复联三影评英文

『壹』 step up 3英文影评

New York's intense street dancing underground comes alive in eye-popping Digital 3D in the third installment of the "Step Up" franchise as the raw, passion-fueled culture goes global. A tight-knit group of street dancers, including Luke and Natalie, team up with NYU freshman Moose, and find themselves pitted against the world's best breakdancers in a high-stakes showdown that will change their lives forever. (Touchstone Pictures)

Let's face it: By now, nobody goes to a STEP UP movie expecting plot and character development. If you do, I will personally go up to your front door and slap you in the face. The plot is so predictable that the only way you don't know what's coming is that this is the first film you've ever seen. However, that's not necessarily a bad thing. The sequels in this franchise never take itself too seriously. In fact, you can tell in this film that the clichéd plot was just an excuse to showcase some of the best dance sequences you will ever see in your life. The filmmakers know it's all BS. The audience knows it's all BS. You just go along with the ride.

The first film featured a highly idiotic soap opera that really didn't work for me. The sequel, however, was considerably more energetic and fun in almost every way. Jon Chu returns to the director's chair since STEP UP 2 and steps everything up (see what I did there?) on a whole new level. It has two things going for it: The crazy dance moves and 3D. And because of that, the film is totally worth watching in theaters. It's a visual feast and the songs are foot-popping fun!

Hey, you laugh now, thinking, "Does a movie like this really need to be in 3D?" Let's be honest here: Does ANY movie have to be in 3D? No, but studios make them in 3D anyway. STEP UP 3D utilizes the 3D technology in the best possible way since AVATAR. You read it right. The 3D was AH-MAZE-ING. From the opening studio logos to the end credits, your jaw will remain dropped. THIS is how you make a 3D movie. THIS is what 3D was made for. I can't believe it took a STEP UP movie to show studios out there how 3D should be utilize because this is why 3D was made in the first place. The true potential of this technology is used in the dance sequences. Wow oh wow. No mere words can describe the awesomeness of it all. More on that later. The technology is used in a gimmicky fun sense and to project a depth in many scenes. The 3D is so good that I already spent one huge paragraph writing about it.

The dance sequences are also insanely unreal. There comes a point where characters even defy gravity! How awesome is that?! And although new hip-hop moves are the main focus in the film, there are many other styles of dance that will appeal to every demographic, including a wonderful tango scene and a "Singin' in the Rain"-esquire tribute, paying homage to the classic musicals in the past in all one shot, nonetheless.

The castmembers are efficient enough, although nothing to scream about. Rick Malambri and Sharni Vinson are sweet and believable in their roles. However, Adam G. Sevani and Alyson Stoner take the cake. Sevani returns from the second film and he's just a likable actor. It's hard to hate him. Stoner returns from the first film, in which she was a little kid! Sevani and Stoner have chemistry and their scenes in the film are just really sweet. However, my favorite characters in the film are the twins, Martín and Facundo Lombard. You'll see why once you see the film. There are also some surprise cameos here that I dare won't spoil because it would ruin the fun.

If you're a person who wants to see a plot and some great character development, don't see the film. However, if you just want to have a good time at the movies, STEP UP 3D delivers in every way. It's a highly energetic film that is so persistent in trying to "wow" the audience with fantastic dance moves. On top of that, it's one of the very few films out there that utilizes the 3D technology so well that it should be seen in 3D. STEP UP 3D is a cinematic experience.

『贰』 急求几篇近期的电影的英文影评

珍珠港的影评

pearl harbour film review

Pearl Harbor consists of three incongruous acts, mashed together into an ungainly whole. It appears to be more interested in reprocing the success of Titanic, which also set a fictional love story amidst a tragic historical event, than it is in telling the story of the men and women who fought and died in the attack on Pearl Harbor.
Titanic worked because the central characters were interesting, the story was cohesive, the historical events were handled respectfully and with the proper dramatic tone, and underneath it all was an intelligent reflection on the human failings that permitted such a tragedy in the first place.

