诺丁山电影影评
『壹』 诺丁山英语观后感或英语简介
观后感
Notting Hill
It may be a paradox to say that a film can sparkle slowly, yet that's the only way I can describe this charming romantic comedy. The star(dom)-crossed lovers don't know that they are Meant For Each Other ... yes, this is the standard RomCom setup. But the -way- they don't know? That is put across in a most British and deliberate pace and setting. And it makes the ending that we all know is coming gather color and charm.
"Notting Hill" takes over a third of its running time to show William (Hugh Grant) as he is immersed in his daily life, wanting to be supportive of his friends, yet searching for his own inner life. The five closest friends all show something he lacks: "happy" conformity, a loving marriage transcending obstacles, a sister who takes bold risks for finding love, and a roommate that sees through pretense and says so (and, yes, is delightfully vulgar).
That very British character-in-a-wry-setting pattern borrows from "Four Weddings and a Funeral," but the only friends there that I could consistently believe -mattered- to Grant's character were the gay couple, one comic, the other showing profound emotion. Here, all of the lead character's circle deeply cares about him, as he does about them. This makes all the difference.
Where it matters most is in giving him support when the American film beauty (Julia Roberts) comes into his life, then out, then in, then ... and all in ways that are believable for such dissimilar lovers. The romantic turns are more plausible because Grant's character has such support and a place for sharing his emotional roller-coaster ride. He isn't crushed by the down moments, but picks up his indiviality and moves on. And his friends tell him, sometimes with only searching looks, just when he's picked up -too much- of being on his own. (Okay, the moment towards the end when Spike puts his exasperation into three pointed, even vulgar, words is a refreshing change. Sometimes, when a friend lets loose with the pithy truth, it hits the needed spot.)
All this backstory, character richness, and pointed use of the "right" words are British qualities that we don't get with the standard American RomCom setup.
Gina McKee's turn here as Grant's wheelchair-bound female friend is of someone with deeply felt indiviality and unique perceptiveness, including her own tender perspective on loves past and present -- especially her husband. It's a glimpse into a woman with distinctive qualities that -she- has chosen. This makes her both appealing to all her friends, and forceful by quiet understatement. She also ends up being much funnier, when you've rewound the tape and end up thinking about the story. (Listen for her spoken turn on "standing up." No, it's not a cheap play on her limitations. Not in context. And that's subtle comic acting.)
Richard Curtis's inventive screenplay is one of the best in years, and would reward a look in book form as well. He takes this backdrop of supportive friends, puts in the sparkle of Roberts invading and shaking up their world, and creates a skein of personal truths and imposed celebrity nonsense.
Grant and Roberts are both passionate and bemused observers of the absurdities of fame that end up surrounding them, but they act this out in comic byplay and inventive responses. This isn't an American breakneck-pace (or "screwball") comedy, and their subtle discovery of each other's -minds- and substance wouldn't work in such a setting.
Roberts has both the easy familiarity with and the hair-trigger of frustration from fame, both coming out to undermine her when she least expects it. But she shows that she can grow and learn from her mistakes. (Unlike her well-acted but overexplained realization at the end of "Runaway Bride.") She even has one scene -sans- makeup that is a genuine romantic turning point. I don't see many other actresses being willing to try that.
Grant shows an astonishing inner strength and self-awareness, not being willing to hide how -he- sees reality. (He did the same realistic turn in "Four Weddings," but didn't try nearly as effectively to figure himself out.)
The photography and settings show off London beautifully, and the story's interior scenes make highly imaginative use of a narrow, stacked-up Notting Hill mini-townhouse.
Only two items give this any less than a 10 rating from me -- and even then, only down to a 9. The director doesn't take up very many opportunities to build on the comic or dramatic moments in the screenplay. He coasts on the words. They're good words, but they need a twist at times.
The other partial disappointment is with the musical score. It isn't really a score, or much of one, it's mostly popular tunes that underscore the action. One of these is luminous, and frames the story perfectly -- Elvis Costello's cover of "She." Others, though, use their lyrics to grind plot points into the ground. They also are usually performed far too high in volume, and sometimes lapping against dialogue.
