简爱的影评英文
Ⅰ 《简爱》的影评！谢谢！最好是英文版的
《简爱》的影评 英文版
A thoroughly engaging adaption of the brooding classic, this film rises above the turgid tone often imposed on other classics brought to the screen. Joan Fontaine turns in a brilliantly deceptively understated performance, and Orson Welles restrains from the scenery chewing that marred some of his own projects; there is surprising chemistry between them. At times, Welles is a downright "sexy" leading man! The script (credited to John Houseman and Aldous Huxley) captures the right "tone" of Victorian cruelty and repression.
Under Robert Stevenson's direction Fontaine/Welles seem to capture the essence of two abused outsiders resisting their attraction for one another, trying to adhere to convention. A strong supporting cast. There are brief though memorable appearances by Agnes Moorehead, Elizabeth Taylor and Peggy Ann Garner as "young" Jane.
George Barnes' camera captures appropriately stark images of Ross Dowd and Thomas Little's sets. Charlotte Bronte's grim novel is well suited to the excellent B/W, cinematography: a memorable scene early in the film has young Jane being punished by being forced to stand on a stool that is nearly in the center of a fan of shadows cast by the stair railing, It is almost reminiscent of expressionist German films of the Weimar years.
The film manages to entertain as well as inform. Purists may object to the last 3 lines of the film which hint at a slightly happier denouement than the book offered. In spite of that, Jane Eyre is still a nearly flawless film.
参考资料：
Ⅱ 《简爱》的英文影评
A thoroughly engaging adaption of the brooding classic, this film rises above the turgid tone often imposed on other classics brought to the screen. Joan Fontaine turns in a brilliantly deceptively understated performance, and Orson Welles restrains from the scenery chewing that marred some of his own projects; there is surprising chemistry between them. At times, Welles is a downright "sexy" leading man! The script (credited to John Houseman and Aldous Huxley) captures the right "tone" of Victorian cruelty and repression.
Under Robert Stevenson's direction Fontaine/Welles seem to capture the essence of two abused outsiders resisting their attraction for one another, trying to adhere to convention. A strong supporting cast. There are brief though memorable appearances by Agnes Moorehead, Elizabeth Taylor and Peggy Ann Garner as "young" Jane.
George Barnes' camera captures appropriately stark images of Ross Dowd and Thomas Little's sets. Charlotte Bronte's grim novel is well suited to the excellent B/W, cinematography: a memorable scene early in the film has young Jane being punished by being forced to stand on a stool that is nearly in the center of a fan of shadows cast by the stair railing, It is almost reminiscent of expressionist German films of the Weimar years.
The film manages to entertain as well as inform. Purists may object to the last 3 lines of the film which hint at a slightly happier denouement than the book offered. In spite of that, Jane Eyre is still a nearly flawless film.
Ⅲ 简爱电影的英文影评。
A fast hour and a half
of psychological doom and gloom, and glimmers of happiness through true
love trounced by the realities of 1840 England. It's all pretty amazing
stuff, and you have to see it to believe it, those dark clouds and
sprawling stone buildings.
Yes, Orson Welles is the lead male here, Mr. Rochester, and he's a
physical presence, for sure, but a stiff one. As just one slightly
unfair comparison, watch how Lawrence Olivier handles being lead male
in a similar era (1939) Bronte film, Wuthering Heights. It's unfair
because this earlier movie, directed by William Wyler, is even better
than Jane Eyre. But here we have an actress who wowed the world in the
masterful Rebecca in 1940, and with Olivier himself, and if you see
this Hitchcock movie, based on a Daphne Maurier book, you'll see a
weirdly too similar echo of Charlotte Bronte's plot, complete with
mysterious master of the house and a big fire at the end.
This big mix and match is meant only to say that this kind of movie,
this kind of plot, reached a fever pitch in the early 1940s and
proced three masterpieces. You should see them all, and see the
influences back and front and sideways. Great stuff, with Jane Eyre the
third in line, made by the lesser known British director Robert
Stevenson (who had this one early success and then the other one, Mary
Poppins, of all things). But it was based on an Orson Welles radio
version of the story, which you can feel in the narrated lines with
Joan Fontaine's voice. You sense Welles had a hand in the whole feel of
the movie, the camera angles in the early scenes (looking up or down at
the child), and the overall Gothic excess and fog.
Great stuff to just feel and absorb.
Ⅳ 简爱的英文影评
Eyre — A Beautiful Soul
Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think:
We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past.
We remember her pursuit of justice. It’s like a companion with the goodness. But still, a virtuous person should promote the goodness on one side and must check the badness on the other side.