Pearl Harbor reces the historical backdrop into a series of action set pieces. Instead of exploring ideas inherent in the events, it extracts them, recing the reason for Japan's attack to something inexplicable at best, and having utterly nothing to say about why the attack happened, how it was carried out, or how we responded. The film is dedicated to the men who died at Pearl Harbor, but what does it dedicate to them? It does not seem very interested in them except as a tool for dramatic imagery. Consider, for example, a scene in which we learn that men are trapped in a sunken ship in the harbor. We learn this to emphasize the brutality of the attack, as if such emphasis were needed. Then the film forgets this point entirely, providing the fates of those men in a narrated line just before the closing credits. Why wasn't the third act of the film about those men, instead of a rushed covering of the Doolittle raid on Tokyo, complete with overblown crash landings and an improbable engagement with Japanese soldiers?

If you want to see a real movie about Pearl Harbor or the Doolittle Raid, one that paints a deep and accurate picture of what it was like, one you can learn from, one that pays tribute to our veterans, or even just one that functions as convincing entertainment, there is no shortage of options. Tora! Tora! Tora! chronicles the events before, ring, and after the attack from both the American and Japanese sides. Thirty Seconds Over Tokyo is as thorough a chronicle of the Doolittle Raid as is probably possible in a feature film, while also following the personal stories of a few indivials involved (any one of which is more interesting than the personal story in Pearl Harbor). The Purple Heart, one of the most heartbreaking movies I've ever seen, tells the story of Americans captured by the Japanese after the raid.

Writing off the historical aspects of the film, I am left with the love triangle that makes up the entire first act and pervades the rest of it. It is wholly uninteresting. This same story has been told better, countless times before. Not one of the three characters is fleshed out into an indivial: they are bland stereotypes, dolled up to look pretty and given trite lines that they recite to convey the illusion of genuine emotion. It's telling that it doesn't much matter to us how the love triangle is resolved. Unless they both die, she'll get one of them, and who cares which? Neither of the men are personable, and we surely suspect early on that her decision will be based more on fate than her own volition anyway. (In plots like this, it's survival of the survivors.) And so, alas, we are denied even the most basic of all elements of storytelling, namely, characters making actual decisions

兵临城下英文影评

A gut-wrenching and impressive hide-and-seek thriller that uses the bloody battle of Stalingrad (ring the second World War) as the clever disguise here for a real battle of courage and determination. The film follows a young and highly talented Russian sniper from the Urals, Vassili Zaitsev (Jude Law - "eXistenZ", "The Talented Mr. Ripley"), who gains national fame from the help of Danilov (Joesph Fiennes - "Shakespeare in Love"), a propoganda officer and his true love and fellow sniper, Tania (Rachael Weisz), who is also flirting with Danilov.

However, the Germans have an ace sniper of their own in Erwin Koning (Ed Harris - "Pollock"), a seasoned and out-spoken Major who comes to Stalingrad only to pick off Vassili. And before Koning leaves, his superior officer asks how he'll find Vassili. Koning says, " I'll fix it so he finds me."

The love triangle that director Jean-Jacques Annaud and co-writer Alain Godard put in the story shows that the pair took a chance and I'll give them credit for doing it. Plus, the love scene that Law and Weisz have is one of the strangest (no offense to either one) that I've seen.

The film's best moments come when Vassili tries to catch Koning off guard, but the problem is Koning is aware of what Vassili is capable of. I won't say how it's done, but the final confrontation is a genuine nail-bitter.

All of the performances here are powerhouse and that includes Bob Hoskins as Nikita Kruschev, a snarling and impatient man and Ron Perlman, who portrays Koulikov, a lieutenant whose teeth are all metal and serves as a guide for Vassili.

Robert Frassie ("Ronin") handles the movie's photography with care and the appearrence of Stalingrad itself reminded me heavily of the war-torn cities shown in Spielsburg's "Saving Private Ryan" and Kubrick's "Full Metal Jacket". Also, James Horner concts a tender and extremely mournful score that leaves a quiet yet important reminder of how awful war is.

