Tess影评
1. 急！辣妈辣妹(Freaky Friday)英文影评
给你4篇地道外国人写的英文影评，又长有专业，可以参考！
http://www.veryabc.cn/movie/new/article/2007/0801/article_532.html
http://www.veryabc.cn/movie/new/article/2007/0801/article_533.html
http://www.veryabc.cn/movie/new/article/2007/0801/article_534.html
http://www.veryabc.cn/movie/new/article/2007/0801/article_535.html
2. 我想知道辣妈辣妹的英文影评
To make Freaky Friday work perfectly; you would have to believe that Jamie Lee Curtis is Lindsay Lohan and Lindsay Lohan is Jamie Lee Curtis. Although at times it seemed that way, at other times, it just seemed like Lohan was trying to be Curtis and Curtis was trying to be Lohan. Any way you look at it, Freaky Friday is a family-friendly film that tries to please everyone, and does. It pleases shallow teen prep girls because of Chad Michael Murray. It pleases teen boys because of Lindsay Lohan. It pleases older men because of a Jamie Lee Curtis thong shot. It pleases older women because of Mark Harmon. It pleases the whole family, being that they already saw Finding Nemo and it's the only other family movie out there.
Tess Coleman (Jamie Lee Curtis) (changed from Ellen Andrews from the novel by Mary Rodgers) is a harried psychiatrist who still has time for her family. Anna Colemen (Lohan) (changed from Annabel Andrews) is supposed to be a typical teenager (but is anything but), and has daily fights with her younger brother Harry (Ryan Malgarini) (changed from Ben Andrews). Tess is going to marry Ryan (Harmon), because her husband died three years ago (can't there be a Disney movie with both parents still alive?), of whom Anna doesn't approve. After a fueled feud, Tess and Anna open fortune cookies that switch bodies: Tess is in Anna's body, and vice versa. Whatever will be done?
Although most people have praised Curtis for her accurate portrayal of a typical teen (although with the people at my school, what she does is anything but typical), and she should be, Lohan does better at being an alt. If Lohan, a teenager, could be an alt so well, that's rather scary. I thought at most times Lohan was Tess, but Curtis was having too much fun as Anna to really be thought of as great. Instead of acting like Lohan, Curtis just acts like a young kid who just ate too much ice cream.
One part of Freaky Friday that I didn't like is how often we were put in an awkward situation. And when they were there, they just didn't seem plausible. All of a sudden, Anna-as-Tess is a guest on a talk show, talks to someone she has a crush on, and watches Tess-as-Anna perform? Not only were they awkward, they were just not believable. On the other hand, Freaky Friday not only has some genuinely funny moments, but is also quite touching at times. Obviously, it was going to be, and Tess and Anna were going to learn to respect each other, considering it was shown in the trailer.
One other part I didn't like was how far it strayed from the book. It only focused on Anna-as-Tess (Annabel-as-Ellen), and how she spent her day. Of course, back then she was a housewife, but now she has to be a successful doctor. I do admire it for changing it, unlike others, which is basically watching the book. Overall, Freaky Friday is a likable, pleasant 90-minute diverter. It won't change your life, but you won't be upset you saw it.
My rating: 7/10
Rated PG for mild thematic elements and some language.
3. 有《辣妈辣妹》英文版的观后感吗
By all rights, "Freaky Friday" should have been little more than a cinematic footnote, the latest example of a movie remake that didn't need to be made. But sometimes the seemingly impossible happens, and filmmakers actually manage to improve on creaky material.For example, this re-do of the 1977 Jodie Foster vehicle, later remade for TV's "Wonderful World of Disney" 1995 with Shelley Long in the mother role, is funnier, sweeter and more charming than either previous version.A lot of that has to do with Jamie Lee Curtis, who stars as Tess Coleman, a workaholic therapist about to remarry. Her high-maintenance teenage daughter Anna (Lindsay Lohan) isn't too thrilled about it, and the two spend most of their time butting heads.That all changes in a hurry after a hex causes them to switch bodies. Suddenly Tess finds herself having to deal with tests, teachers and a would-be boyfriend (Chad Michael Murray), while Anna has to cope with neurotic patients and figure out what to do about the impending nuptials.Even more daunting is the fact that these seemingly polar opposites will have to cooperate with each other if they're going to find a way out of their predicament. Director Mark Waters is smart to keep the tone light fast-paced, so that some of the character inconsistencies and plot holes aren't glaring. Besides, he's got two most appealing screen heroines in Curtis and Lohan.The former is clearly having a ball here. It's easy to forget just how funny she can be — it's been a long time since "A Fish Called Wanda." As for the latter, this is her second Disney remake (including the 1998 re-do of "The Parent Trap") and again she impresses; so why has it been five years since we've seen her?As for their male co-stars, Mark Harmon is appropriately subed as Tess' fiance, while veteran Harold Gould steals his scenes as Tess' somewhat confused father.
