard (Breaking the Waves).

Like most of what comes before it, the ending of Good Will Hunting is completely predictable. But meeting expectations and following a familiar path aren't always bad things in a movie, provided the film accomplishes those goals with a modicum of style and an attention to detail. Good Will Hunting does both, and, as a result, earns a rating commensurate with the "good" in the title.

2
When I saw this movie, I decided that this movie reminded me of an old Pilgrim movie (wait, I'm not through). In the old Pilgrim or any sea-faring movie, there was usually a scene in which the flour barrel was opened, and found to be teeming with vermin of one sort or another. There was plenty of good flour in there, but you had to get past/through the vermin. I feel that there is a tremendous movie underneath the vermin in this movie (the blatant profanity; the obigatory love scene though it was toned down; and the violence of a basketball court fight). Once you get past the vermin, you can enjoy the sensitivity of this movie. It was worth seeing. On a Christian level, there's little to say good about this film. Robin Williams made a good counselor, but Jesus is still the best there is at healing wounds.

3
Foul language and sexual content—fabulous theme and acting. A christian friend told me that if I could get past the langauage, this is a superb and powerful film. I agree. The language and filthy content is overboard even considering the ghetto-like environment. I would suggest, however, that Jesus would hang out with people like these. Moreover, I found the themes of friendship, love and facing one's past and emotional confusion to be inspiring indeed. Robin Williams definitely deserves his Academy Award for best supporting actor, and this is a very well written movie.

❾ 《第九區》會有續集嗎

《第九區》續集擱淺希望「大蝦」3年重回《第九區》續集的影迷們可能要失望了，因為《第九區》聯合編劇之一、導演尼爾·布洛姆坎普的太太特麗·塔歇爾表示，尼爾的新片跟《第九區》不會有半毛錢關系了。最近在接受采訪之時，尼爾的太太透露了一下尼爾下一部電影的信息，出人意料的是這部新片並非之前尼爾所言的「一部發生在外星球的有趣故事，有很多動作場面」，也非廣大媒體一廂情願的「第九區續集」。而是一部改編自特雷弗·霍華德導演的短片《Terminus》的長片作品。特麗·塔歇爾說，他們現在已經差不多將其改編成標准長度的正片劇本了，但是至於何時開拍還沒有定下，甚至有可能由尼爾牽頭做製片，而由特雷弗·霍華德自己完成改編長片

❿ 科幻電影《第九區》有沒有原型小說

沒有小說，從一個劇本和創意開始拍的！