"ENEMY AT THE GATES" is an extrodinary work of raw skill and imagination.

《美丽人生》英文影评：

This is one of those movies that have a lasting effect on you. After watching it, I found that it has less to do with the Holocaust and more to do with the human feelings and the beautiful relationship of a father and his son. The holocaust provides the ultimate context, that brings and highlights the story and adds yet another deep dimension to the movie. No such piece of art has ever before combined laughter and tears of sadness in me before and that is the miracle of the movie. The realism of the movie is not its strong point, but then again it is not supposed to be; this helps in bringing the audiences to a state of mind away from reality, focusing on the feelings generated by forgetting about all external events and developments of the war. Despite that, the movie does not fail to point out an element of the nazi psychology demonstrated by the doctor who was obsessed with riddles. This portrayed the nazi 'state of mind' (if ever such an expression existed) as a sick mentally disturbed state. Life is really beautiful as you watch Guido's relentless efforts to make a lovely exciting experience of the concentration camp to his son. You get exhausted just watching him going through his painful day and yet you smile as he speaks to his son and makes him laugh. One can go on forever describing the creativity of this movie, but one will not be able to capture all its beauty in writing.

--------------------------------
《导盲犬小Q》英文内容介绍：

As a labrador puppy, Quill is sent to live with a couple, Isamu (Teruyuki Kagawa) and Mitsuko Nii (Shinobu Terajima), who work as volunteers, training guide dogs (seeing eye dogs). When he grows to an alt dog, he is taken to a guide dog school, by a friendly, yet firm trainer Satoru Tawada. Although Quill is a little slower than the other dogs at the school, he seems to have an unusual 'empathy' and remarkable patience with his trainers. Tawade decides that Quill would be the ideal guide dog for Mitsuru Watanabe (Kaoru Kobayashi), but Wanatabe, a lonely and ill-tempered middle aged man, isn't as enthusiastic - he would "would rather sleep than be dragged around by a dog.". From here, the story is narrated by Wanatabe's daughter, Mitsuko (Yukika Sakuratani), and slowly, Wantanbe is rehabilitated, venturing into the outside world, and learning, not only to trust other humans, but the animal at his side who guides him.

英文影评：

This is an emotional movie, very heartwarming. A true life story cycle of a guide dog. I've seen it and it warms you up directly for animal lovers and indirectly for non animal lovers. Overall, a good cinematography but more can be add on. They should make more films like this, where they can show us how it looks like in the eyes of these superb creatures created by god for a purpose. Directorship is of this film is good and the director emphasize on balancing the act of both animals and humans in this film. At least, I know now how an animal feels when things like this happens. It just warms your heart when watching this film. In words, its a good movie to watch with your girlfriend who will definitely hold your hand whilst watching this movie.

『叁』 求钢铁侠三英文影评，100字，急，谢谢大神们

在《钢铁侠3》中，托尼·斯塔克将遭遇一个拥有无穷力量的强敌的挑战。面对被毁灭殆尽的生活，无路可退的斯塔克必须依靠自己精良的高科技装备和过人的才智，保护自己和最亲近的人，同时揪出真正的幕后元凶。最终当他正面强敌，准备给予致命一击时，一直以来困扰斯塔克的问题--到底是战甲成就了他，还是他造就了这套战甲--也有了答案。
In "iron man 3", Tony stark will meet the challenge of a Nemesis has infinite power. Face life had been destroyed, there is no way to retreat, stark must depend on oneself excellent high-tech equipment and wisdom, to protect themselves and their closest person, find out the real culprits behind the scenes at the same time. When he eventually positive Nemesis, ready to give a fatal blow, has long been plagued stark question - what is armor made him, or he has created the armor - have the answer.