4. 《德伯家的苔丝》影评
曾以为作家的伟大在于多产，在于创作大量经典名著。看了Thomas Hardy的名作Tess of the D’urbervilles（《德伯家的苔丝》），才知道好著作只需一部足够。哈代笔下的苔丝曾被多位出色的女演员演绎过，1979年德国女演员Nastassja Kinski出演的电影《苔丝》获得最佳摄影、最佳艺术指导、最佳服装设计三项Oscar金奖，后来相继拍成了其他演员担演的电视连续剧，其中我最爱Justine Waddell饰演的Tess---1998年BBC推出的电视剧《德伯家的苔丝》。
好的故事因有好的情节，演绎的出色不亚于情节本身。
有人说曾获得Oscar奖项的电影《苔丝》不如BBC于98年的电视剧《德伯家的苔丝》，因为女主人公的扮演者不同。据说Nastassja Kinski太野性，她的经历使她难以演绎出哈代笔下的苔丝---美丽的英国乡村少女的形象；而Justine Waddell有种英国式的古典美，既优雅甜美又有种说不出来的孤寂感，所以与哈代笔下的苔丝的形象更为接近。
我也更喜欢98年的电视剧《德伯家的苔丝》。五年前买了《德伯家的苔丝》电视剧VCD（片长约3小时，共3张），痛快地看了又看，越看越着迷，叫人心碎…五年后的今天，对苔丝的眷念仍不减，执起笔来，重温些许插曲与片段，细细回味剧中的气息，浓郁的悲情…
★ 我的“苔丝情结”
1. 洁白如诗那般美，令人迷醉
Tess很美。她的姣好与玲珑映衬在一身的洁白下。她很白，白的那么纯，不可亵渎；白的那么美，无与伦比；白得那般艳，令人惊羡。那般白，曾盛开在灿烂的日光下，奔放在原野绿丛中，舞动在庄园秋色里。那般白，曾如此的出奇夺目、娇艳动人。当火红的玫瑰戳伤了手，鲜血沾染了洁白，Tess的白，开始让人怜惜。
“Shall I compare thee to a summer's day? Thou art more lovely and more temperate.”“我能否将你比作夏天？你比夏天更美丽温婉。”(出自我最爱的诗歌---莎翁十四行诗之18)
很自然想起这首诗，就学着它那样来形容Tess---
“Shall I compare you to an Easter lily? You are more pure and pretty.”“我能否把你比作百合？你比它更纯洁更美。”
2. 影音与命运双重奏，撩动人心
无论快乐与苦痛，Justine的真情演绎，皆发自内心，毫不虚掩。尽管命运一次次变着戏法，给无知的Tess开玩笑，幸福一次次绕过她身旁溜走，她依然亭亭玉立，犹如一朵鲜花，娇艳欲滴，沁人心脾。我不禁震慑住了，内心涌动一股悲情，哀Tess所哀，愁Tess所愁，我相信观者定能感受到，并与之共鸣。
令我惊诧的，还有剧中反复奏响的乐曲，那淡淡的忧伤。那乐曲多么美妙动听，让人如痴如醉，百听不厌。佳音好比天籁，就象莫文蔚的一曲《盛夏的果实》，谁也计算不了曾经醉过多少天下人，歌曲里那淡淡的忧伤，和谐的韵律与无穷的韵味令多少人为之倾倒！
电视剧《德伯家的苔丝》的插曲与故事情节如此吻合，激起了我心底万般柔情。故事的情节不失浪漫，浪漫之余却散发着忧伤，弥漫着宿命。情节与画面交织的天衣无缝，影音与命运的双重奏，给纯洁的Tess蒙上了宿命的色彩。主旋律、背景音乐与掺和的曲调穿插于剧情中，诉说着淡淡的忧伤、绵绵哀怨、柔弱、孤苦与无助，预示着冥冥中的命运。
3. 咽着泪水那一幕，百折不回
当历尽磨难的Angel决定从巴西重返英国，与心爱的Tess言归于好，便有了Tess含泪带笑，默默注视Angel的一幕。Angel的归来，犹如一把利刃，径直刺向Tess的心坎。“Too late...Too late!...” 一切都来的太晚！
多少个日夜，Tess企盼着丈夫回心转意，回到自己身旁。抱着一线希望，她给Angel写信，恳求丈夫迅速归来保护自己。可是伴随她的却是孤独、悔恨、愤慨、绝望，最后，她只能甘受屈辱和苦难。
Too late! 声声悲切。这迟来的相见，是命运的捉弄，天意弄人。
想起韩国影视的女角色都爱哭。为感动而哭，莫名、单纯地哭，天真可爱甚或淘气地哭。如My Girl（《我的女孩》）里李多海饰演的“周幼琳”，一把鼻涕、满脸泪花，毫无保留地把一切溢于言表，以泪水宣泄…而Tess，则将所有的冤屈与苦痛以及对爱人的思念都统统深埋在心里，默然含泪，泪往心里流，此情此景，言语怎来得及思索？
4. 死亡是苦难的终结，肝肠寸断