(The two original themes by Trevor Jones are beautiful, lushly written, and quite fitting to the main characters. We should have had more of his work, but they're less than a fourth of the film's music.)
The British often put more creativity below the narrative surface and into the setting than Americans do, and often get beyond formula. To discover this in a film is joyous. You'll feel this when you find yourself compelled to see this deeply felt, yet very funny, film twice, thrice, or more. For me, it's still delightful after nine months and nine viewings.
『贰』 我为什么喜欢诺丁山英文影评
Notting Hill proves one thing -- jokes lie in the oddest places. This film is an excellent vehicle for Julia Roberts to put her own life as an actress under the microscope. While Roberts' "Anna Scott" character isn't an autobiographical figure, the Scott character allows for some biting satire at the life of Roberts herself. Need I mention some excellent one liners in the film like the sister of Hugh Grant... "I feel like we are sisters", an excellent throw-back to "My Best Friend's Wedding"... or my favourite, a discussion about nude body doubles just before a nude Julia Roberts (or a Julia Roberts body double) crosses the screen.
Apart from the small bit of satire, Grant's character plays on the emotions of every guy who has ever unexplainably fell in to, threw orange juice-on, lost out on, and fell back in to love. Roberts character can only help us understand how such a relationship as the one her and Grant share in the movie, could be "Surreal, but nice."
楼主不喜欢这段的话，下面的参考资料中的链接上有500多篇影评，自己去选吧!
『叁』 诺丁山 英文观后感
I think this movie was done exceptionally well. It is a love story that is funny, sad and keeps you interested all the time. The movie could have done with out some of the language, but otherwise this movie is great for all ages and types of people. Julia Roberts was as expected, a good job--not an oscar, and Hugh Grant did better than in his recent films. I highly recommend this movie!
『肆』 电影《诺丁山》观后感!!!英文300字内
Notting Hill is a romantic film by Roger Michell. It was written by Richard Curtis (one of the top screenwriters in the UK) in 1999. As regards the plot, if we summarize it, we can say that a very famous Hollywood movie star, Anna Scott, falls in love with the owner of a bookshop, a normal fellow, in the charming London district Notting Hill. Apart from the fact that I like the actors very much, Julia Roberts (Anna Scott), and overall Hugh Grant (William Thacker), I think that this is a good film, because I also like comedies, and Notting Hill has, in particular, an original plot, and it's a very entertaining film. There are quite humourous notes, among them the way in which Anna and William meet, because he spills orange juice on her T-shirt. William's flatmate, Spike (Rhys Ifans), provides comic gags for the film. He's absurd, funny and indiscreet, but he also tries to help his friend. Even though the love at first sight between Anna and William is immediate, when the ending is close, he rejects her because he heard her speaking dismissively of him to her co-star. So, the excitement is kept until the end, when he realises his mistake and runs after her. The leading role in the film is shared between the main actors and the Notting Hill district itself. It is the centre where a lot of cultures and people from different worlds come together. This film poses a very current problem: the relentless pursuit that famous people suffer from the paparazzi. Moreover, Anna Scott sees how some suggestive photos of her that were taken some years ago are publicized. Finally, if you want, you can enjoy its soundtrack, which is wonderful. In particular, it has a nice song by Ronan Keating titled `When You Say Nothing At All'.
『伍』 有关电影诺丁山的影评资料
电影《诺丁山》十年观感
初闻这部影片的我，当时还是个懵懂的大学生对爱情充满了无尽的遐想和憧憬。当时看来，只觉是一部完美结局的爱情影片，并没有过多的感触。十年后的今天，再看这部影片，当真感慨万千，感慨男主虽然生活不顺利，但却有可爱的室友，一群相亲相爱的朋友，他们中的每个人都遭受自己人生的黑暗时刻，但是他们却依旧乐观，积极的，艰难的生活着...