『肆』 三篇用英文写的英语电影影评（主要内容、角色、演员的介绍，对它的评价）初一水平100左右 不要太长 有中文

hello,everyone. （大家好）

. very glad to be here.（非常高兴能来到这里给大家发言）

my name is ###, and i am ** years old.（我的名字是＃＃＃，今年××岁了）

now i am a ___school student.（我现在是一名……学生）

my favourite subject is English . and i like sports very much . （我最喜欢的科目是英语，而且我很喜欢运动）

English brings lots of fun . and sports makse me happy .（英语带给我很多乐趣，而且运动使我快乐）

i like this sentence:“ nothing is impossible。”（我最喜欢的一句话就是：一切皆有可能。）

so i always try my best to do everything well,and never give up easily.(所以我每一次总是尽力做好每一件事情，从来都不轻易说放弃）

so this is me ,i hope to make friends with you all.（这就是我，我希望和大家都能成为朋友。）

thank you for listening!（谢谢大家的聆听！）

『伍』 求三部英文电影的影评【英文的】150词左右

三个片子以及影评如下：
电梯里的恶魔 Devil
2012
茜茜公主 Sissi
————————————————————————————————
电梯里的恶魔 Devil

Finally, when the police Bowden to send Tony home, I thought the devil attached to Bowden's body. But I really, really did not expect, he said, facing the mirror looked at Tony, I forgive you. Narrating said, every time my mother gave me finish those (demons) of the story, she would comfort us, the children, do not worry, if the devil is true, then God is also true. (Don't worry, she'd say, if the devil is real, then God must be real too.) And then the whole city was quiet and bright look.

I was a little shock this last sentence, I am not a Christian, but I believe the devil is really just refers to the devil, God is not merely referring to God. The devil is the darkness of evil, which is why each person killed in the elevator when they are in the darkness, and God is the light of justice, which is why after the disappearance of the old woman everything normal.

So do not be afraid, if the devil is true, then God must be true.

_________________________
2012

2012 is a 2009 disaster film directed by Roland Emmerich. The film stars John Cusack, Chiwetel Ejiofor, Amanda Peet, Oliver Platt, Danny Glover, Thandie Newton and Woody Harrelson. It was distributed by Columbia Pictures. Filming began in August 2008 in Vancouver.
The film briefly references Mayanism, the Mesoamerican Long Count calendar, and the 2012 phenomenon in its portrayal of cataclysmic events unfolding in the year 2012. Because of solar flare bombardment the Earth's core begins heating up at an unprecedented rate, eventually causing crustal displacement. This results in an onslaught of Doomsday event scenarios plunging the world into chaos, ranging from California falling into the Pacific Ocean, the eruption of the Yellowstone National Park caldera, massive earthquakes, and Megatsunami impacts along every coast line on the Earth. The film centers around an ensemble cast of characters as they narrowly escape multiple catastrophes in an effort to reach ships in the Himalayas, along with scientists and governments of the world who are attempting to save as many lives as they can before the disasters ensue.
I think,it will be, for its audiences, one of the most satisfactory films of the year and it really can be called the "mother of all disaster movies".

________________________

茜茜公主 Sissi

Two hundred years have passed, or relish the Austrians who had their moment in the Queen's situation, her beauty, her worries, her bit by bit, everything is all her people food for thought. But I know after the end of her life, but an infinite loss, the original Romy. Schneider played sissi not really her, that does not belong to her own happiness, but the movie is the story of a beautiful dream has fallen. Once said, are taken out of context a beautiful fairy tale, this story was altered into fairy confused, when you see the true colors of the story when he realize that this world is no fairy tale, happy people are always so few, immortal There are so many stories are deeply investigated for the content unbearable. We too are keen to have the perfect fairy-tale, right then, so many continue to perfect the story, and finally opened the veil that layer of dough, the result is the dashed dreams.
You are such a woman, always in the history of a similar no shortage, your beauty is not unprecedented nor non-repeatable, but reflects that women have tragic life, can not control the fate of many of the total, let us no alternative but to sigh, the original spirit of freedom is very important, it is that some people can not pursue to a lifetime thing.