苦难终有尽头。在一个静谧的黎明，Tess被捕，被处绞刑，至此，全剧终了。然而，与电视剧不同的是，小说的结局燃点了希望：Angel怀着忏悔和苔丝的妹妹开始了新的生活。这种希望，是否预示着新的爱情的萌生？就好象许多爱情故事一样，妹妹继承姐姐的爱，和男主人公从此幸福快乐地生活。可是真能幸福快乐吗？当初爱得那般死去活来、肝肠寸断，我怀疑这种爱的继承，至少，在《德伯家的苔丝》里我相信爱是无法继承的。就象《拿什么来拯救你，我的爱人？》里的故事一样，爱，无法弥补，没有替身，也没有退路，只能按着原路走，唯一条路，一直走下去……
只有在悬崖，断肠人才得以解脱
5. 给个德伯家的苔丝评价
讲诉抄一个贫穷无知少女被Alec诱奸怀孕，孩子死亡，之后去牛奶厂，认识了Clare，另一个悲剧又开始了。相知到相许，眼看幸福降临了，新婚之夜，苔丝坦白了过去，遭到Clare的抛弃。之后丈夫远走他乡，苔丝痛苦中挣扎，后迫于无奈又与Alec同居。一年后Clare醒悟，回来找苔丝，为时已晚，Tess杀了Alec,与Clare私奔，度过了一生中最幸福的日子。途中被抓，最终上了绞刑架。Tess可怜悲剧，但是可怜之人必有可恨之处。她性格的弱点如缺乏自我，一味地依附于别人，自卑感，易与现实妥协，这些都与他的悲剧分不开。再者社会背景，封建道德，不公正的法律也是悲剧的根源。
6. 电影“苦月亮”到底讲的啥啊
安坏的虐恋，这种毁人不倦的变态关系让这个世界比想象的可怕！！的。。多！！
不要轻易陷入这样一种关系！毁灭式的爱情
和一段 业力很差的关系相比，
我们更需要一个出色的心理医生！！！啊啊啊啊啊！
7. 急求关于《Tess of the diUrbervilles》的评论
Tess of the D`
Review
This novel caused a heck of a fuss when Thomas Hardy first published it. Originally titled "A Pure Woman" it was considered outrageous for a woman such as Tess to be seen as pure in Hardy's eyes. I'm giving a fairly lengthy plot description here, so apologies if you get bored, and the ending is given away, so watch out!
Tess Durbeyfield is the peasant daughter of haggler John. She is partaking in a local dance with other girls when three young brothers wander along- Angel, Felix and Cuthbert (poor bugger) Clare. Angel wants to join in the dance, but his older brothers are basically a bit snobby about dancing with country girls, so Angel dances with all of the girls save for the pretty Tess, which he regrets, while she feels snubbed by him.
When a local parson tells the rather vain John that he is actually the descendant of the D'Urbervilles, an old rich family. John goes to get drunk in celebration and ends up so hammered that he's too ill to take some stuff which he has to sell in the horse and cart. He gets Tess and her little brother to do it instead. Tess falls asleep and the horse ends up in an accident and is killed. As a result, the overly sensitive Tess feels guilty not realising it is really John's fault.