We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God’s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality.
We also remember her striving for life, her toughness and her confidence…
When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality.
Actually, she wasn’t pretty, and of course, the ordinary appearance didn’t make others feel good of her, even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease, so when Miss Ingram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than ‘the plain and ugly governess’. But as the little governess had said: ‘Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!’ This is the idea of equality in Jane Eyre’s mind. God hadn’t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impress us so much and let us feel the power inside her body.
In my mind, though a person’s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn’t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it’s not true, they will like the person no more. For a long time, only a person’s great virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that ‘Beauty is a heart enflamed and a soul enchanted’. I can feel that how beauty really is, as we are all fleshly men, so we can’t distinguish whether a man is of nobleness or humbleness, but fleshly men, so we can’t distinguish whether a man is of nobleness or humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.
Her story makes us thinking about life and we learn much from her experience, at least, that is a fresh new recognition of the real beauty.
影评没找到，这个是读后感，好像还不太全，参考一下吧~~~~~~~~
Ⅳ 观简爱电影观后感英文版80-120个词
观简爱电影观后感英文版，见附件。
如果看不到附件，请用电脑访问。
Ⅵ 简爱英文版观后感
Jane Eyre — A Beautiful Soul Jane Eyre, is a poor but aspiring, small in body but huge in soul, obscure but self-respecting girl. After we close the covers of the book, after having a long journey of the spirit, Jane Eyre, a marvelous figure, has left us so much to recall and to think: We remember her goodness: for someone who lost arms and blinded in eyes, for someone who despised her for her ordinariness, and even for someone who had hurt her deeply in the past. We remember her pursuit of justice. It’s like a companion with the goodness. But still, a virtuous person should promote the goodness on one side and must check the badness on the other side. We remember her self-respect and the clear situation on equality. In her opinion, everyone is the same at the God’s feet. Though there are differences in status、in property and also in appearance, but all the human being are equal in personality. We also remember her striving for life, her toughness and her confidence… When we think of this girl, what she gave us was not a pretty face or a transcendent temperament that make us admire deeply, but a huge charm of her personality. Actually, she wasn’t pretty, and of course, the ordinary appearance didn’t make others feel good of her, even her own aunt felt disgusted with it. And some others even thought that she was easy to look down on and to tease, so when Miss Ingram met Jane Eyre, she seemed quite contemptuous, for that she was obviously much more prettier than ‘the plain and ugly governess’. But as the little governess had said: ‘Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong!’ This is the idea of equality in Jane Eyre’s mind. God hadn’t given her beauty and wealth, but instead, God gave her a kind mind and a thinking brain. Her idea of equality and self-respect impress us so much and let us feel the power inside her body. In my mind, though a person’s beauty on the face can make others once feel that one is attractive and charming, if his or her mind isn’t the same beautiful as the appearance, such as beauty cannot last for, when others find that the beauty which had charmed them was only a falsity, it’s not true, they will like the person no more. For a long time, only a person’s GREat virtue, a noble soul, a beautiful heart can be called as AN EVERLASTING BEAUTY, just as Kahill Gibran has said, that ‘Beauty is a heart enflamed and a soul enchanted’. I can feel that how beauty really is, as we are all fleshly men, so we can’t distinguish whether a man is of nobleness or humbleness, but fleshly men, so we can’t distinguish whether a man is of nobleness or humbleness, but as there are great differences in our souls, and from that, we can know that whether a man is noble or ordinary, and even obscure, that is, whether he is beautiful or not.