『陆』 要两篇英文电影的影评，要求是英文，带翻译。。

"Spider-Man 3" to the large American-style American justice line, Stars and Stripes provides some background under a continuation of this tradition. Director of the Song and Dance Drama introction of a number of elements to make the movie tough transition soft lines. But many of them still exposed the inadequacies, such as the introction of the three opponents make films delicate enough. Although the three opponents makes the selling point of the film rich enough to describe the convincing. May is a long-time director of the restrictions on expression, that is to be regretted. The feelings expressed in the drama, the drama pm, because shear. Make no feelings lines, "Spider-Man 2" high. Directors may wish to use Parker and Harry's friendship elements to complement this part, it is regrettable that these were part of human nature to hide. After all, more than two hours of film shear Association inevitable lot of directors was reluctant to cut off part. Oh, the film overall is very strong. It should be said that the main thrust of expression is very delicate, very chewing head. Rhythm is still continuation of a rapid tradition. The taste is worth careful film. 《蜘蛛侠3》继续了美式大片美国式的正义路线，星条旗下的背影延续了这个传统。导演引入了一些歌舞剧的的元素力求使得影片硬朗的线条变的柔和。但当中还是露出很多的不足，比如三个敌手的引入使得影片的细腻不够。虽然三个敌手使得电影的卖点丰富，可刻画的不够有说服力。可能是片长的时间限制了导演的表达，可不得不说是个遗憾。在感情戏的表达方面，戏分被剪切的所剩无几。使得感情线路没有《蜘蛛侠2》的饱满。可能导演希望用帕克和哈里的友谊元素来补充这部分，但是很遗憾这些被人性的部分给掩盖了。 review: Se jie (Lust, Caution) (Venice 2007) 影评《色戒》 因为字数限制，只贴网址给你： http://www.mtime.com/my/shengzi/blog/583312/

希望采纳

『柒』 aquaman英语影评怎么写

用中文写再翻成英文
或真懒惰的话
上imdb或烂番茄找吧

『捌』 求楚门的世界英文影评，三百多词就可以了。50奉上，在线等

A prototypical adolescent at the beginning of the movie, Trumen feels trapped into a familial and social world to which he tries to conform while being unable to entirely identify with it, believing that he has no other choice (other than through the fantasy of fleeing to a far-way island). Eventually, Truman gains sufficient awareness of his condition to "leave home" — developing a more mature and authentic identity as a man, leaving his child-self behind and becoming a True-man.
In 2008, The Truman Show was named as one of the 10 most prophetic science fiction films. The story reflects the falseness of reality television. Truman simply lives, and the show's popularity is its straightforward voyeurism. And, like Big Brother, Survivor, and every other reality show on the air, none of his environment is actually real. Ronald Bishop's paper in the Journal of Communication Enquiry suggests The Truman Show showcased the power of the media. Truman's life inspires audiences around the world, meaning their lives are controlled by his.
Finally, the film was a financial and critical success, and earned numerous nominations at the 71st Academy Awards, 56th Golden Globe Awards, 52nd British Academy Film Awards and The Saturn Awards. The Truman Show has been analyzed as a thesis on Christianity, metaphilosophy, simulated reality, existentialism, and the rise of reality television.

『玖』 哈利波特3的英文影评

没有英文的~不好意思

喜欢这部哈利。故事讲得很流畅，该详的地方详，该略的时候略。该动的时候动，该静的时候静。细节的铺排颇具匠心又为故事服务。

让我稍微吃惊的是，与预告片给人的感觉相反，本片其实不黑暗。诚然，有些部分的色调很暗黑，尤其是摄魂怪出现的场合，可是也有大量非常明亮的场景。霍格沃兹的布景明显地轻快了很多。有不少镂空的设计；海格的小屋周围色调明快；破釜酒吧也不再黑沉沉的；连德斯力一家的装潢都不一样。最重要的是，即使在深沉的色彩中，也总有亮点，最典型的就是守护神咒发出的耀眼光芒，照亮了一切。就象邓不利多说的：在最黑暗的时候也有光明，只要你把灯点燃(大意)。明亮的色彩意味着我们看到更多魔法世界的细节，也给整部片子一种截然不同的感觉，我就觉得好象是处理图片的时候，把颜色调浅了20%，忽然原来藏在阴影里的细节纹理都显现了出来。又觉得春天来了，禁林里洒满了阳光，连打人柳都有了幽默感。