Meanwhile her mother Joan has learned that a Lady D'Urberville lives in a neighbouring village. She wants to send Tess to claim kin and learning that there is a master D'urberville, has notions that Tess, being a beautiful girl, will marry him. Tess really doesn’t want to go but does out of guilt of the death of the horse. Alec, the young D'Urberville, is, to put it politely, a nasty sleazy git who needs to be castrated and lusts after Tess. Eventually he rapes/seces Tess (because of the time of writing, Hardy had to shroud the sex in imagery) and she ends up pregnant. She goes home after Alec tries to buy her off.
Tess's baby becomes ill, she christens the baby Sorrow in a touching ceremony with her siblings, but the child dies. Not long after, Tess gets work at Talbothays, a large dairy farm a good way away from her home town, and she heads off there. This marks a happy spell in Tess's life. She meets Angel Clare who had been at the spring dance. His father is a parson but Angel doesn't want to be involved in the church and is learning the ways of farming instead. He falls for Tess, who is distraught after deciding not to get married. Angel persists the pair fall in love and agree to marry. The two wed, and just after Angel confesses to "eight-and-forty hours' dissipation with a stranger". Tess, feeling unburdened, confesses. Angel freaks out and leaves Tess, although by law they are still married, and travels to Brazil.
Tess in the meantime ends up working with some of her old dairymaid friends for a horrible farmer. She runs into Alec who accuses her of tempting him and guilt trips Tess into living with him, because her family are on the verge of homelessness and need the money. Having given up on Angel and realising his hypocrisy, she agrees. Angel comes home from Brazil having realised the error of his ways and tracks Tess. On finding her, he learns that she thinks it’s too late for them. He takes off and Tess gets into a fight with Alec, which ends in her stabbing him. She runs after Angel, and they spend time together in an old mansion. After wandering the countryside for a while, Tess finds they are at Stonehenge, and feels at home, having been described as a heathen in her home village. She tells Angel that should she be caught she wants him to marry her sister Liza-Lu. The police catch up to her, and shortly after Tess is hanged.
Tess of the D’Urbervilles is a beautifully constructed story, which makes use of the hand of fate. It is the sweet and natural character of Tess that gives the book its exceptionality. The beautifully innocent child never seems to grow into a woman; she retains a dear innocence and vulnerability, which she had from the outset. Her purity of morals and spirit make her the perfect victim for such a small-minded society, and I empathised with her in a way I have done with few characters in novels. It is difficult not to fall in love with her sweet naïveté and quiet courage, although it is easy to feel exasperated with her intense passivity. Her true, deep love for Angel is another thing, which makes her endearing. As Izz notes when Angel asks if he loves her more than Tess did, no-one could because she would lay down her life for Angel.
The three-dimensional Angel is another attractive character. Initially you want to like him and by the later chapters you begin to empathise with him despite his rather rash and inconsiderate treatment of his wife. It is clear that he loves her, but it’s also fair to say that he doesn’t feel the intense love that Tess does, given that he was so willing to treat her cruelly and with such narrow-minded hypocrisy.
Hardy’s descriptive language is beautiful, especially in relating the growing love between Angel and Tess at Talbothay’s. The passion shown is so beautifully described, especially considering that there is nothing even beyond the realm of suggestive. The same descriptive style, which I felt, made the Mayor of Casterbridge and bit cumbersome, plodding and difficult to get into has a wonderful vibrance and colour to it, so that you can perfectly picture Tess and the little upward curve of her lip that drives Angel mad. The natural description is also thoroughly detailed in typical Hardy style, but once again has a beauty that the Mayor of Casterbridge didn’t have (for me anyway).
Hardy weaves a complex tale which clearly has dire thoughts of his eras views of morals and religions and the hypocritical stance which said that men were unable to control their sex and drives and therefore upper class men could have sex with as many peasant girls as they wished and have no reason to feel guilty. Alec is painted as the devil, reappearing in different forms and appearing with pitchforks in all his moustached, Victorian melodrama villain glory. Hardy paints a sad picture of religion too, where minor doctrines are given more importance than forgiveness and kindness.
All in all, Tess is a beautiful book full of gorgeous language and suggestive passion, which in my view is unequalled. The lovely Tess is such a sweetie that you just want to wrap her up in bubble wrap and keep her protected and safe from the big bad world. By the end of this I was literally crying buckets of tears; but there is an irony in that Tess dies happy- she feels ready to go, she doesn’t want to live for Angel to lose his love for her, and knows that he will look after her sister. So, in an odd way, the ending could be seen as happy.