而她一个和他们看似完全不在一个世界的人，却奇迹地出现在了男主的世界里，犹如中了500万彩票一样，让人活在梦幻里，那感觉不可思议，难以置信。男主和女主的爱情，按照现在的爱情视角，门当户对来看，显然是完全不合适的。最明显的一点，男女主不在一个社会阶层上，女主一部影片就能赚1500万英镑，而男主经营的小书店，常年亏损，生活平淡没有一丝波澜。其次，男主对于女主一开始的喜欢，像极了粉丝与偶像之间的爱慕，充满了呆萌和纯碎。而女主的主动，造就了男主粉丝心理的炸裂，无可救药的着迷和爱上了她，并且幻想占有她，永远和她在一起。而后知道女主有男朋友，那种失落和内心的难受和煎熬，像极了失恋的人儿，多么渴望那个爱着的人能回来，继续相爱，可是这结果让人神伤，心碎...
搁在现实生活中，两个社会阶层相差如此大的人，是很难走到一起的，就如男主说的那样，他无法理解一个女明星的处境，无法理解聚光灯，无法理解那些无谓的八卦报道，因此，就算女主这么如花似玉的女神请求他来爱他，他也拒绝了。可能这才是现实，现实让我们恐惧，害怕之后的所有麻烦，在情感面前更多的会选择逃避和放弃...
影片的结尾，很多人说像极了童话，但是我认为它似乎是要告诉所有相信爱情的人们，也许你也曾或者至今仍然相信爱情，但是要成就一段爱情，男主最后的决定的转变以及朋友的推波助澜却是剧情进展里格外重要的环节，一旦男主自己选择了放弃以及周围朋友的声音多数选择了反对，试问男主还有后面的故事和浪漫的姻缘吗？结论可想而知。可以说，这部影片让我喜爱的一个重要的原因，不外乎是告诉人们，浪漫爱情人人都渴望，但是请拿出渴望爱情的勇气和力量，才能成就美好爱情。否则，就算安排了美好的相遇，依旧会错失爱情。想爱就认真、勇敢的去爱吧，电影的结尾那一幕不正是你想要的吗?夕阳西下，公园里，妻子依偎在丈夫身上，肚子里怀着美好爱情的结晶，那一幕显得格外的温馨和美好....
『陆』 《肖申客的救赎》的影评
现实的神话－－看“肖申克的救赎”
望是人类最美好的拥有, 只要自己不放弃, 希望就会永远相伴相随。安迪很认真地对几个好友说出这样的话, 换来瑞的沉默, 许久, 他才开口, 希望是危险的东西, 是精神苦闷的根源。然后, 瑞没有再抬头看安迪一眼, 他离开了饭桌, 安迪则静静地目送他离开。镜头上摇, 看见铁窗外悠蓝的天空……
“肖申克的救赎”有名“刺激95” 是佛蓝克．达拉邦特的作品, 讲述了一个在名为沙堡的监狱, 安迪是怎么自我救赎以及怎样帮助朋友们找到精神家园的故事。
因为被诬告谋杀自己的妻子和妻子的情人, 安迪被法庭宣判终生监禁, 影片很巧妙地使法庭上的宣判闪回一连串谋杀当晚的情景, 喝地大醉的安迪和他那双暗夜里充满仇恨的蓝色眼睛, 他的手枪一直握在手中, 但是, 最终还是放了回去……极其充满讽刺意味的是, 镜头明确地告诉我们, 安迪没有杀人, 而法庭却因为对方律师一系列有力的假设般的推理, 对一个年轻有为的银行家处以无期徒刑, 这对他的事业和未来无疑是判处了死刑。