为什么有人会觉得罗恩沦为配角呢？首先，他本来就是配角，但是个可爱的重要的配角。我相当满意本片对罗恩的关注，很含蓄但从不冷落他。他有时还是那么迷糊，可他的台词充满幽默。更可贵的是，导演抓住了罗恩性格中最可爱的一点，他很放松，很谦虚，他给人安全感。赫敏冲上去要对马尔福施咒语，罗恩在后面说：不要，那不值得。而赫敏就听了他的话。非常棒! 再说，他哪里丑了?他不上照，可电影里他的表演，他动起来的时候，就只有可爱，不觉得丑。双胞胎也不丑。罗恩真正沦为跑龙套是在密室那一集，他的精彩台词都被赫敏说去了。

嗯，总是要说说哈利的。这小伙子越长越英俊，是不是要抢Olando Bloom的全球头号花痴对象的头衔啊? 真的，他的英气从银幕上弥漫到了观众席。汗，这是我想起哈利时最先想到的。大汗，我可以做他的阿姨……好吧，言归正传，丹尼儿演得很不错。这一集没有前两集那么乖，所以就没有那么闷，所以就比较有趣，比较更可爱一点。感觉他已经很习惯做哈利波特，比较放得开，敢怒敢笑。剧情完全围绕他展开，其他的枝节被大刀阔斧地删掉了。我已经在IMDB上看到有人把原著中被砍掉的细节列出来并抱怨着。傻。我没啥好抱怨的，书是书，电影是电影，看一场好电影是我们走进电影院时唯一的要求。

赫敏怎么样呢？她长大得似乎比较快一点，胸部有点出来了。整个人感觉没有那么骄傲了。那头蓬松的头发也蓬得没以前厉害。仍然漂亮，不过还是小女孩的时候可爱。我还发现纳威的脸已经不圆了，是长型的，小伙子有点往漂亮里长的趋势。所有的孩子们都腿长长的，显出骄人的青春。

卢平跟我想的一模一样，一个有点褴缕的，温和的，气质高华的好老师，因为一个月要变一次狼，所以脸上总有伤痕，也不是很健康。好舒服，这个演员选得很好。

夜深了，困死了。为免胡说八道，暂时打住吧。

霍格沃兹里的肖像生龙活虎，胖夫人还唱歌来着，至于她的歌喉如何，明天再说吧。

『拾』 美国队长3英文观后感 看《美国队长3》观后感三 怀着满心的兴奋与期待

• 作为美队2

• 的唯饭真的有点不希望唐尼插一脚啊（我真的挺喜欢唐尼的我不是黑）。队2是漫威这回么多电影唯答一从开头猜不到结尾的，视野也很宽阔。我本来觉得队长很弱（我道歉！我只看过电影啊很无知的！）

• 但看完队2直接转粉啊。总觉得队2加了寡妇就很正常，不会抢队长的风头，但是如果铁罐加进来，队长的独立电影就......变成了不知道是什么的东西啊！预算上，唐尼一个人的片酬就会很多，而且铁罐的特效肯定也巨烧钱吧。戏份上，唐尼要像寡姐那种角色重要度的话，麻淡到底看谁呢这是。

• 剧情上，敢不敢跟队2稍微衔接一丢丢啊，说好的要去找Bucky了呢.....而且主要是，美国队长的独立电影为啥要加个铁罐进来啊啊啊，队长和钢铁侠都去演《美国队长》了，那复联又算什么啊......总之听到这个消息的时候真是WTF心塞塞的