8. 辣妈辣妹(Freaky Friday)英文影评
To make Freaky Friday work perfectly; you would have to believe that Jamie Lee Curtis is Lindsay Lohan and Lindsay Lohan is Jamie Lee Curtis. Although at times it seemed that way, at other times, it just seemed like Lohan was trying to be Curtis and Curtis was trying to be Lohan. Any way you look at it, Freaky Friday is a family-friendly film that tries to please everyone, and does. It pleases shallow teen prep girls because of Chad Michael Murray. It pleases teen boys because of Lindsay Lohan. It pleases older men because of a Jamie Lee Curtis thong shot. It pleases older women because of Mark Harmon. It pleases the whole family, being that they already saw Finding Nemo and it's the only other family movie out there.
Tess Coleman (Jamie Lee Curtis) (changed from Ellen Andrews from the novel by Mary Rodgers) is a harried psychiatrist who still has time for her family. Anna Colemen (Lohan) (changed from Annabel Andrews) is supposed to be a typical teenager (but is anything but), and has daily fights with her younger brother Harry (Ryan Malgarini) (changed from Ben Andrews). Tess is going to marry Ryan (Harmon), because her husband died three years ago (can't there be a Disney movie with both parents still alive?), of whom Anna doesn't approve. After a fueled feud, Tess and Anna open fortune cookies that switch bodies: Tess is in Anna's body, and vice versa. Whatever will be done?
Although most people have praised Curtis for her accurate portrayal of a typical teen (although with the people at my school, what she does is anything but typical), and she should be, Lohan does better at being an alt. If Lohan, a teenager, could be an alt so well, that's rather scary. I thought at most times Lohan was Tess, but Curtis was having too much fun as Anna to really be thought of as great. Instead of acting like Lohan, Curtis just acts like a young kid who just ate too much ice cream.
One part of Freaky Friday that I didn't like is how often we were put in an awkward situation. And when they were there, they just didn't seem plausible. All of a sudden, Anna-as-Tess is a guest on a talk show, talks to someone she has a crush on, and watches Tess-as-Anna perform? Not only were they awkward, they were just not believable. On the other hand, Freaky Friday not only has some genuinely funny moments, but is also quite touching at times. Obviously, it was going to be, and Tess and Anna were going to learn to respect each other, considering it was shown in the trailer.