当安迪在其他囚犯的带有挑逗意味的喊叫声中, 走出囚车时, 他的眼底竟然没有任何意识, 像是灵魂被抽空了一般。走在人群中安迪的孤独气质很快便吸引了老囚犯瑞, 他和其他朋友打赌, 他说, 今夜, 第一个哭出声的就是这个高个子。然而, 安迪的沉默让他输了两包香烟, 但是瑞却开始在心里对安迪有了一种特殊的感觉, 是一种想进一步了解他。自此, 影片由镜头的客观视角转而成为瑞的主观视角, 摄影机成了瑞的眼睛, 瑞的独白……
第一次, 安迪和瑞的对话是, 请瑞为他在外面买一个手锥。瑞用怀疑的眼睛看着他, 安迪解释说, 他只是为了消磨时间而想雕刻石头罢了。于是, 安迪得到了那把手锥, 没有人对安迪的动机表示怀疑, 因为用瑞的话来说, 用那个来挖洞估计要六百年才行。然后的一次义工中, 安迪运用自己的聪明才智为每个做义工的囚犯争取来了每天早上10点钟在天台上喝冰啤酒的待遇。于是, 当10点的太阳照在他们疲惫的身体上的时候, 他们围坐在一起, 喝着可口的啤酒, 就像在自家的天台上修理一样自在。而, 安迪却只是坐在远处带着一点笑意的看着他们， 似乎是他来到沙堡的第一次的笑容。之后, 监狱长利用安迪的学识为他洗黑钱, 为此安迪被调到轻松的图书馆工作。安迪看到图书陈旧, 书目很少, 便每一周写两封信去相议员请求增加书目。在他坚持不懈的努力下, 议员终于寄来了拨款；安迪也许永远忘不了处见沙堡时候片刻窒息的感觉, 摄影师罗杰．迪金司没有过多的买弄花哨的镜头, 他只是娴熟地用了两个镜头, 一个是从监狱门的上空大俯拍, 一个是从监狱门的下面往上仰拍, 两个镜头很快地重叠, 再分开, 变形的门和由内而外的透视监狱的全貌, 扭曲的世界预示着安迪将来的命运, 与其有异曲同工之妙的是国内导演张意谋的“大红灯笼高高挂”中的颂莲提着箱子无住的站在门口, 整个画面的构图就是一个很大的口字, 似乎要将她整个热门内吞进去一般。
影片的画面采用的多是四分之一侧面, 在人物特写出现时多用灰色, 黑色的色调, 强调出沙堡的抑郁和狱警没有人味的事实。片名“申肖克的救赎”, 其实是指安迪在沙堡所做的一切, 即使因为洗黑钱, 安迪得到了比其他囚犯好的多的待遇, 但是， 他依然知道那些所谓的正人君子, 那些把圣经挂在嘴边的监狱长和狱警们, 只是在利用他干着黑暗的勾当, 他看得很清楚, 这一切, 从他第一天进来, 看见保式怀里的那只小小的渡鸦时, 他就在渴望自由, 他从未想过放弃对自由的向往, 自由是是什么?是, 沙堡的墙外那片蓝得近乎于透明的天空 ；是, 安迪一个人独处时, 幻想太平洋那片湛蓝色的博大海水时凝神的双眼中所透射出的忧郁；是, 阳光下几个囚犯围坐在天台上喝啤酒的情景；是，保式将他养了很久的杰放飞的那一刻, 遥望囚窗的伤感；是, 初春的午后, 阳光普照下, 公园里保式喂鸽子时, 想念杰时温存的笑容；是, 飘散在沙堡上空“费加罗的婚礼”；是，阳光下, 囚犯们围坐在天台上享受冰啤酒的舒爽；是, 大雨中, 安迪向天空伸出双手的激情；还是, 海滩边, 瑞向他缓缓走来? 也许, 一切只是为了获取自由, 人与人之间对于自由的渴望是平等的, 并不会因为囚犯而有所减少。正如瑞在最后对检察人员所说的, 我真是很想和我的过去说话, 和那个什么都不懂的小孩子说说话……无尽的沧桑都包涵在这样的积聚简单的话中但是却可以直指人心。