Ⅶ 在哪可以看到英国电影简爱的英文影评
片名：简爱 英文：jane.eyre 导演：德尔伯特·曼 Delbert Mann 编剧：夏洛特·勃朗特 杰克·普尔曼 主演：乔治·C·斯科特——爱德华·罗切斯特（邱岳峰配音） 苏珊娜·约克——简·爱（李梓配音） 伊恩·巴纳恩——圣约翰·利弗斯 杰克·霍金斯——布洛克赫斯特先生 娜丽·唐·伯特——布兰奇·英格拉姆 拉切尔·坎普森——菲尔法克斯太太 坎尼斯·格里菲斯——梅森 彼得·考普兰——约翰 国家：英国 语言：英语 类型：剧情 片长：110 min 上映：1970 剧情介绍： 全世界拥有读者最多爱情小说的经典电影版。 影片根据英国女作家夏洛蒂·勃朗特的同名小说改编。简爱父母早亡寄居在舅舅家，舅舅病逝后，舅母把她送进孤儿院，成年后她应聘去桑费尔德当家庭教师。来到桑费尔德，当男主人公罗切斯特先生家的家庭教师，男主人罗切斯特生活颓废脾气古怪，经过几次接触，简爱爱上了他，而简爱的到来也使他的生活有了希望。在他们举行婚礼时，罗切斯特的内弟梅森闯进来指出古堡顶楼小屋里的疯女人是罗切斯特先生的妻子。由于这个疯女人的存在，他们无法结合，简爱 也不愿作为情妇，爱毅然离开了桑费尔德，来到一个偏远的地方。在牧师圣约翰的帮助下，简爱找到了一个乡村教师的职业。在圣约翰向简爱提出结婚时，她想起了罗切斯特先生。当 简赶回桑费尔德时古堡已成废墟，罗切斯特双目失明，简爱赶往罗切斯特先生住的芬丁，她决定下来和相爱的人厮守一生…… 图片附件: 0.jpg (2007-12-17 04:31, 24.27 K) 半个灵魂：郎骑铁马来，你在未来，我在古代。 妖娆棉花 级别 管理员 精华99 帖子11015 威望11182 点 金钱29851 点 金桥币 101 JQB 贡献度 2 点 阅读权限 230 状态 离线 #2发表于 2007-12-17 04:35 资料 主页 个人空间 短消息 图片附件: 1.jpg (2007-12-17 04:35, 16.04 K) 《简爱》(1970)影评： 英国作家Charlotte Brinte的传世经典，自问世以来不断地被搬上舞台和荧屏。电影人对这个故事颇为热衷，从早年的奥逊·威尔斯 Orson Welles（《公民凯恩》）版本到近期的威廉.赫特（《大寒》）版本，在历时半个多世纪以来，伴随着7、8个版本简爱影片的诞生，不同的电影人在各自的作品中用自己的角度阐述对作品的理解，同时也推动了这部经典名著在全球的普及。 1970年的George C. Scott饰演的版本历来被认为是所有版本中改编得最恰到好处的－－既忠实于原著精神，且故事结构更为紧凑，爱情主题更加突出。苍凉静谧的英国荒原，神秘诡异的古堡，阴郁迷离的气氛，加上“老戏骨"George C. Scott的表演，将一个维多利亚时代歌特式的爱情故事演绎得凄美动人。George C. Scott的表演无疑是本片的一大看点，他的激情演绎使其他版本的Rochester黯然失色，其锋芒直逼早年的Orson Welles。而Susannah York外表沉静，含蓄内敛的风格也被评为最接近原著简爱的精神气质。本片的主题音乐更是大手笔，它出自著名音乐人约翰.威廉姆斯之手，这一主题曲把本片的爱情主题推向高潮，更成为该版本的标签，至今仍在不同的音乐会上被演奏。 对于中国观众，这一版本的意义尤为特殊——它被无数次地制成录音剪辑，在全国各地的电台一播再播：它被制成各种版本的录音带，被“听迷”们争相购买，听这部电影着迷的人甚至比有机会看这部电影的观众还要多。对于出产了无数配音电影精品的上海电影译制厂，《简爱》堪称精品中的精品。在观众每一次选出的配音作品中，《简爱》无不位列三甲。它从台词翻译到演员表演，无不成就了一种典范。这是配音大师邱岳峰与李梓的颠峰之作，他们用声音拓展了新的表现空间，丰富了电影这一“视听”的艺术在听觉上的美好体验。邱岳峰塑造的罗切斯特，或愤懑，或柔情，或倦怠，或狂暴，无不让人动容。而李梓演绎的简爱在不愠不火的声调里展现出细腻的情感变化，或温婉，或坚定，也在更深层次上丰富了简爱人物的形象。他们的声音有表情，有形象，有情感，一寸一寸都是鲜活的。 本片是20世纪70年代初拍摄的小成本电视电影，虽然由明星乔治·斯科特担纲主演，但国外观众对其评价不高，在国外电影市场基本上没有什么影响力，是上海电影译制厂表演艺术家们的精湛技艺使得她面貌焕然一新，成为观众心目中外国电影经典之作。经过邱岳峰和李梓主配之后，多少观众为之倾倒，甚至有人在寒冷的冬夜刚看完这部片子步出影院，便满怀激情吟诵起罗切斯特和简爱的对白来。简爱的爱情观、价值观、人生观对不少女性产生了巨大的影响，孕育了一批中国式的女权主义者。大伙欣赏之余，还找来原著细细品读、比较 。 这是一部特殊的电影，观众可以闭上眼睛，倾听这来自灵魂的声音。 如果问译制片里有哪部影片可以称得上是“圣经”的话，那一定就是她了。 图片附件: 4.jpg (2007-12-17 04:35, 46.25 K)
Ⅷ 要写一篇英文的简爱的影评 是BBC06年的 急求
声明以下不是我写的.请参考:
http://www.bbc.co.uk/drama/janeeyre/
http://www.imdb.com/title/tt0780362/usercomments
"Never before have I watched characters with such passion, or felt that I truly knew a character personally.