One other part I didn't like was how far it strayed from the book. It only focused on Anna-as-Tess (Annabel-as-Ellen), and how she spent her day. Of course, back then she was a housewife, but now she has to be a successful doctor. I do admire it for changing it, unlike others, which is basically watching the book. Overall, Freaky Friday is a likable, pleasant 90-minute diverter. It won't change your life, but you won't be upset you saw it.
9. 《德伯家的苔丝》影评
曾以为作家的伟大在于多产，在于创作大量经典名著。看了Thomas Hardy的名作Tess of the D’urbervilles（《德伯家的苔丝》），才知道好著作只需一部足够。哈代笔下的苔丝曾被多位出色的女演员演绎过，1979年德国女演员Nastassja Kinski出演的电影《苔丝》获得最佳摄影、最佳艺术指导、最佳服装设计三项Oscar金奖，后来相继拍成了其他演员担演的电视连续剧，其中我最爱Justine Waddell饰演的Tess---1998年BBC推出的电视剧《德伯家的苔丝》。 好的故事因有好的情节，演绎的出色不亚于情节本身。 有人说曾获得Oscar奖项的电影《苔丝》不如BBC于98年的电视剧《德伯家的苔丝》，因为女主人公的扮演者不同。据说Nastassja Kinski太野性，她的经历使她难以演绎出哈代笔下的苔丝---美丽的英国乡村少女的形象；而Justine Waddell有种英国式的古典美，既优雅甜美又有种说不出来的孤寂感，所以与哈代笔下的苔丝的形象更为接近。 我也更喜欢98年的电视剧《德伯家的苔丝》。五年前买了《德伯家的苔丝》电视剧VCD（片长约3小时，共3张），痛快地看了又看，越看越着迷，叫人心碎…五年后的今天，对苔丝的眷念仍不减，执起笔来，重温些许插曲与片段，细细回味剧中的气息，浓郁的悲情… ★ 我的“苔丝情结” 1. 洁白如诗那般美，令人迷醉 Tess很美。她的姣好与玲珑映衬在一身的洁白下。她很白，白的那么纯，不可亵渎；白的那么美，无与伦比；白得那般艳，令人惊羡。那般白，曾盛开在灿烂的日光下，奔放在原野绿丛中，舞动在庄园秋色里。那般白，曾如此的出奇夺目、娇艳动人。当火红的玫瑰戳伤了手，鲜血沾染了洁白，Tess的白，开始让人怜惜。 “Shall I compare thee to a summer's day? Thou art more lovely and more temperate.”“我能否将你比作夏天？你比夏天更美丽温婉。”(出自我最爱的诗歌---莎翁十四行诗之18) 很自然想起这首诗，就学着它那样来形容Tess--- “Shall I compare you to an Easter lily? You are more pure and pretty.”“我能否把你比作百合？你比它更纯洁更美。” 2. 影音与命运双重奏，撩动人心 无论快乐与苦痛，Justine的真情演绎，皆发自内心，毫不虚掩。尽管命运一次次变着戏法，给无知的Tess开玩笑，幸福一次次绕过她身旁溜走，她依然亭亭玉立，犹如一朵鲜花，娇艳欲滴，沁人心脾。我不禁震慑住了，内心涌动一股悲情，哀Tess所哀，愁Tess所愁，我相信观者定能感受到，并与之共鸣。 令我惊诧的，还有剧中反复奏响的乐曲，那淡淡的忧伤。那乐曲多么美妙动听，让人如痴如醉，百听不厌。佳音好比天籁，就象莫文蔚的一曲《盛夏的果实》，谁也计算不了曾经醉过多少天下人，歌曲里那淡淡的忧伤，和谐的韵律与无穷的韵味令多少人为之倾倒！ 电视剧《德伯家的苔丝》的插曲与故事情节如此吻合，激起了我心底万般柔情。故事的情节不失浪漫，浪漫之余却散发着忧伤，弥漫着宿命。情节与画面交织的天衣无缝，影音与命运的双重奏，给纯洁的Tess蒙上了宿命的色彩。主旋律、背景音乐与掺和的曲调穿插于剧情中，诉说着淡淡的忧伤、绵绵哀怨、柔弱、孤苦与无助，预示着冥冥中的命运。 3. 咽着泪水那一幕，百折不回 当历尽磨难的Angel决定从巴西重返英国，与心爱的Tess言归于好，便有了Tess含泪带笑，默默注视Angel的一幕。Angel的归来，犹如一把利刃，径直刺向Tess的心坎。“Too late...Too late!...” 一切都来的太晚！ 多少个日夜，Tess企盼着丈夫回心转意，回到自己身旁。抱着一线希望，她给Angel写信，恳求丈夫迅速归来保护自己。可是伴随她的却是孤独、悔恨、愤慨、绝望，最后，她只能甘受屈辱和苦难。 Too late! 声声悲切。这迟来的相见，是命运的捉弄，天意弄人。 想起韩国影视的女角色都爱哭。为感动而哭，莫名、单纯地哭，天真可爱甚或淘气地哭。如My Girl（《我的女孩》）里李多海饰演的“周幼琳”，一把鼻涕、满脸泪花，毫无保留地把一切溢于言表，以泪水宣泄…而Tess，则将所有的冤屈与苦痛以及对爱人的思念都统统深埋在心里，默然含泪，泪往心里流，此情此景，言语怎来得及思索？ 4. 死亡是苦难的终结，肝肠寸断 苦难终有尽头。在一个静谧的黎明，Tess被捕，被处绞刑，至此，全剧终了。然而，与电视剧不同的是，小说的结局燃点了希望：Angel怀着忏悔和苔丝的妹妹开始了新的生活。这种希望，是否预示着新的爱情的萌生？就好象许多爱情故事一样，妹妹继承姐姐的爱，和男主人公从此幸福快乐地生活。可是真能幸福快乐吗？当初爱得那般死去活来、肝肠寸断，我怀疑这种爱的继承，至少，在《德伯家的苔丝》里我相信爱是无法继承的。就象《拿什么来拯救你，我的爱人？》里的故事一样，爱，无法弥补，没有替身，也没有退路，只能按着原路走，唯一条路，一直走下去…… 只有在悬崖，断肠人才得以解脱