安迪选择的生活是跳出来, 使自己不被沙褒内残暴的制度所麻木, 变得对它依赖, 被它侵蚀, 他一直过着隐忍, 置身与度外的生活中, 身体虽然被囚禁了， 但是灵魂深处对于自由的向往却没有因为时间的流逝而改变。他在这种钝重而又疼痛的选择中证明了人之所以成为人的特质。
最难能可贵的是, 安迪不但要对与自己进行救赎, 当他眼看着周围的对沙堡的生活越来越依赖, 甚至于对于重获自由变的麻木的时候, 他想尽一切办法帮助他们， 唤醒他们沉睡地灵魂。为此他一周两封信写到议院请求扩建图书馆, 他冒险通过广播播放歌剧, 虽然听得懂的人很少， 但是那奇妙的歌声却是那么美妙, 把每个人心中的梦想都放飞了出来。他通过自己一些看似以卵击石的行动, 一次又一次地撞击着沙堡的残酷制度, 摧毁着狱头所谓的命运掌握在他的手中这一说法。
他向所有人述说着一个不变的真理, 自由就是在阳光下自由的呼吸, 于是, 他用了19年的时间, 挖开了常人几乎要挖600年的隧道, 他在500尺的粪坑中匍匐前进, 地狱和天堂只有一线之隔, 于是, 在对那一片悠蓝的天空和大海的向往下, 安迪终于重获自由, 并且惩罚了有罪的狱头等人。他创造了一个现代的神话。
影片中几乎没有提到爱情, 讲述最多的是人与人之间的友情。安迪和瑞, 两个默契的朋友, 当瑞接过瑞送给的口琴时, 双手的请颤, 和安迪在入狱十年后接受一份来自瑞的海报时, 眼底漾起的温情, 都是想冬天的阳光一样温暖的友情。他们在默默地彼此关注着, 即使安迪自己得以逃脱, 他也没有忘记好友的未来, 他在橡树下的信, 将瑞最终带到了他的身边, 同样在一片湛蓝的没有记忆的海水中笑着……
重温《肖申克的救赎》
这是一部比较早的片子了，我已经看过挺多遍，但仍忍不住又重温一遍，而且 每 一次都能被影片本身打动，可能是片中反映的两种人类美好的感情：自由与友谊
自由是什么，就是能在阳光下悠闲自得的呼吸。对于我们而言，它就想空气， 平常的让你根本不去想失去它会怎样，但是自由对于那些高墙内的囚徒，尤其是 那些注定一辈子都要呆在那里的人们又是都么珍贵而又遥不可及的幸福。安迪最 后逃出鲨堡，是什么实现了对他的救赎？可能是他心中对自由的渴望，是希望的 存在吧！所有人都被体制化了，从一开始憎恨这儿，到习惯这儿，最后到依赖这 儿，这就造成了老布的悲剧，在这个残酷的地方，人们到底应该信仰什么？像监 狱长说的那样？---我坚信两件事情，一为管训，一为圣经，你们两样都少不了， 在这里你把信仰交给神，把命交给我们。可是囚徒门能依靠从而得到救赎吗？首 先，作为司法（管训），它对于安迪是不公正的，因为误判而入狱，而做为司法 象征的监狱长为了继续让安迪留下为他洗钱而枪杀了汤米，在这个司法机器内， 人命如草芥，法律不能作到真正意义上的公平。其次，圣经（宗教）能解决什么 让人精神有所寄托，丢肉体的折磨更加麻木？它并不能解决实际问题，作为基督 徒的狱警毒打犯人致死，他们在一定程度上犯有“渎神罪”。而监狱长则更厚颜 无耻地标榜自己是人们的“救星”，可笑的是，他妻子在教堂为他绣的标有“主 的审判迅速降临”的挂毯后面居然是他藏洗钱证据的地方，也是对他这种伪教徒 的嘲讽，而这块挂毯也成了他最后结局的一种预示，而当安迪明白两者都不能为 他带来自由后，他只能依靠自己，凭着对于自由梦想和信仰，最后实现了对自己 的救赎。而他在狱中的努力，也表现了他并不认命，不妥协于现状，越是努力一 点，就越觉得向自由迈近了一步，至少是自己心中的自由。