I experienced every moment of happiness, heartache, belonging and fear which Ruth Wilson portrayed so fantastically as Jane. A true credit to the acting profession, I hope to see many more outstanding performances by her.
Equally, the ever unpredictable Edward Rochester's character shone through perfectly e to the never ending talent of Toby Stephens.
This is undoubtedly the best period drama to date. I look forward to the DVD and hopefully a few BAFTAs."
"Having never previously seen an adaptation of Jane Eyre, or read the novel, I find myself wishing for Sunday evening to arrive so I can see the next episode. However I equally don't want to see an end to a truly wonderful drama.
This episode was fantastic - from finding out that Jane had an uncle, to her confession of love to Rochester, and vice versa, to the revelation of another wife, it was all beautifully done. When Rochester was explaining the story of how he had come to marry, it was very easy to feel compassion for him."
"I had thought Ruth Wilson's performance slightly dominated this adaptation. However, this episode saw Toby Stephens really shine. He was absolutely superb, going from schemer to giddy lover to despairing self-loathing man.
I've thoroughly enjoyed this adaptation, mainly because of the great actors and the chemistry between them. This has risen above any minor quibbles in details being left out. Sunday nights have never been so good."
"I'm a purist when it comes to Jane Eyre, my favourite novel, and I'm disappointed at the modernisation of almost all of the dialogue, which in the original is moving and humorous in places.
Having said that, I'm enjoying the episodes. I like the cast and it can be appreciated for its own sake.
Toby Stephens is the right age to play Rochester and has captured his charm and wit, as well as his rougher side.
Ruth Wilson is an excellent Jane, except that she isn't outspoken enough - her character has been muted. However, I look forward to the next episode, when I expect the romance will become more intense."
"Having seen all previous adaptations of Jane Eyre, I was sceptical that a new and innovative 'take' on the story could be achieved. However, I was mistaken. The new version is vibrant and shows the characters much more in synch with the text than all other versions.
The casting is also inspired - Toby (despite the critics) and Ruth are excellent and extremely well matched."
"I'm really enjoying this version, although I agree with some viewers that the script is a tad mbed down and misses some of the subtlety of the novel.
The relationship between Jane and Rochester is believable, they really do connect despite their different backgrounds.
I've always disliked previous Rochesters who have been played as bellowing brutes. Toby Stephens is tortured, sarcastic, self-pitying, charming and as real as the Rochester in the book.
I thought the mad wife was a little too pretty. In the book she's lost her looks and is fairly hideous. Perhaps a little more mad snarling wouldn't have gone amiss."
Ⅸ 不少于200词的简爱的英文影评 谢谢啦
This is a story about a special woman who has been exposed to a hostile
environment but struggling for her ideal life conreattionously and fearlessly.
It seems to me that many readers ‘s English reading experience starts with Jane Eyer.It is not surprising to find some differences because it was filmed and retold in a new way,but the spirit of the novel remains to be an independent person, both physically and mentally.
Jane Eyer was a born orphan,whose parents went off when she was very young,and her aunt,the only relative she had,treated her as badly as she could.At the beginning of Jane’s ecation in Lowwood Orphanage,she didn’t get what she had been expecting.As a reward of revolting the ruthless oppression,Jane got a chance to be a tutor in Thornfield Garden.There she made the acquaintance of lovely Adele and that garden’s owner,Rochester,a man with warm heart while a cold face outside.After Jane and Rochester fell in love with each other and meant to get marry,Jane came to know Rochester had already got a legal life .And,unfortunately,Rochester seemed under the shadow of his wife.Jane wanted to give him a hand,however,she made her mind to leave,because she didn’t want to betray her own priciples.She is Jane Eyer.
The film has finally got a symbolist end.After finding Rochester’s misfortune brought by his original mad wife,Jane chose to stay with him forever.
Life is ceaselessly changing,but our living priciples remain.Firmly persisting for the rights of being independent gives us enough confidence and courage.In the world of the film,we have found te stories of ourselves, which makes us so concerned about the fate of the dramatis personae.
It’s our spirit that makes the life meaningful.