自由是什么？
1. 高墙内囚徒头上的那片蓝天
2. 安迪时常流露出希望和纯净的兰色眼睛
3. 阳光下，囚徒们坐在屋顶上喝啤酒的景象
----于是呢，在完工前一天，四九年春的公差犯人，在早上十点坐成一堆，
喝着冰凉的啤酒……阳光撒肩头，仿佛自由人。象在修缮自家屋顶，我们象是造物主一样自在，安迪呢？他窝在凉荫下，脸上挂着奇怪的微笑，看者我们喝他的酒，你可说，他想拍狱长的马屁，或博取囚犯的友谊，我只认为他想重温自由，那怕一刹那
4. 老布饲养的小杰从窗口飞走时
5. 监狱上空飘扬着“费加罗的婚礼”
----我从未搞懂他们唱什么，其实我也不想搞懂，此时无言胜有言。她们唱出难以言传的美，美得令你心碎，歌声直窜云端，超越失意囚徒的梦想，宛如小鸟飞进牢房，使石墙消失无踪，就在这一瞬间，鲨堡众囚仿佛重获自由
6. 安迪在闪电中向天空伸出双臂
7. 碧海．蓝天．小舟不要相信任何东西，只有信赖自己；可以放弃任何东西，惟独不能丧失希望。
整部片子几乎没有爱情（如果安迪对妻子的回忆算是爱的话），只有男人间的友情，而且是发生在监狱这样一个环境中，相比外面的世界，这里的友谊或许 要更纯粹更干净，没有杂质。从安迪的朋友身上我们可以看到人性善良的一面， 不管他们过去作过什么。安迪的朋友阿瑞，总是作为一个清醒的旁观者出现，总 是用悲天悯人的眼光看待周围，我觉得这里有两个人可以称为智者，一为安迪， 一为阿瑞，而阿瑞则比安迪更为内敛。安迪是因为良好的教育和坚韧的性格，而 阿瑞更多的是与生具来和经历过很多事情后沉淀下来的智慧，当你仔细体会时， 就会发现他的智慧犹如洒落在沙砾中的金粒一样烁烁发光。他们的友谊是不是建 立在惺惺相惜的基础上？我觉得他们是一类人，有亲和力，但又谨慎地和周围保 持距离，清醒面对周围，同时又有预见性，如果说不同，就是安迪对未来有更多 希望，而且能够去设法实现，他们之间并不是亲密无间，保持距离而又彬彬有礼
中国有句古话：君子之交淡如水。也许这样的友谊才是最牢固，最持久的。当安 迪在黑暗中凝视他十年庆的礼物，当阿瑞抚摩那管口琴时，你能否感受到两人之 间的友谊和互相为对方注入的希望？
『柒』 诺丁山影评
《诺丁山》：童话照进现实
耀眼的闪光灯，众星捧月一般的簇拥下，她微笑，招手。所有的光环褪去后，淡淡响起的是他的声音：“of course I've seen her films and always thought she was, well, fabulous. but, you know, a million, million miles from the world I live in, which is here, Notting Hill, my favourite bit of London...”
一个生活在他童话般梦想中的女星，就这样在某一天不期然的闯入了他的小店，甚至他凌乱的生活。从他再一次打开门她送上的一吻开始，他的生活便彻底的发生了改变...
很多男人在意自己和对方的差距究竟有多大，在意是否自己更成功。他们欣赏那些优秀的女士，但是却难以接受对方远远优越于自己的现实，或许只有在大男人的身份之下，他们才能够在虚荣心得到满足的同时感受居高临下的快感。但如果一个事业并不成功的男人发现公交车厢上广告中的明星时而优雅时而随性的降临时，他所能感叹的或许只有爱情的神奇。
她，妆容精致，八面玲珑，拥有不成功的婚姻和不快乐的生活，但是却有成功的事业，无论是晚礼还是便装，她总有让人惊艳的瞬间。他，不温不火，内向收敛，拥有可爱的亲人和朋友，也拥有一家常常亏损的小店，戴着那有些傻气的眼镜，他总是用他的英腔传递着内心的小矛盾。有太多人说这部片子是虚假的童话，是俗套到一看开篇便猜到结尾的时光消磨者，可是从片头的"She"唱响的瞬间，我就爱上了它。
张爱玲说，爱就是不问值不值得。为了这份童话般的爱恋，他努力克服着自己的紧张，跟随在她身后，接受无数镜头的检阅；为了这份童话般的爱恋，她暂时停下自己的事业来结婚生子，放下明星的身份，衣着优雅而平凡，来到他的小店，她说：“我只是一个普通的女孩，站在一个她所爱的男孩面前请求他来爱她。”这就是爱情，没有尊卑，没有理由。
不想再来强调一家人围坐在一起互叙衷肠的场面有多么温馨感人，不想再赘述安娜和威廉躲开世俗的镜头之后在一起的快乐时光，不想再渲染影片的结局光鲜的明星转变为身怀有孕的小妇人躺在丈夫身边安享生活的甜蜜，这部电影给我们的感受让任何语言都会显得苍白无力。没错，它是一部童话，因为它美好的让人们不敢相信，可是如果我们不愿意再去相信童话，有会错失多少美丽的情怀。只要相信，或许有一天，童话就真的会发生在我们的生活里。
“管什么天长地久，只要能真心相爱，一分钟也是好的。”
『捌』 哪有好的诺丁山影评
电影《诺丁山》是一部让人看完后不得不久久思考的作品，虽然她是一部喜剧色彩的影片！
电影讲述的是在英国的一个普通小镇上，男主角与一个生活邋遢的室友住在一起并开了一个卖旅游方面的书籍的店，经营效果并不好，他是一个很平常的英国男人！而女主角是美国好莱屋的当红影星，是一个十分著名的人物，二者社会地位相差悬殊。但他们相爱了！相爱的有些不可思议，我不是说他们的社会地位不同不可以相爱，而是因为我看不出他们相爱的任何基础，他们仅是见过一面后，好象就相爱了，很象我们中国所说的“一见钟情”！
除了上面一点以外，总的来说，这部影片还是相当不错的（如果能把男女主角相爱的基础打扎实一些的话，那就十分完美），宁静的小镇环境下发生的一起十分浪漫而且时时由于雪碧而带上幽默的故事！尤其是女主角最后说的一句话：“我只是一个普通的女孩，站在一个她所爱的男孩面前求他爱她。”这句话是多么的单纯，又是多么的令人倾心呀！总体上，影片采取多组矛盾冲突来引起高潮，男女主角不断的互相误解直至解决矛盾，两人这时才是真的达到了相爱！
the feeling of film"Notting Hill"
the film " Notting Hill " , people would think for a long time when he watched , though she is a film of comedy color ! The film tell that at one ordinary small town of Britain, the actor live with a slovenly room-mate and he have small shop sale on books about travelling , but few people buy his books , he is a very ordinary British man! but the actress is the hot movie star in hollywood fields ,she is a very famous personage , the social status of two person are different greatly. But they are in love! In love and a bit inconceivable, I do not say their social status is different can not be in love, but because I can not find out any foundation in love of theirs, after they have only seen one side, it seems in love , very as our China said" fell in love at first sight " !
Except above this , generally speaking , the film pretty good (if can play sturdy actor and actress in love foundation, then perfectly), quiet small town take place very romantic love story and often pulling the humorous story to ,because of Sprite together! Especially a word which the actress says finally: "I am only an ordinary girl, stand in front of a boy that she loves asking him to love her. " how 's simplicity,how it is make people cordial! Generally, film adopt much group's contradiction conflicts cause to the high tide , constant misunderstanding , until resolving contradiction each other of actor and actess, it was in love that two people really reached at this moment!
『玖』 《诺丁山》中文影评100字左右
很多人长大后都无法用寻常的语气去复述一个爱情故事，不论是自己的还是别人的，现实里感情的道路从来都不会平坦，但也有那么多人为此披荆斩棘。爱情当然是美好的，不过我们可能也有太多儿时童话里王子和公主幸福的生活在一起后而带来的后遗症。朱莉亚罗伯茨走进诺丁山的一家寻常书店的可能性有多大，爱上书店男主人的故事又有多少可信度，这个世界三只脚的青蛙很多，但相信.........